They Don't Make 'Em Like They Used To

Dust Be My Destiny (5 stars)

2012-03-03T06:00:00.267-05:00

Dust Be My Destiny, a 1939 romantic drama starring John Garfield and Priscilla Lane, is my absolute favorite John Garfield film. It's rare that a Garfield film brings anyone to tears, but this one definitely does that to me, and in honor of Mr. Garfield's upcoming birthday, I decided a re-watch of this beloved film was in order. (I've seen this film five times, I think, and it touches me every single time.)

After serving 16 months jail time for a crime he didn't commit, down-on-his-luck Joe Bell (John Garfield) is released from prison when the real criminal makes a confession. Although Joe had told the truth at his trial, he wasn't believed, and now that he's free, he is angry and bitter and vows to look out for #1 from now on.

Hopping a train with two teenage boys, Joe heads out of town; after two additional men jump the train at another location, a scuffle breaks out, alerting the railroad personnel to the men's presence. Charged with vagrancy and disturbing the peace, Joe and the others are sentenced to 90 days labor at the county work farm.

While Joe is on barn duty, he makes the acquaintance of Mabel Alden (Priscilla Lane), the stepdaughter of the farm's superintendent. Though their first meeting is anything but pleasant, eventually, Joe and Mabel fall in love, and for the first time in his life, Joe wants to put down some roots.

When Mabel's stepfather (Charlie) catches the two lovers kissing in the barn, he is enraged and attacks Mabel. Defending Mabel, Joe fights with Charlie; after the altercation, Charlie falls to the ground unconscious and Joe and Mabel go on the run, even getting married at the first opportunity.

After hearing on the radio news that Charlie has died and that convict Joe Bell is being sought for his murder, Mabel urges Joe to give himself up and to explain what really happened. Having told the truth and not been believed before, Joe has no intention of putting faith in the law again; therefore, they remain on the run.

Eventually, Mabel and Joe come to a town where they believe they can settle. Feeling that Joe and Mabel are good, hardworking people, a kindhearted man gives them both jobs. Though Joe is skeptical and mistrustful of everyone, he discovers an abundance of kind, caring people, and he begins to think that maybe, just maybe, things will work out for him and Mabel. As they try to make a life, though, the past has its way of rearing its ugly head, and before long, the newly married couple may be forced to run again.

Will Joe and Mabel ever be able to stop running? Will Joe be cleared of murdering Charlie? Will Joe, who really is an honest man, remain honest? Or will he be forced to use the gun he carries in his pocket? These are the questions which play out in the balance of this touching film.

Dust Be My Destiny is a lovely film. Seems strange to call a John Garfield film lovely, but it's true. There are several very touching moments, especially as Joe discovers that there really are kind people out there, people who are willing to give him a chance. Another especially touching scene (to me) is when Joe and Mabel argue and decide to split up. As they both walk in opposite directions, both are continually looking back at the other, and, finally, Joe runs to Mabel. It's rare in a 30's film for the man to be the one who comes running back, and it really touched me that he did.

In my opinion, John Garfield was a truly amazing actor---really one of the best and quite under-rated. Always fantastic as the cynical, misunderstood man with a chip on his shoulder, Mr. Garfield is totally stellar in this role. Priscilla Lane is wonderful too; in fact, this is just as much her film as it is Garfield's. Dust Be My Destiny is my favorite of her films as well...though The Roaring Twenties is only a miniscule distance behind.

The chemistry between Garfield and Lane is great; of course, they had already worked together in Four Daughters and Daughters Courageous (and would also team up again in Four Wives), so perhaps they were just comfortable with one another. At any rate, they were wonderful together in this film. The life and vulnerability they brought to their characters made me really care about both of them. The supporting cast, which includes the always-delightful Alan Hale, is wonderful as well.

This film is not out on DVD; however, it is on VHS, so perhaps you could track down a copy. TCM airs it periodically (that's how I caught it), so perhaps it will be on their schedule again in the near future. Definitely keep your eyes out for this one, especially if you are a John Garfield fan (as I am).

Happy viewing!!

Dark Victory (5 stars)

2012-03-02T06:00:00.351-05:00

From that golden year of 1939 comes Dark Victory, a sentimental tearjerker starring my #1 gal, Bette Davis, and George Brent, with Geraldine Fitzgerald taking on a supporting role. Also appearing in this incredibly beautiful film are Humphrey Bogart, Ronald Reagan, and the delightful Henry Travers. Without question, Dark Victory is one of my 20 favorite movies of all time, and as such, it is my second favorite Bette Davis film and my absolute favorite George Brent film. I thought a re-watch of it was perfect for my George Brent birthday month celebration.

Wealthy socialite Judith "Judy" Traherne (Bette Davis), who spends her days shopping, playing bridge, having cocktails, and riding her horse, has been having headaches for several months. Pushing aside the concern of her friend Ann (Geraldine Fitzgerald), Judith refuses to see a doctor and intends to go about life as usual.

However, after an episode in which she is thrown from her horse and another in which she collapses on the stairs, her loved ones take her to the family doctor (Henry Travers). Wanting the input of a specialist, Dr. Parsons contacts brain surgeon Frederick Steele (George Brent).

In the process of giving up his practice to focus on research instead, Dr. Steele is reluctant to take on Judith's case. However, after meeting her and noticing some things which alarm him, he changes his mind. Although Judy insists there is nothing wrong with her, Dr. Steele, believing otherwise, schedules her for some tests, which confirm that there is a tumor on her brain. Surgery is Judy's only option, and Dr. Steele undertakes the operation with high hopes; however, his hopes are short-lived, for he realizes that Judith's tumor is the kind which will grow back. Although the doctor seeks several opinions, they all come back with the same grim prognosis and the expectation that Judy will die within ten months. Not wanting Judith to know of her imminent death, Dr. Steele keeps the news to himself.

Not long afterwards, Judith and Dr. Steele realize they are in love with one another and plan to be married. Although he knows he will ultimately lose her, the doctor loves Judith and wants her to be happy for what time she has left.

Before they can marry, though, Judy discovers her medical file on the doctor's desk, and she is furious at his deception. Bitter, and believing he is only marrying her out of pity, she breaks off the engagement and seeks to find solace in drink.

Will Judith find the peace she so desperately needs? Will she forgive the doctor for keeping the truth from her? Will they get married after all? Those are the questions which play out in this incredibly gorgeous film.

Dark Victory is a very touching and tender movie...and it is definitely a tearjerker. Bette, who received a Best Actress Academy Award nomination for her work here, does her usual brilliant job. She is positively wonderful!! The life and grace she brings to the character of Judy Traherne has made Judy one of my favorite film characters. Truly, Judy's transformation is beautiful and moving. The only negative I have is that Judith is supposed to be 23 years old; Bette was 31 at the time, so you just have to "blow off" the fact that she doesn't look like a 23 year old. The age factor wasn't at all essential to the story, so I'm not sure why they felt it was necessary to say she was 23. The very dashing George Brent, whom I really like but whom I do not consider an exceptional actor, gives what I think is one of his best performances; he and Bette have great chemistry together here...though since they made thirteen films together, that's not a surprise.

It was fun seeing Humphrey Bogart before his star had begun to rise, though as a stable hand, he was definitely not in the kind of role with which he is generally associated.

Out on DVD, Dark Victory should be very easy to track down. Additionally, it's on the TCM schedule for this Sunday, March 4th (10:00 a.m. ET). Definitely be sure to see this gorgeous film---and have the tissue box handy when you do!

Happy viewing!!

On the Blogging Agenda for March

2012-03-01T00:00:00.000-05:00

A new month is upon us, and with the new month, comes a new focus for me and for this blog. While February saw me writing about other stars, the ones who saw the most action here at They Don't Make 'Em Like They Used To were the birthday folks---Clark Gable, Ida Lupino, and Lana Turner. It used to be that I celebrated my favorite stars by watching one of their films on their birthday; however, I decided to celebrate all month long by watching several of their films and doing so all throughout the month. I wrote about many---but not all--of those films. I liked doing that and have decided to continue that practice.

Only three of my faves are March babies---John Garfield

George Brent

and Joan Crawford

I will be overloading on their films this month...and writing about them too. While I'll be re-watching my tried-and-true favorites, I also hope to discover some great "new to me" films.

Also on the blogging agenda for March is Montgomery Clift, another of my huge faves. Actually, Monty comes in at #4 on my fave list...just a bit behind the "beloveds" (William Holden, Robert Ryan, and Gary Cooper).

Comet over Hollywood is hosting a "Gone Too Soon" blogathon---a lovely tribute to those wonderful stars who left this world much too soon. My contribution to that event will be in honor of the fabulous Mr. Clift. While I've already reviewed many of his films, for this blogathon, I'll be reviewing another couple, plus sharing a bit about this troubled man's life.

Finally, I have added someone new to my top 20 list, and I will be watching and writing about his films too. That man is Van Heflin.

Mr. Heflin's addition to my top 20 list is, quite honestly, something I never in a million years would have expected, for when I first encountered him, I thought him very milque-toasty. I'm not entirely sure why I felt that way, because that film was 3:10 to Yuma, and his character in that movie (Dan Evans) was quite brave and courageous...no less so than High Noon's Will Kane, who is one of my all-time favorite film characters. I suppose it was playing opposite Glenn Ford that did Van Heflin in for me. Since that time, though, I have watched several of Mr. Heflin's films, and I have come to really like him; in fact, when I see his name among a cast, I generally choose to watch that movie. Therefore, difficult as it was to remove Joel McCrea from my top 20 list, I had to do so in order to make room for Van.

So, it'll be mostly John, George, Monty, Joan, and Van this month here at They Don't Make 'Em Like They Used To. I hope you'll join me and perhaps discover a film or two (or three or four) that you absolutely must see.

Too Late for Tears/aka Killer Bait (4 stars)

2012-02-29T06:00:00.010-05:00

Too Late for Tears is a 1949 film noir starring Lizabeth Scott, Don DeFore, and Dan Duryea, with Arthur Kennedy and Kristine Miller taking on supporting roles. Re-released in 1955 under the title Killer Bait, this very exciting noir, gets to the action right away. There's no waiting around for things to happen in this film; from the very first scene, the femme fatale (in the person of Lizabeth Scott) is working her wiles...as she will do until the final scene.

Enroute to a Hollywood party, Jane and Alan Palmer (Lizabeth Scott and Arthur Kennedy) have an argument, with Jane demanding that they skip the party and just go back home. As Alan turns the car around on the dark, nearly-isolated highway, an oncoming vehicle comes dangerously close to them, and as it overtakes them, a briefcase is thrown into their backseat. After discovering that the briefcase is loaded with cash, the Palmers realize the briefcase was inadvertently given to the wrong people and that it was actually meant for another vehicle...a vehicle which is now chasing them down the highway. Sure the money was probably a blackmail payoff, Alan insists they turn it over to the police; however, Jane, who wants to keep it, convinces Alan to wait a week or so before doing so. Alan reluctantly agrees, and he checks the briefcase at the train station. While she tells her husband that if he doesn't think they should keep the money, they won't, in reality, Jane has zero intention of giving the money up...ever.

The next day, a man named Danny Fuller (Dan Duryea) pays a visit to the Palmer apartment. Jane soon discovers that Danny was the intended recipient of the cash and that he had been the one who had chased them down the highway the night before. Tracking the Palmers through their license plate number, Mr. Fuller demands his cash. Realizing that Fuller might be of help to her, Jane decides to use him to her advantage.

With Danny as a decoy, Jane kills her husband, then proceeds to play the "worried wife" when he fails to return home that evening. Jane isn't home free with the money though. For one thing, she can't seem to locate the claim ticket for the briefcase, and Danny, who never wanted to get caught up in murder, continues to demand his cash. On top of that, Alan's sister, Kathy (Kristine Miller), and Don Blake, an old Army buddy of Alan's (Don DeFore), have gotten suspicious and are beginning to investigate.

Will Jane play fair with Danny? Will he play fair with her? Or will one of them double-cross the other? Will Kathy and Don get wise to the fact that Alan is dead? These are the questions which play out in this exciting noir.

Killer Bait is a wonderful, highly entertaining film. While it's not my favorite noir (Double Indemnity is), it is definitely high on my list of faves. Dan Duryea, always great in these "sleaze ball" roles, is totally wonderful here. Actually, I think he's the best thing about this film. He is appropriately hard, brutal, and commanding...yet he more than meets his match in Lizabeth Scott's femme fatale. As for Lizabeth Scott, I have to admit, I am not a huge fan of hers. I would have enjoyed another female lead here---perhaps Rita Hayworth or Lauren Bacall. Scott worked, though; I just don't overly care for her. All the other roles were fine, especially Kristine Miller as Alan's sister. I have never heard of her, but I do think she did a more than adequate job in her role.

This classic noir is easily a 4-star "really like it" film for me, and I highly recommend it. Since it is out on DVD, it ought to be fairly easy to track down. Plus, it is available in its entirety on YouTube. Hope you get a chance to see it.

Happy viewing!!

Guess Who's Coming to Dinner (5 stars)

2012-02-28T06:00:00.040-05:00

Guess Who's Coming to Dinner, from 1967, is a racial issues romantic drama starring Spencer Tracy, Katharine, Hepburn, and Sidney Poitier. Produced and directed by Stanley Kramer, this bold (for its time) film garnered ten Academy Award nominations, coming away with two wins, including a Best Actress statue for Katharine Hepburn. In celebration of Mr. Poitier's February 20th birthday, I recently enjoyed a first-time viewing of this film.

Joanna Drayton (Katharine Houghton) has arrived home unexpectedly from a trip to Hawaii; as if her earlier-than-planned arrival isn't unsettling enough, the white Joanna has a black man in tow with her...and he's not just any black man. He is Dr. John Prentice (Sidney Poitier), a man she met ten days ago and whom she intends to marry. Having been raised by parents who have always loathed racial discrimination, Joanna is sure her parents will welcome John into their lives with open arms.

Surprisingly to Joanna, her parents (Spencer Tracy and Katharine Hepburn) are speechless at first, and it is not just because of the suddenness of her marriage plans. Quite honestly, Joanna marrying a black man was something they had never even considered. While her dad says his concerns are about the difficulties the multi-racial couple will encounter, is it more than that? Does he really believe in equality as much as he has always claimed?

For his part, John, who has told his parents about the upcoming nuptials over the telephone, intends to inform them of his intended's race via a letter. However, that plan changes when they decide to make the short flight from Los Angeles to San Franciso in order to meet their future daughter-in-law. Their reaction is not much different than Joanna's parents' reaction, and as the two families, along with the Drayton's priest friend (played by the delightful Cecil Kellaway), prepare to have dinner together, there are sure to be fireworks.

While John and Joanna are adults and don't need their parents' permission to marry, they do desire to have their blessing. In fact, John has vowed that unless Mr. and Mrs. Drayton give their approval, the wedding will not take place, as he doesn't want to be responsible for bringing estrangement to their always-close relationship. How everything works out is the balance of the film.

Guess Who's Coming to Dinner is a wonderful movie and quite bold and ground-breaking for its time. While the majority of people nowadays have zero problem with inter-racial marriage, audiences of the mid-to-late 1960's were definitely not on that page. This had to be one of the most controversial films of the decade, and I would imagine that many people were furious at this film's message.

Not only is the subject matter of the film powerful, but so is the acting. Both Spencer Tracy and Katharine Hepburn received leading actor/actress nominations, and Cecil Kellaway and Beah Richards (who portrayed Sidney Poitier's mother) received supporting actor/actress nominations. Quite honestly, I'm not sure why Mr. Poitier was overlooked...he was totally fantastic in his role. In my opinion, though, this really was Spencer Tracy's film (more than Poitier's or Hepburn's), and he's the one I think ought to have come away with the win. He was beyond sensational in his role. The expression he had on his face for the majority of the film was priceless. And, wow, the look in Katharine Hepburn's eyes as Tracy gave his grand speech at the end of the movie was amazing. Her eyes were glistening with tears, and it was easy to believe that it was her real-life love for Spencer which was spilling forth. Very touching!! The score of the film was beautiful as well.

This film is a little heartbreaking to watch because of the knowledge that it was Spencer Tracy's final role; in fact, he passed away just 17 days after filming had been completed. Yes, he definitely went out on top, but seeing him so old and so close to death makes the film a bit sad for me.

One final thought...at one point, Sidney Poitier says to his father, "Dad, you think of yourself as a colored man. I think of myself as a man." I've said this before and I'll say it again, every single Sidney Poitier film I've seen, he is defined by his race. Instead of simply portraying a man, he has always portrayed a black man, a man whose race is the overwhelming focus of the movie. I wonder if he ever grew weary of those kinds of roles. I wonder if he ever wished he could, like his character said, "just be a man."

Guess Who's Coming to Dinner is out on DVD, so it should be very easy to track down. Additionally, it is on the TCM schedule for Saturday, May 12th. I hope you get a chance to see it, because I think it is a definite must-see film.

Happy viewing!!

It Happened One Night (5 stars)

2012-02-27T12:00:00.248-05:00

In honor of the Academy Awards, last night saw me having my own little Oscar party, which included a viewing of the adorable 1934 romantic comedy It Happened One Night. Starring Clark Gable and Claudette Colbert, and directed by Frank Capra, It Happened One Night cleaned up at that year's Oscars, taking home the Best Picture, Best Actor, Best Actress, Best Director, and Best Writing awards. This delightful film is easily one of my five favorite films of both stars, and with it being Clark's birthday month as well as the Academy Awards, last night was the perfect time to enjoy this film again.

Socialite Ellie Andrews (Colbert) has made a marriage her father does not approve of and which he intends to have annulled. Accustomed to controlling Ellie's life, the wealthy Mr. Andrews has taken his daughter aboard his yacht, where he is trying to talk some sense into her. Ellie, though, will not back down, and before anyone can stop her, she has jumped overboard and made the short swim to the Miami shore, where she purchases a bus ticket to New York.

On the same New York-bound bus as Ellie is New York newspaper reporter, Peter Warne (Clark Gable), who has just been fired from his job. Vowing to prove to his employer just what a fine newspaperman he is, Peter intends to "wow" his editor with the story of all stories...although just what that is, Peter doesn't know yet.

The first meeting between Peter and Ellie is anything but pleasant, as Ellie takes the seat Peter had intended for himself. Although they bicker with one another for many miles, eventually things calm down between them; when the bus makes a rest stop and Peter obtains a newspaper, which has a headline story of the missing heiress, Ellie begs him not to get in touch with her father. Realizing he has come upon that story of all stories, Peter agrees to keep Ellie's secret and help her get to New York (and husband King Westley) in exchange for an exclusive. Ellie agrees, and the two of them, with little money in hand, continue to make their way north, trying, all the while, to evade the detectives who are now searching for the missing woman. Posing as a married couple, they take a room at a motor lodge one evening, a blanket strung across the room serving as "the walls of Jericho" between them.

The closer they get to their destination, the more things change between them, until finally, Ellie doesn't want to reach her husband at all. She would rather stay with Peter.

What are Peter's feelings, though? Is he interested in Ellie for more than a story? Or maybe he has his eye on the reward money her father has offered for information about Ellie's whereabouts? How it all plays out is the balance of the film.

It Happened One Night is a completely adorable, totally delightful film. Both Clark Gable and Claudette Colbert were wonderful in their roles, and the chemistry between them was fabulous. Really, they ought to have made more films together. (To my knowledge, they only made two...this one and Boom Town.) There are several very comical scenes, especially the one in which they are being questioned by some detectives. With Clark screaming "Quit bawlin'!" at her, Claudette is brushing her hair down over her face to avoid detection, all the while the police are looking on in confusion. I get a huge kick out of the very dashing Mr. Gable in that scene. Also hilarious is the hitch-hiking scene, as the know-it-all Mr. Warne demonstrates the different ways of flagging down a ride. In the end, his thumb isn't nearly as successful as the shapely leg of his companion.

This film is a joy from beginning to end, and I highly recommend it. Since it's out on DVD, it should be very easy to track down. Additionally, it is available in its entirely on YouTube.

Happy viewing!!

Out of the Fog (3 stars)

2012-02-26T06:00:00.223-05:00

Out of the Fog, from 1941, is a film noir/gangster drama starring Ida Lupino and John Garfield, with Thomas Mitchell and Eddie Albert taking on supporting roles. In honor of Ida's February birthday and Mr. Garfield's upcoming March birthday, I decided to celebrate both of them by enjoying a re-watch of this film, which is based on the Irwin Shaw play The Gentle People. I think this is one of Garfield's nastiest roles, and, wow, was he sensational.

Arrogant, cocky, and brutal, racketeer Harold Goff (John Garfield) makes his living extorting money from the residents of a small fishing community. Calling himself the fishermen's protector, Goff demands a weekly payment from each man, and those that cannot---or will not---pay, suffer the consequences, generally in the form of a destroyed boat, but sometimes in the form of a beating. Rarely does anyone stand up to Goff, but Jonah Goodwin (Thomas Mitchell) is determined to do so. However, Jonah's bravado is short-lived as he and his partner are bullied into signing a loan contract. Telling Goff that he will never live to be an old man, Jonah is determined to beat Goff at his own game.

Meanwhile, Jonah's daughter, Stella (Ida Lupino), hates her boring, same-old same-old existence. Wanting riches and excitement, she dumps her "average Joe" boyfriend, George (Eddie Albert), and begins seeing Goff. Despite Jonah's warnings that Goff is a racketeer, Stella, who finds the man exciting, will not be swayed. Telling her father that if Goff has a disease, it's one she wants to catch, she makes plans to go away with him. Jonah, however, will do whatever it takes to prevent that from happening.

Does Stella go away with Goff? Does Jonah break free of Goff's extortion? Does Goff get his comeuppance? These are the questions that play out through the remainder of this dark, foggy film.

Out of the Fog is an interesting, exciting, well-acted film. Both Miss Lupino and Mr. Garfield were totally terrific in their roles...Garfield especially. While he often took on---and excelled at!!---cynical, hardened, anti-hero roles, here he was even nastier and more of a rebel than usual, and I think he was completely sensational. I really love to see his performance in roles like this. Thomas Mitchell was equally wonderful in his role. Rarely have I seen him give such a commanding performance. With nearly every scene of this film taking place on a thickly shrouded pier, Out of the Fog sets the classic film noir mood. Oh, and for those who are fans of the Dead End Kids, Leo Gorcey is in a few scenes of this film...and he is his usual wisecracking, disrespectful self.

Out on DVD, I think this film should be quite easy to track down. Happy viewing!!

Each Dawn I Die (5 stars)

2012-02-25T06:00:00.065-05:00

Each Dawn I Die is another one of those amazing films from the year 1939. A gritty prison drama, this film stars James Cagney and George Raft, with Jane Bryan and George Bancroft taking on supporting roles. This is one of many films which I think showcases the absolute brilliance of Mr. Cagney. Truly, he was one incredibly fabulous actor...nearly always turning out an Oscar-worthy performance. He shines brightly in this film...as does George Raft. Ah, if only George Raft hadn't turned down some of the roles he turned down!!

Frank Ross (James Cagney), a newspaperman who vows to expose political corruption, breaks a story which reveals the great graft among the city's elected officials. Though Jesse Hanley, who is running for governor, insists that a retraction be printed, Ross refuses, an act for which the hoodlums intend to make him pay dearly. Knocking Frank unconscious, the thugs douse him in booze and then put him in a car, which they send careening into a high traffic area. Three people are killed, and though Frank insists he was framed and was neither drunk nor driving the car, he is found guilty of manslaughter and sentenced to 1-20 years in the penetentiary.

Entering prison, Frank is confident that his newspaper friends will be able to find evidence which proves his innocence; he is sure that his stay there won't be a long one. However, things don't go as planned, and when months go by and Frank is no closer to proving his innocence than on day one, he begins to change. Eventually, as he experiences the brutality of the guards, he begins to think and act like a convict. His only hope is to throw in his lot with hardened criminal, Stacey (George Raft), a repeat offender with connections on the outside.

With Frank's help, Stacey is sure he can bust out, and after he has done so, he promises to track down those responsible for framing Frank. But will Stacey, who doesn't care about or trust anyone, give a second thought to Frank's predicament after he has reached freedom? Will Frank ever be exonerated? Will those responsible for Frank's imprisonment ever be brought to justice? Those are the questions that play out in this exciting prison drama.

Each Dawn I Die is a bold and exciting film, and the performances of both James Cagney and George Raft are spectacular. I loved seeing these "bad boy gangster" actors together in a film; though Mr. Raft had appeared in a couple early 30's Cagney films, this one is the only one in which they shared the lead. And, wow, what a team they were!! Their brilliant performances are what take this film from 4 to 5 stars. Jane Bryan, who portrayed Frank Ross's girlfriend, was quite good in her role as well.

As an aside, I learned from watching a James Cagney biography, that gangster roles were not his favorites; far and away, he preferred his song and dance movies (Yankee Doodle Dandy, Something to Sing About, The West Point Story, etc.) and viewed gangster films as simply a way to pay the bills. Even though these roles weren't his favorite, though, he still gave them his all and was totally sensational in them.

Out on DVD, Each Dawn I Die should be very easy to track down. James Cagney and George Raft fans will love it, I'm sure.

Happy viewing!!

Manhattan Melodrama (4 stars)

2012-02-24T06:00:00.299-05:00

Manhattan Melodrama, from 1934, is a crime drama starring Clark Gable, William Powell, and Myrna Loy. This film is one I've seen several times, and since it's one of my five favorite Clark Gable films, I decided a re-watch was in order during his birthday month. Winner of the Academy Award for Best Writing, Manhattan Melodrama also has the distinction of being my absolute favorite of the many Powell/Loy pairings. While I occasionally consider Evelyn Prentice my favorite of their films, after my most recent viewing of this one, I've changed my mind and swapped the two films around. (Actually, Manhattan Melodrama is more like 4.5 stars...very close to a "love it!")

Telling the story of two young boys---life-long friends---who grow up on opposing sides of the law, the film begins in 1904, when a pleasure cruise turns deadly. (To learn about the real-life tragedy upon which this scenario is based go HERE.) Among the many people who lose their lives in the tragedy are the parents of Jim Wade and the mother of Blackie Gallagher. Already good friends with one another, the two boys are rescued by a priest and then taken into the home of a man whose young son also perished in the fire. Although that man soon dies and Jim and Blackie no longer live together as brothers, they remain very dear friends; as the years go by and the boys grow to manhood, Jim (William Powell) becomes a lawyer and vows to fight corruption as a prosecutor,

while Blackie (Clark Gable) travels with a rough crowd and runs a gambling establishment.

Despite their differences, though, the two men remain very close.

As 1920 rolls around, Blackie is having problems with his girlfriend, Elinor (Myrna Loy). Though she loves him,

she hates the hoodlums, gambling houses, and graft which fill his life, and she urges him to leave it all behind, which, of course, Blackie has no intention of doing.

One evening, Blackie asks Elinor to meet up with his old friend Jim while he attends to some other business. Although he promises Elinor he will catch up with her and Jim as soon as possible, Blackie never joins them, leaving Jim and Elinor all to themselves. Having enjoyed Jim's company, Elinor realizes she does want the kind of life that Blackie will never give her and so breaks off with him; eventually, with Blackie's blessing, she and Jim get married.

As Prosecutor, Jim's job is to clean up the city, and he vows to do so even if it means fighting Blackie and his crowd; therefore, when Blackie is connected to a murder, Jim vows to convict him and see that he gets the death penalty. Elinor, though, still having a friend's fondness for Blackie and believing that he is innocent, insists that her husband go easy on him. Will Jim go easy on Blackie? Will the love and affection he has for his lifelong friend cause him to turn the other cheek as far as the law goes? Will the ultimatum Elinor has given him cause Jim to go back on his promise to fight corruption? All these questions play out in the remainder of the film.

(There is alot more to the story, of course, including another murder, a left-behind overcoat, and a possible governorship for Jim; however, I don't want to give away too much by revealing anything more.)

Manhattan Melodrama is an interesting, exciting film, and it makes a great discussion piece. At one point Myrna Loy's character says to William Powell's, "Do you realize what you are sacrificing for the sake of some principles?" What a great thought to ponder on...doing right even when it is a sacrifice to do so.

The casting of this film is excellent, as all three stars have great chemistry with one another. While I have long thought William Powell and Myrna Loy were totally fabulous together, I think both of them have amazing chemistry with Clark Gable in this film. The three of them, meshing together so perfectly, are definitely what make the film work. All of them give superb performances; however, for me, the standout performance is Gable's. I think it's one of his very best. Finally, this film has a few touching moments (for me), and I find myself lightly misty-eyed a few times. (As an aside...a very young Mickey Rooney portrays Blackie as a boy.)

This must-see film, which I highly recommend, is out on DVD (as part of the William Powell/Myrna Loy Collection), so it should be fairly easy to track down. I hope you get a chance to see it.

Happy viewing!!

The Unguarded Hour (3 stars)

2012-02-23T06:00:00.017-05:00

The Unguarded Hour, from 1936, is a crime drama of the whodunit kind. Starring Loretta Young

and Franchot Tone,

this film takes place in England, where Tone's character, Sir Allen Dearden, is slated to become the next attorney general. Sir Allen and his wife, Lady Helen (Loretta Young), host a formal dance in their home, and a man unknown to both of them crashes his way into the ballroom. As the stranger dances with Lady Dearden, he lets her know that he has in his possession, love letters which Allen had written to a former mistress; although the letters were written prior to Allen's marriage to Helen, since the woman was married to another man, they could prove damaging to his career. In order for Helen to get her hands on the love letters and, thus, keep her husband from scandal, the man demands a sum of money; anxious to keep Allen's political hopes alive, Helen meets the man's demands, without ever saying a word to Allen about the situation.

As Helen is making her way back from the money drop-off point, she is aware that a man and a woman are walking towards her on the cliff path, and hoping not to be seen, she hides behind a rock. Later that day, the newspaper reports that the man had pushed his wife from the cliff and had been charged with murder. Vehemently denying the accusation, and maintaining that his wife fell from the cliff, the man claims that he passed a woman on the path...a woman who could verify that he was far behind his wife...that he called to her to be careful on the cliffs. The police don't believe such a witness exists; in fact, they call her a phantom witness. The case is sent to trial, with none other than Allen Dearden trying it.

Helen is in a panic, for, knowing how much the attorney general appointment means to her husband, she doesn't want to do or say anything which might create a scandal. She realizes that to tell the truth would totally ruin Allen's career; yet to not tell the truth would send an innocent man to the gallows. In the midst of Helen's agony of conscience, Allen himself has a dilemma of his own, as the woman to whom he wrote the letters wants to try her hand at blackmail as well. How everything plays out is the balance of the film.

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Although not a spectacular film, The Unguarded Hour is very interesting and enjoyable, though I did feel it dragged just a tiny bit at one point...not enough to cause me to quit watching or to lower the rating, however. Loretta Young, always so elegant and classy, was definitely so in this role. Franchot Tone was dashing and handsome...even when wearing the white wig of an English barrister. They played well off one another and made a delightful couple.

The film is not out on DVD; however, TCM airs it fairly regularly. I've caught it on there at least twice in the last year. It may also be on YouTube. At least I've seen it there before, though I cannot find it now.

Happy viewing!!

Portrait in Black (4 stars)

2012-02-22T04:00:00.177-05:00

Portrait in Black, from 1960, is a suspenseful, slightly mysterious drama/film noir starring Lana Turner and Anthony Quinn, with Richard Basehart, Sandra Dee, John Saxon, and Lloyd Nolan taking on supporting roles. (Net Flix categorizes this film as noir; however, it is in color, which most noirs are not.) With February being Lana's birthday month, I decided a re-watch of this whodunit was in order, and even though I was aware of the surprise ending, I enjoyed the film as much as I did on my first viewing.

Wealthy shipping magnate Matthew Cabot (Lloyd Nolan), a demanding, unkind man, conducts his business from the bedroom of his mansion. An invalid, Matthew is attended by his doctor, David Rivera (Anthony Quinn), and his attorney, Howard Mason (Richard Basehart), both of whom make regular visits to the Cabot home. Also attending to Matthew is his beautiful, much-younger wife, Sheila (Lana Turner), and though it would appear that Sheila is devoted to her husband, in actuality, she is in love with and having an affair with Dr. Rivera.

After having her chauffeur supposedly take her shopping, Sheila rendezvouses with the doctor, who begs her to leave Matthew and run away with him. Knowing Matthew would never give her a divorce or custody of their young son, Sheila insists she cannot leave, which makes David more determined than ever to leave town himself. Being near her and wanting her, he says, would make it so easy to pick up a syringe and inject Matthew with something completely untraceable. With that thought spoken aloud between them igniting the plan into action, David and Sheila plot Matthew's murder, and since Matthew was ill anyway, no one is the wiser when he soon passes away...or so they think.

After Matthew's funeral, David insists that he and Sheila cannot see each other for awhile, so as not to arouse suspicions. Soon, though, Sheila receives an anonymous letter congratulating her on the success of her murder, and although they realize the need to keep their relationship secret, David and Sheila begin meeting with one another regularly as they try to determine who it is who sent the letter...who it is who knows Matthew's death was not of natural causes.

Could it be Howard Mason? He has told Sheila he wants to marry her, adding that he usually gets what he wants. Could it be the chauffeur, who has begun asking if Mrs. Cabot has been upset by her mail? Could it be the maid, who is also acting very strangely? Whoever it is, the murderous pair intends to silence that person by committing yet another murder. How it all plays out is the balance of this exciting film.

Portrait in Black is a very interesting movie, and the twist at the end will totally surprise you; truly, I NEVER saw that coming. Lana Turner is simply beautiful here, and her wardrobe is stunning. I know many people think she was a horrible actress, but I, however, am not one of those people. I think she was a very good actress, and here, in Portrait in Black, I thought she was wonderful and quite believable...a bit melodramatic perhaps, but that was in keeping with her character and her crime...and it's what Lana could do so beautifully. Anthony Quinn seemed a bit miscast for a romantic role, but he definitely worked. I felt the chemistry between him and Lana was good---their illicit love seemed real, as did the tension between them when things began to unravel.

The film is out on DVD; I have it as part of a Lana Turner double feature, with Madame X...one of my five favorite movies of all time. Additionally, it is available in its entirety on YouTube (HERE). If you like Lana Turner, Sandra Dee (who portrays Dee's stepdaughter, Kathy), surprise endings, or beautiful clothing, I think you will enjoy Portrait in Black.

Happy viewing!!

Young Man with Ideas (3 stars)

2012-02-21T04:00:00.019-05:00

Young Man with Ideas, from 1952, is a lighthearted domestic drama starring Glenn Ford and Ruth Roman, with Nina Foch and Denise Darcel taking on supporting roles. Though the film is mostly a drama, there are several lighthearted comedic moments as well.

While he works for a prestigious Montana law firm, mild-mannered, unassertive Max Webster (Glenn Ford) is rather the low-man on the totem pole, never receiving recognition or appreciation for all he does. Irritated by this, Max's wife, Julie (Ruth Roman), urges him to talk to his boss about the possibility of being taken on as a partner. Things don't go well, however, and Max packs his things and heads to Los Angeles, where he and Julie believe there will be more opportunity for him.

Arriving in Los Angeles, Max, who has little confidence in himself, is worried about his ability to pass the California Bar exam. In his Bar exam classes, he makes the acquaintance of Joyce (Nina Foch), who suggests that, until he passes the Bar and is a practicing lawyer, he get a job at the collection agency where she works. Although Julie doesn't believe Max could do that kind of a job, he takes it just to prove he can; it's not a job suited to Max's personality, however, and he ends up being quite the pushover.

As if the job difficulties aren't enough, the house the Websters are renting previously belonged to a bookie, and their phone is constantly ringing with men wanting to place bets. Julie jokingly accepts a bet one time, and when that particular horse wins big, the "bookie" is expected to payoff. Now, in addition to his worries about passing the Bar and collecting past due bills, Max must worry about the mobster who expects him to pay out his winnings. And with Julie having little to no confidence in him or respect for him, Max's confidence in himself is at an all-time low; if things don't change soon, he may find himself having to put his tail between his legs and run back to his old job in Montana.

While Young Man with Ideas is certainly not a fantastic film, I found it entertaining and enjoyable. Glenn Ford, I think, is always delightful and fun. In fact, he's the reason I set my DVR for this film. Ruth Roman and Nina Foch were fine in their roles. Nothing spectacular, but completely adequate. Sheldon Leonard, who is always a scream, portrayed the mobster expecting a payoff. He was perfect in his role. Finally, the little girls playing the Webster's daughters were totally adorable. All these things combined to make a sweet and enjoyable film.

Although this film is not out on DVD, it is available in its entirety on YouTube (HERE). If you are a Glenn Ford fan, do try to catch it. I feel sure you will enjoy it.

Happy viewing!!

Teacher's Pet (4 stars)

2012-02-20T10:00:00.013-05:00

Teacher's Pet, from 1958, is a delightful romantic comedy starring Clark Gable, Doris Day, and Gig Young. Since I am loading up on Mr. Gable's films this month in honor of his birthday, a re-watch of this fun movie was an absolute essential.

News reporter Jim Gannon (Gable), who believes on-the-job-training is far superior to a college education, has been invited to give a guest lecture at an evening journalism class. Completely opposed to women teachers and journalism classes, Jim has no intention of doing such a lecture and, in response, fires off a condescending refusal to Professor Erica Stone (Doris Day). His supervisor, however, gives him no choice in the matter, so Jim heads off to Miss Stone's classroom, where he is mistakenly assumed to be a new student.

Much to Jim's amazement, the professor is young and pretty...not at all what he had been expecting, and when she reads aloud the letter from Jim Gannon and makes very clear her disdain for him---without knowing he is sitting in her classroom---Jim realizes he cannot tell her who he is. Taking on the name of Jim Gallagher and telling Professor Stone that he is in the paper business (wallpaper), he enrolls in the class; his writing skills so impress Miss Stone that she suggests he look into a full-time career in the journalism field.

By now interested in the pretty teacher, Jim---as Gannon, not Gallagher---tries to make amends for his boorish letter; Erica, however, still despising the rude newspaperman, refuses to take his calls, causing Jim to continue the charade. It is journalism student Jim Gallagher who Erica is beginning to fall for...Jim Gallagher who she is kissing. What will happen when she discovers that Jim Gallagher is really Jim Gannon---a man she despises (a bit of Pillow Talk in this scenario.)? What happens to Jim when his conscience begins to bother him and he wants to come clean with Erica about his real identity? And what about Dr. Hugo Pine (Gig Young) and his ongoing presence in Professor Stone's life?

Teacher's Pet is adorable and hilarious and, I think, perfectly cast. Clark Gable was one of those actors who was equally successful at both comedy and drama, and here near the tail end of his career, he is simply wonderful. His expressions are priceless---especially during the scene in which his flighty "girlfriend," Peggy, is singing in the nightclub.

Doris Day is her usual sweet, winsome self. She was "typical Doris" so many times...not the least of which was when Clark kissed her in her office. Her squeal of "Mr. Gallagher!" reminded me so much of how she responded to Rock Hudson's characters in their three films together.

Speaking of Rock Hudson, Doris and he had simply amazing chemistry; however, her chemistry with Clark Gable here in Teacher's Pet was equally wonderful. I thought the two of them were completely charming together. I've seen reviews of this film in which people maintain Gable was too old for this role (he was 57). I'm not on that page at all. Doris was 36 here, and I definitely don't think a 21-year age span is too great. I thought they were both perfectly cast, that they played well off each other, and that they made a delightful couple.

Gig Young was great in his role as well; in fact, he received a Best Supporting Actor Academy Award nomination for his work here. He is especially funny in the scene where he is nursing a hangover.

All in all, Teacher's Pet is a wonderfully enjoyable, entertaining movie, which I highly recommend. The film is out on DVD, so I would imagine it would be pretty easy to track down.

Happy viewing!!

The Hard Way (3 stars)

2012-02-19T17:09:00.000-05:00

The Hard Way, from 1942, is a musical drama starring Ida Lupino, Dennis Morgan, and Joan Leslie, with Jack Carson taking on a supporting role. With February being Ida's birthday month, I've been rather OD'ing on her films lately, and The Hard Way is one of the ones I caught for the first time.

Life is so distressing to Helen Chernen (Ida) that, as the film begins, she jumps into the river, with the hopes of killing herself. Rescued by some passers-by, Helen is asked why she would want to end her life; in answer, she reflects back on the last several years of her life.

Responsible for her younger sister, Katie (Joan Leslie), ever since the death of their mother several years earlier, Helen chose to marry Sam---a man she doesn't like or respect. When Sam tells her they cannot afford $8 for a graduation dress for Katie, Helen is most unhappy, and she vows that Katie will amount to something...that she will get out of the dirty, sooty mining town they live in. Therefore, when Helen discovers that Katie had made the acquaintance of two Vaudeville actors and that one of those actors, Albert Runkel (Jack Carson), was quite complimentary towards Katie, she manipulates and schemes to get Katie included as part of the act. She is irritated, though, because Katie and Albert decided to get married, and according to Helen, Albert is not a man for a lifetime.

Going on the road with the trio---in essence, to look out for her sister's career---Helen plays up to Albert's partner, Paul Collins (Dennis Morgan), encouraging him to cut down on Albert's part and to increase Katie's. When Paul sees through her and refuses to do that, Helen manipulates once more, this time seeing to it that Paul is pushed from the group.

As the act of Albert and Katie travels to New York, Helen pounds the pavement to line up jobs; in reality, though, the jobs she is securing are for her sister only...not for Albert. Eventually, Albert is left by the wayside and returns to his act with Paul, as Katie---now using her maiden name---becomes one of the hottest stars in the theatre. Controlled by Helen, who wants her to break from the unsuccessful Albert, Katie has little time for her husband's calls and visits, a fact which devastates the man and brings him to a crisis point. And Paul, watching it all play out, accuses Helen of being without heart, blood, or feelings; attracted to Paul, however, she assures him that she could fall in love with someone. Meanwhile, Katie is finding that although she is wildly successful, there is something missing in her life.

Will Katie figure out what it is she most wants out of life? Will she return to her husband? Will Helen realize her drive for success is destroying what she loves most? These are the questions which play out in the remainder of this interesting film.

Ida Lupino was at her nasty best here in The Hard Way. Her drive, ambition, and willingness to hurt anyone who got in her way makes her character extremely unlikeable. That said, though, Ida's portrayal of Helen was spot-on. Although I enjoy seeing her in "nice girl" roles and even count one of them as my favorite of her films (On Dangerous Ground), I think Ida was at her very best when she was playing nasty. She is really super here. (As an aside, I read that this role was first offered to Bette Davis, who turned it down. Bette (my #1 gal) was also one who excelled when she was being nasty, and I know she would have done an incredible job in this role too; Ida, though, was more than perfect, and I cannot imagine her being improved upon.)

Joan Leslie is sweet and lovely...and she gets an opportunity to "strut her stuff" a bit in this film. There are a few song and dance numbers. And speaking of songs, Dennis Morgan, who has the most adorable lopsided smile, does some singing of his own; from what I've learned of Mr. Morgan, he was quite the singer off camera as well...being a part of his church choir for years. Jack Carson, who I ordinarily don't care for, was really great in his role too. Although he is mostly thought of as a comedic actor, he did a super job playing dramatic. I found the film a bit touching and even got mildly teary-eyed a couple of times.

This film is out on DVD, so it ought to be fairly easy to track down. Also, it is available in its entirety on YouTube (HERE).

Happy viewing!!

Turner Classic Movies Presents Casablanca 70th Anniversary Event

2012-02-18T14:58:00.000-05:00

Coming through on my Facebook feed this morning was the exciting news that Turner Classic Movies, NCM Fathom, and Warner Bros. will be celebrating the 70th anniversary of the beloved Academy Award-winning film, Casablanca, by joining forces to bring that beautiful film to the big screen once more.

The event, which will be Wednesday, March 21st, at 7:00 p.m. (local time), is scheduled for dozens of U.S. cities....mine being one of them. You can bet I will be attending! The chance to see my #2 movie of all-time on the big screen is rather an awesome thing.

It has been over a year since I've watched this wonderful film, and I am in dire need of a "fix." Therefore, I was intending to celebrate "Oscar night" with Casablanca. Instead, I'll wait a couple more weeks and catch it during this anniversary event. The delay---along with the silver screen experience---will make my eventual viewing all the more memorable and wonderful.

Anyhow, for more information about this event and to see if a city near you will be part of it, go HERE. I definitely hope many of you will be able to partake of this wonderful anniversary celebration.

The Lodger (4 stars)

2012-02-16T12:00:00.015-05:00

The Lodger, from 1944, is a suspenseful drama/mystery starring Merle Oberon, George Sanders, and Laird Cregar. Set in London during the time of the Jack the Ripper killings, this film is perfect for stormy day or Halloween night viewing. Although not a horror film by any stretch of the imagination, it definitely has that "scary movie" element to it.

Just after another young woman is killed by "The Ripper," an elderly couple rents their attic rooms to a man named Slade (Laird Cregar). A strange man, Slade tells them he is as a pathologist, with erratic, late-night hours; therefore, he requests that they think of him not as a guest, but merely a lodger. Upon moving in, Slade removes all the portraits from the walls of his bedroom, for, as he tells his landlords, it was as though the women's eyes were following him constantly.

The couple's niece, Kitty (Merle Oberon), lives with them, and in due time, Slade makes her acquaintance. An aspiring actress, Kitty is beautiful and charming, and she seems to ignite something in Slade. He is greatly interested in the fact that Kitty is a "theatre girl," which prompts Kitty to offer to get him tickets to one of her shows.

As the police continue to search for "The Ripper," they realize that the black bag-carrying man seems to target the young women of the theatre. Eventually, everyone comes to believe that the man in the attic is the killer. Is he though? And is Kitty---a showgirl---safe from "The Ripper?" Or will she be the man's next victim? How it all plays out is the balance of the film.

This movie was entertaining and mildly suspenseful. As one who absolutely cannot do frightening films, but who does like a small amount of suspense, I thoroughly enjoyed The Lodger. I can in all honesty say that "we chickens" can watch this film without having to cover our eyes. Merle Oberon is lovely here...perhaps the loveliest I have ever seen her. And Laird Cregar...wow!! He was totally stellar in this role. Truly, he played his part to absolute perfection. With his Vincent Price-sounding voice, he was gentle and quiet, yet creepy and menacing all at once. No one could have played this part better than Mr. Cregar did. He was Academy Award-worthy here, in my opinion.

This film is out on DVD, so it ought to be fairly easy to track down. Additionally, it is on the TCM schedule for Tuesday, March 13th at 1:30 a.m. Try to catch it if you can.

Happy viewing!!

Conflict (3 stars)

2012-02-15T14:00:00.019-05:00

Conflict, from 1945, is a psychological crime drama starring Humphrey Bogart, Alexis Smith, and Sydney Greenstreet. This little-known Bogey film, which I caught on TCM a couple years ago when Mr. Bogart was the star of the month, also has a small bit of mystery and suspense to it.

Celebrating their 5th wedding anniversary are Kathy and Richard/Dick Mason...or perhaps not celebrating is more what they are doing.

Unhappily married, the Masons had been bickering with one another only minutes before the party; also, Kathy confronted Dick (Humphrey Bogart) about her suspicions that he is in love with her sister Evelyn (Alexis Smith), a suspicion he confirmed to be true. Though Evelyn has in no way encouraged him, Dick is sure they could be together if Kathy was out of the picture; with his passion for Evelyn in mind, he devises an elaborate scheme to get rid of his wife.

Traveling to a mountain resort---where Dick is scheduled to meet up with her later---Kathy finds herself on a lonely, desolate stretch of road, where unbeknownst to her, Dick is lying in wait for her.

After killing Kathy, Dick pushes her car off the road and into a deep ravine, where it gets buried beneath a large pile of logs. With no remorse whatsoever, Dick goes home, sets up his alibi, and begins playing the part of the worried husband. To nearly everyone, he appears to be anxious and distraught about his missing wife.

Soon, though, Dick is being bombarded with evidence that Kathy is still alive; in fact, he even sees her walking down the street. When he tries to catch up with her, however, she vanishes. Is Kathy really alive? Or is Dick's conscience bothering him? How it all plays out is the balance of the movie.

Conflict is an interesting, enjoyable film...and quite the change of pace from Humphrey Bogart's usual self-assured gangster roles. I think he did a great job portraying a man who is beginning to doubt his own sanity. He was very believable to me. Though her character is essential to the plot, Alexis Smith didn't really have much to do here. Nor did Sydney Greenstreet, who portrays a psychoanalyst. From beginning to end, the film belongs to Mr. Bogart.

To my knowledge, Conflict is not out on DVD; it is, however, available on VHS. At one point, it was on YouTube, but I think it may have been taken down, as I cannot find it there anymore. I do hope you are able to track it down, though, as it is a very solid 3-star film, which Humphrey Bogart fans are sure to enjoy.

Happy viewing!!

I'll Never Forget You (4 stars)

2012-02-14T06:00:00.305-05:00

I'll Never Forget You, from 1951, is a romantic drama starring Tyrone Power and Ann Blyth, with Michael Rennie taking on a supporting role. This beautiful movie, which features a love not bound by time, is completely perfect for Valentine's Day viewing.

Firmly in the 20th century, American physicist Peter Standish (Tyrone Power) has been doing atomic research at a laboratory in England. Rather a recluse who doesn't do much socially, Dr. Standish lives in an 18th-century home which had been left to him by a distant relative. With the exception of electricity and plumbing, the house is virtually as it had been in 1784, and Peter likes it that way.

Through the diary of his long-dead ancestor---also Peter Standish---Dr. Standish discovers that his namesake claimed to be from the future and maintained he could foretell history. A few days after making that insane-sounding declaration, the man was normal again and went on to marry and have a family. Dr. Standish comes to believe that he was the man from the future, that he and the 18th-century Peter exchanged places for a time, and he tells his friend Roger (Michael Rennie) that he is going to go back to the 18th century. Of course, Roger thinks Peter is being fanciful and even suggests that the house isn't good for him.

Peter does go back in time, though, after being hit by a bolt of lightning. On the very day the 18th-century Peter Standish arrived in England, current-day Peter is transported there. From the beginning, everyone thinks he is odd, since he knows things which haven't happened yet, and when he begins to speak of people as though they were dead, everyone begins to fear him. Eventually, he makes the claim which was in the diary---that he is from the future---a claim which finds Peter sentenced to an asylum.

Though he knows from the diaries Peter will marry Kate, current day Peter falls in love with Helen (Ann Blyth). Though Helen is engaged to another man, she loves Peter as well and completely believes that he is from the future.

The lovers know they are destined to part, as Peter will be returning to the future, but Helen assures him that their love will be for always...not in her time or his time...but in God's time

(HERE is a link to a 6-minute scene ---the video won't upload properly here on my page.)

I'll Never Forget You is a totally gorgeous movie...everything about it. The storyline is fascinating. (I have long been in love with the idea of time travel.) The love of Helen and Peter is a beautiful, timeless love. Ann Blyth is stunning, and Ty Power is incredibly handsome; the acting of both is quite good. The filming is lovely as well---all of the scenes in the past are in color, while the present day events are black and white. All these things combine for a lovely Valentine's Day movie with your sweetheart.

The film is out on DVD, as part of the Tyrone Power Matinee Idol Collection, so you should be able to track it down. Also, it is available in its entirety on YouTube (HERE). Do catch it if you can...especially if you are a fan of beautiful time-travel romances.

Happy viewing!!

Let's Make It Legal (3 stars)

2012-02-13T06:00:00.286-05:00

Let's Make It Legal, from 1951, is a romantic comedy starring Claudette Colbert, MacDonald Carey, and Zachary Scott, with Robert Wagner and Barbara Bates taking on supporting roles. Marilyn Monroe makes a few cameo appearances, for a total of about 3 minutes screen time.

While gambling may not bother some people, it definitely bothers Miriam Halsworth (Claudette Colbert); in fact, it bothers her so much that she is ending her 20-year marriage to Hugh (MacDonald Carey), since he has a penchant for gambling. As the film begins, Hugh and Miriam's divorce is only hours away from becoming final.

Although Hugh is no longer living in the house with her, Miriam is not alone. Their daughter, Barbara (Barbara Bates), son-in-law Jerry (Robert Wagner), and baby granddaughter Annabelle reside in the Halsworth home as well. Though Jerry loves his mother-in-law, he doesn't want to live with her and is constantly trying to convince Barbara that they need a place of their own; however, convinced that her mother needs her and couldn't stand being alone, Barbara refuses to even consider moving out. Hugh, who never wanted the divorce, would like to get back together with Miriam. Jerry, too, would like for Miriam to have someone in her life...otherwise, how will his wife ever leave her mother's side?

At this point, millionaire Vic MacFarland (Zachary Scott) arrives in town; a former beau of Miriam's, Vic wants very much to get back into this now-available woman's life, and he begins wining and dining her. Jerry, of course, is all for any relationship which will get his mother-in-law a husband and, therefore, his wife out of her house. Hugh, though, who still loves Miriam and is hoping to reconcile with her, isn't going to give up without a fight. How it all plays out and which man Miriam chooses is the bulk of this fun little film.

Let's Make It Legal is not a spectacular film, and the acting is mediocre at best. Still, though, it's cute and enjoyable. Claudette Colbert fans will love seeing her here in 1951. Always a class act, she is completely lovely and elegant here (as a grandma). She is 48 in this film, and in my opinion, she looks nearly the same as she did 17 years earlier in Imitation of Life.

Let's Make It Legal is one of Miss Colbert's last films, as after this, she would make only six more. While she would go on to be active in TV, her film career was nearly at an end.

Robert Wagner fans will LOVE seeing him in this, his third credited film. He's very young here (just 21) and SO incredibly good-looking.

Finally, if any of you are Days of Our Lives fans (which I was from 1976 to about 1997), you will probably have a dejavu moment when you see MacDonald Carey. You will look at him and think "Oh, that's Dr. Tom Horton." You might even hear those words "Like sands through the hour glass, so are the days of our lives" playing in your mind. I think he looks exactly the same here in 1951 as he did in the years I watched Days.

For all those reasons, plus the opportunity to see Marilyn Monroe prior to the rise of her star, I recommend Let's Make It Legal. As I said, it's nothing spectacular, and it is definitely predictable, but I did find it loads of fun. The film is out on DVD so it should be fairly easy to track down. Also, it's available in its entirety on YouTube (HERE).

Happy viewing!!

Kitty Foyle (4 stars)

2012-02-12T05:00:00.001-05:00

Kitty Foyle, from 1940, is a romantic drama starring Ginger Rogers, with Dennis Morgan and James Craig taking on supporting roles. One of many films which prove Ginger was far more than just a dancer, Kitty Foyle found Ginger taking home the Best Actress Academy Award for her role.

As the film begins, working-girl Kitty (Ginger), is on the receiving end of a marriage proposal from a man named Mark (James Craig). When she says "yes," Mark asks her if things are all over with the guy in Philadelphia. Assuring him that they are, Kitty makes plans to meet Mark at midnight, at which time they will get married.

When Kitty returns to her apartment to pack, however, Wyn Strafford (Dennis Morgan)---the man from Philadelphia---is waiting for her. Telling Kitty there is no life for him without her, he asks her to go to South America with him. Though he will not be getting a divorce and, thus, cannot offer her marriage, Wyn, nevertheless, asks Kitty to accompany him...something she agrees to do. With Kitty's promise to meet him at the ship at midnight, Wyn sets off to make final arrangements.

With two men loving her and expecting her to meet them at midnight, Kitty reflects back on her relationships with them. Originally a secretary to the socially prominent Wyn, she soon became his wife, a fact which was met with extreme disapproval by his blue blood Philadelphia family. Eventually, their differing worlds and his family's lack of acceptance drove them apart, and their marriage was annulled. Needing a fresh start, Kitty relocated to New York, where she met Mark, a kind and humble doctor who loves her and can offer her a future. Kitty's continuing love for Wyn, though, threatens to ruin her chance for happiness with Mark. She desperately needs to decide what she wants out of life...and which man can give it to her.

Does Kitty choose to marry Mark? Or does she choose to sail to South America with Wyn? The answer will be discovered in the final scene of the film.

Kitty Foyle is an interesting, well-acted film. The first time I watched it, I really had no idea which man she would choose. Though, in reality, I ought to have known---after all, this film was made in 1940...a time when standards were different than what they are today. Keeping that in mind, it is probably no surprise what Kitty's choice winds up being. Still, though, it is enjoyable to watch it all play out. Ginger was her usual lovely, delightful self. Her performance is super---though I'm not entirely convinced it beat that of Joan Fontaine, whose brilliant work in Rebecca landed her an Oscar nomination that year as well. Dennis Morgan is always fun to watch---he has the most adorable lopsided smile. He and Ginger had fantastic chemistry together here. James Craig I'm not familiar with---this is the only film I've seen him in.

Out on DVD, Kitty Foyle should be quite easy to track down. I think it's a delightful movie and a definite must-see for all Ginger fans. Try to catch it if you can.

Happy viewing!!

Band of Angels (3 stars)

2012-02-11T00:00:00.000-05:00

Band of Angels, from 1957, is a Civil War-era romantic drama starring Clark Gable and Yvonne DeCarlo. Based on the Robert Penn Warren novel of the same name, this Raoul Walsh-directed film features Sidney Poitier and Efrem Zimbalist, Jr. in supporting roles. Having never seen this film before, I decided it was the perfect addition to my Clark Gable birthday month celebration. Given that it is based on the work of a Pulitzer Prize-winning novelist, has a Civil War setting, stars Clark Gable, and boasts a fantastic director and a Max Steiner score, I had high hopes that Band of Angels might come close to the caliber of Gone with the Wind. Alas, no...not even close. While I found it to be an interesting, entertaining film, it didn't do for me what Gone with the Wind does. I came away from the film only liking it...not loving it; hence, 3 stars.

Not knowing her mother was a slave, Amantha Starr (Yvonne DeCarlo) grows to adulthood believing that she is the privileged daughter of a plantation owner. Upon her father's untimely death, however, Amantha is shocked to discover that not only is her father's estate completely in debt, but also that she---the daughter of a slave---is considered a slave herself and, therefore, part of the estate's personal property. As such, she is taken against her will and shipped to New Orleans, where she is to be put on the auction block.

Though another man begins to "inspect" her, local plantation owner, Hamish Bond (Clark Gable) starts the bidding at $5,000, and with the opening bid that high, no one else bids on Amantha. After being told by Amantha that he might buy her, but will never own her, Hamish takes her to his home, where, instead of housing her with the other slaves, she is given a beautiful room in the main house. Thinking that there are strings attached to this treatment, Amantha tells Hamish she would rather go to the slave quarters than to be expected to be his woman.

Hamish, who has his own personal demons from which he's running, keeps his distance and never pushes himself on Amantha. One night during a storm, however, they do get together.

After their night together, Amantha's feelings toward Hamish change. So, too, do his feelings toward her, and he gives her her freedom. By then, loving Hamish, Amantha no longer wants to be free of him. However, when Hamish comes clean and tells her of his slave trader days, Amantha's love for him is put to the test. All this happens just as war is about to break out.

As I said, this film had great potential; however, for some reason which I cannot quite put my finger on, it fell short of my expectations. I'm not sure why---probably because I was expecting it to be in the same league as Gone with the Wind, and quite honestly, there aren't many films which can compare with that masterpiece. Gable's and DeCarlo's characters were likeable, and I found myself caring about them. The musical score was beautiful...the storyline was interesting and historically accurate in many ways. Clark, handsome and dashing as always, was extremely good in his role, and Miss DeCarlo was lovely and quite believable. With all these positive things going for it, I ought to have loved Band of Angels, but for some reason, I found myself only liking it.

Those who are Clark Gable, Yvonne DeCarlo, Sidney Poitier, or Civil War enthusiasts will probably enjoy seeing this film. It's definitely entertaining and interesting...just don't expect it to measure up to Gone with the Wind. The film is out on DVD, so it ought to be fairly easy to track down.

Happy viewing!!

The Defiant Ones (4 stars)

2012-02-10T00:00:00.084-05:00

The Defiant Ones, from 1958, is an exciting racial/prison drama starring Tony Curtis and Sidney Poitier. Produced and directed by Stanley Kramer, this film was originally supposed to have Marlon Brando in the Tony Curtis role; however, according to what I learned from Robert Osborne, Mr. Poitier was Mr. Kramer's absolute first and only choice for the role of Noah Cullen. Because Poitier had another commitment at the time, filming had to be delayed; by the time they were ready to begin shooting, Brando was unavailable, so the role went to Tony Curtis, who, I think, did a totally fantastic job.

A truckload of convicts is being transported to a work farm, where the prisoners will work as part of a chain gang. Noah Cullen (Sidney Poitier), a black man serving an 8-year prison sentence for assault and battery, and John Jackson (Tony Curtis), a white man serving a sentence for robbery, are shackled together. Though the two men completely despise each other, the right arm of Cullen and the left arm of Jackson bind them together; when the truck they are riding in is involved in an accident, the two men make their escape.

Try as they might, Cullen and Jackson are unable to break the chain binding them to one another; therefore, though each man would prefer to travel in a different direction, they have no choice but to compromise and work together. Over and over again---as they navigate a fast-moving river, as they climb up from a deep pit, as a lynch mob comes at them, as the lawmen hunting them grow ever-nearer---the two men must put aside their racial differences and support one another. Eventually, as the men grow to respect each other, a friendship is formed.

This is an amazingly acted film. Both Sidney Poitier and Tony Curtis were wonderful in their roles; in fact, both men received a Best Actor Academy Award nomination for their work---a first nomination for each man. It certainly seems to be that the loss of Marlon Brando was absolutely not a detriment to this film. It worked beautifully with Tony Curtis in the white man role.

When the credits appear at the beginning of the film, both Curtis and Poitier's names are listed before the film title. According to Robert Osborne's wonderfully informational snippets, this was the first film of Mr. Poitier's in which that happened. And it happened at the request of Tony Curtis, who felt that Poitier's contribution to the film was just as great as his own. Perhaps that seems like a no-brainer to us now; however, back in 1958, with the racial situation being far different, it was probably quite unexpected for Mr. Curtis to have made that request. I'm glad he did, though, as he was correct---Sidney Poitier was just as much the star of the film as Tony Curtis was.

The Defiant Ones is really an amazing movie---well-acted, well-directed, and featuring the kind of bold storyline to which I tend to gravitate. I definitely highly recommend it. Although I'm not entirely certain the film is out on DVD, TCM will be airing it Friday, February 17th, at 2:30 p.m. (EST).

Happy viewing!!

Another Time, Another Place (3 stars)

2012-02-09T00:00:00.066-05:00

Another Time, Another Place, from 1958, is a romantic drama starring Lana Turner, Barry Sullivan, Glynis Johns, and, in one of his first film appearances, a very young Sean Connery. A first-time viewing of this film, which is set in England in 1945, was part of my Lana Turner birthday celebration.

Covering the war from London are BBC reporter Mark Trevor (Connery) and American newspaper correspondent Sara Scott (Turner). The two have fallen deeply in love (before the film begins), and despite the fact that Sara told her boss, Carter Reynolds (Barry Sullivan), she would marry him after returning from Europe, she informs Mark of her intent to break the engagement. Believing Mark and she have a future, Sara plans to tell Carter that she's in love with another man and will be marrying him. Mark is dismayed at Sara's words, though, for how can he marry her when he's already married? Coming clean with Sara, Mark admits he has a wife and son back home.

Although devastated by the news of Mark's marriage, Sara believes that what she and Mark have is real. Sure he will choose her over his wife, she tells Mark to let her know when he has made his decision. Promising to come back to her, Mark heads to Italy to cover the German surrender; however, he never makes it to Italy or back to Sara, as he is killed in a plane crash.

Brokenhearted and reeling from her loss, Sara feels the only thing that will help her through her grief is to travel to Mark's hometown...to see the town he lived in...to walk the streets where he walked. Going there, she makes the acquaintance of Mark's wife, Kay (Glynis Johns), and their son, Brian. Not aware that Sara had been having an affair with Mark---indeed, not even aware he had been unfaithful to her---Kay welcomes Sara into her life and home. As Sara attaches herself more and more firmly to Mark's family, both Mark's best friend and Sara's boss, Carter, beg her to leave before Kay begins to suspect Mark's infidelity.

Does visiting Mark's home provide Sara with the solace she seeks? Does Mark's wife come to realize he had been having an affair? Can Carter, who still loves Sara, convince her to let go of the past and move into the future with him? These are the questions that play out in this mildly heart-tugging film.

While Another Time, Another Place is a solid, 3-star viewing experience, it is not one of my favorite Lana films. With the exception of Glynis Johns' character, the other characters in the film are not overly likeable. I especially thought Lana's character was selfish and hard to root for. And in the end, I was unhappy with the way she handled things. Still, though, Lana was her beautiful self, and I thought she put in a good performance. Just an aside, though...I did think her wardrobe was a bit too glamourous and not quite in keeping with that of a wartime news reporter.

One thing really struck me as I watched this film---the credits said "Introducing Sean Connery." I wondered how many people viewing this way back in 1958 would have had any inkling of the enormity of Mr. Connery's future success. Could anyone have foreseen his amazing popularity? Or that his career would span at least five decades? Or that he would one day be considered "the sexiest man alive." Did anyone viewing this film realize the newcomer was far more than just a "here today, gone tomorrow" kind of actor? This movie is worth watching just for the opportunity to see the very young Mr. Connery in one of his earliest roles. Beyond that, if you are a Lana Turner or Glynis Johns fan, you will probably enjoy this. Out on DVD, Another Time, Another Place should be fairly easy to track down. Also, it is available on Net Flix instant viewing.

Happy viewing!!

Happy Birthday, Lana Turner

2012-02-08T00:00:00.323-05:00

Today is the 91st birthday of my newest top-10 favorite actress...the beautiful Lana Turner. (February 8, 1921-June 29, 1995)

In the past year, I have found myself eating my words with regard to the lovely Lana. When I reviewed Madame X last year (HERE), I specifically said that I wasn't much of a Lana Turner fan. In fact, I wrote, I didn't much care for her. Well, my friends, I have changed my tune!! I now completely adore her and wholeheartedly consider her one of my most favorite actresses--just in the past three months she not only made my top 20, but she has almost reached my top 5!! Her roles are generally meaty and dramatic (my favorite kind of film!), and I think she excels in that kind of a role. Without question, I have enjoyed nearly every film of hers I've seen in the past year. What's more, she was such an incredible beauty...surely, one of the most beautiful actresses ever...and she was always so stunningly clothed. Just looking at her is a delight.

My absolute favorite Lana Turner film is Madame X, a total sobber which is easily in my top 5 favorite movies of all-time. Even during the days when I thought I didn't like Miss Turner, I still loved this beautiful, heart-rending film, which ranks up there as the tearjerker of all tearjerkers. Lana's performance in Madame X was beyond spectacular---surely it was the performance of her career. Read my review of that beloved film HERE.

Rounding out my list of five favorite Lana Turner films are:

2. Homecoming (with Clark Gable---reviewed HERE)

3. Portrait in Black (with Anthony Quinn, Richard Basehart, and Sandra Dee)

4. Imitation of Life (with Juanita Moore, John Gavin, and Sandra Dee---reviewed HERE)

5. The Postman Always Rings Twice (with John Garfield)

(As of now, these are my five favorite Lana Turner films; I expect this list to change as I see more of her films.)

As an aside...I've shared before that for a few years before I got married, I lived with my grandparents. Of course, like most people of that generation, they had long been in love with the films and stars from Hollywood's Golden Era. My grandmother's favorite actor was Ray Milland, and my grandfather's favorite actress was Lana. Actually, I remember him raving about her way back when I was a child in the 1960's...and when I lived with them in the early 1980's, he was still raving about her.

One of the TV shows my grandparents enjoyed watching was Falcon Crest, and the 60+ year old Lana Turner was a guest star on that show for several episodes. I found a video on YouTube---wow, she aged beautifully. Elegant and beautiful at 61 years of age! No wonder my grandfather was so smitten with her!

So, Miss Lana Turner, I am remembering you on what would be your 91st birthday. You made so many wonderful films, including several which really touch my heart and bring me to tears. Thank you for beautifying my life through your movies.

By Love Possessed (4 stars)

2012-02-07T00:00:00.018-05:00

By Love Possessed, from 1961, is a soap opera drama directed by John Sturges and starring Lana Turner, Efrem Zimbalist, Jr., Jason Robards, Barbara Bel Geddes, Thomas Mitchell, and George Hamilton. While Lana takes top billing in the film, most of the other stars have equal (or more) screen time. Always a fan of these kinds of melodramas, I've had this one on my must-watch list for a couple months; as part of my Lana Turner birthday celebration, I decided now was the perfect time to watch it.

This ensemble story follows the lives and loves of three law partners and their families. There's Arthur Winner (Efrem Zimbalist, Jr.), a rather rigid, emotionless man whose wife, Clarissa (Barbara Bel Geddes), feels there is no passion in their marriage, even telling him that their marriage has been more a business merger than anything. Living by the letter of the law and allowing for no gray areas, self-righteous Arthur has set a standard so high no one can measure up. His college-age son, Warren (George Hamilton), especially, feels inadequate as far as his father is concerned.

Julius Penrose (Jason Robards) is married to Marjorie (Lana Turner), a woman with whom he cannot be intimate due to an accident which had left him impotent. Lonely and longing for love, Marjorie finds what she's looking for in the bottle and in the arms of Arthur Winner.

Noah Tuttle (Thomas Mitchell), senior partner of the firm, is Arthur's father-in-law; advancing in years, Noah is beginning to show signs of incompetency. Though Arthur and Julius try to encourage him to retire, Noah is adamant that he still has the mental capacity to do his job.

Warren, rebelling against his father's impossibly high expectations, has no desire to join the law firm...or even stay in his hometown. Rejecting the love of the girl who has loved him since childhood, Warren welcomes the attentions of a rather loose woman...an action which will affect all the people around him and cause them to re-evaluate their lives.

This kind of melodramatic movie is definitely my cup of tea, and I greatly enjoyed this film. Each storyline was interesting and captured my attention, and the Elmer Bernstein score was beautiful. The acting, while not Academy Award-winning, was solid, especially that of Turner, Zimbalist, and Robards. I do believe things were wrapped up a bit too quickly and cleanly; however, with a 2-hour time limit, that often seems to be the case. At any rate, while somewhat unrealistic because of the neat and tidy ending, I still consider By Love Possessed to be an enjoyable, entertaining viewing experience. It is easily, for me, a 4-star film and one of my favorite Lana Turner vehicles.

Out on DVD, this film should be fairly easy to track down. It is also available on Net Flix instant viewing. If you are a fan of these soap opera kinds of dramas, definitely look for this one. I feel sure you will like it.

Happy viewing!!!

Women's Prison (3 stars)

2012-02-06T00:00:00.185-05:00

Women's Prison, from 1955, is a gritty prison drama starrng Ida Lupino, Jan Sterling, Howard Duff, Audrey Totter, and Phyllis Thaxter. Similar to Caged, the 1950 film which showcased the amazing acting range of Eleanor Parker, Women's Prison explores the issue of sadistic supervisors in a women's penetentiary. This film is one I recently caught on TCM and which I chose to watch as part of my Ida Lupino birthday celebration.

Women's Prison is a collage kind of movie, in that there are several different storylines taking place. First, there's Helene Jensen (Phyllis Thaxter), who is serving a sentence for involuntary manslaughter after accidentally killing a child with her car. Shocked and scared, Helene is barely able to function; although the kindly prison doctor (Howard Duff) advises against it, Helene is put immediately into quarantine and, ultimately, into a strait jacket.

Entering the facility the same time as Helene is Brenda Martin (Jan Sterling), a repeat offender serving time for forgery. Brenda is somewhat the mother hen of the group, always looking out for and helping the other girls.

Joan Burton (Audrey Totter) is married to a man (Warren Stevens) who is incarcerated in the men's side of the prison; although they know it is against regulations, Joan and her husband yearn to see each other and will do whatever it takes for that to happen. No matter how impossible it seems, Glenn Burton intends to find a way to reach the women's side of the prison, and when he finally gets there, there is a steep price to be paid.

Keeping watch over all these women is the cold-hearted superintendent, Amelia Van Zandt (Ida Lupino). Although Miss Van Zandt claims she is rehabilitating the women, Dr. Crane accuses her of enjoying her power over them. Calling her a psychopath, he charges that she dislikes the women and is jealous of them because they've known love---something she has not. Though Dr. Crane repeatedly warns her about her ill-treatment of the women, Amelia perseveres with her harsh, brutal ways, until, unable to stand the treatment any longer, the inmates plan a revolt.

Though nowhere near the caliber of Caged, I found Women's Prison to be a solid, 3-star viewing experience. Ida Lupino, who could portray a "good" girl and a "bad" girl equally well, was her usual terrific self. She oozed coldness in this role, and I SO wanted her to receive her dues. Jan Sterling, who, incidentally, was also in Caged, was terrific in her role as well. I don't know, maybe it's the accent, but she was perfect as the smart aleck habitual offender. Phyllis Thaxter was well cast in her part. Her character was timid and scared, nearly completely broken at the thought of being incarcerated. Every role I've ever seen Phyllis in, she's gentle and kind, very soft-spoken...so she was perfectly suited to the character of Helene Jensen. Howard Duff was fine as the compassionate doctor---no spectacular performance, just solid and believable....and what a beautiful voice!! All in all, I liked this movie and recommend it. Those who are fans of Ida Lupino, Howard Duff, or prison drama ought to especially enjoy it. Be sure to see Caged as well (reviewed HERE) and then compare the two.

The film is out on DVD, so it should be fairly easy to track down. Happy viewing!!

Private Hell 36 (4 stars)

2012-02-05T00:00:00.282-05:00

Private Hell 36, from 1954, is a fantastic film noir, starring Ida Lupino, Steve Cochran, and Howard Duff, with supporting help from Dean Jagger and Dorothy Malone. With February being Ida's birthday month, I am OD'ing on her films (along with the films of Clark Gable and Lana Turner, who also have February birthdays), and Private Hell 36 is easily one of my favorites. It is a film that was quite "all in the family" for Miss Lupino, as her ex-husband, Collier Young, produced it and co-wrote the screenplay (Ida herself being the other half of the writing team); her then-husband, Howard Duff, was one of the co-stars, and their baby girl, Bridget, portrayed the role of Duff's daughter in the film.

The film begins with a $300,000 robbery and murder in New York City; a year later, in Los Angeles, one of the bills from that job turns up, and police officers Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff) are assigned to the case. After tracing the path of the stolen bill, the detectives eventually come to Lily Marlow (Ida Lupino), a singer in a local nightclub, who informs them she was given the money as a tip. Needing her help to identify the man who gave her the hot $50, the police pressure Lily to get involved; though she would prefer to stay out of it, she reluctantly agrees to help, and eventually, as they work together on the case, Cal and Lily get involved with one another. Lily has grandiose dreams and champagne tastes, causing Cal to wonder how he can afford her on his cop's salary.

Days of staking out the local horse track finally pay off, and Lily spots her man. Cal and Jack give chase, but just as they are about to overtake the suspect's car, he careens off the road and lands in the bottom of a ravine. Not only is the man killed, but the stolen money---which he had in his possession---spills forth from his dislodged suitcase; as Jack shovels the cash back into the case, he pauses momentarily, knowing that if he slipped a few of the bills into his pocket, he and his wife would be on easy street. An honest man, though, Jack pushes the thought aside and places the money back in the case; Cal, however, has no qualms about slipping a few bundles into his pocket.

While Jack insists that Cal put the money back, Cal maintains that since nobody can prove how much money was there in the first place, no one will ever know they took any. Besides, says Cal, he knows Jacks wants the money as badly as he does---he could see the look of wanting all over Jack's face, to which Jack responds that "wanting it and taking it are two different things." Railroaded by Cal, Jack reluctantly agrees to go along with the theft, and the cash is hidden in a very seedy-looking trailer park, unit #36. Jack's conscience never stops bothering him, however, and he eventually comes to the place of being unable to look at himself in the mirror.

Meanwhile, Lily is suspicious of Cal's new-found wealth, and the police captain (Dean Jagger) has his own questions about his detectives' actions at the accident scene. Will Jack crack under the pressure? Will he be able to convince Cal to come clean? How it all plays out is the balance of this very exciting movie.

While this is probably considered a B movie, I went into it with high hopes...and I absolutely was not disappointed. Although it took about 45 minutes before the meat of the story took place (the officers' theft of the money), even up to that point, the film---a classic noir---was interesting and well-acted. Ida's character was definitely rough around the edges, which, I think, is when she often shined the brightest. Howard Duff was incredibly believable as the guilt-ridden family man struggling to make ends meet. Oh, and he has an amazing voice!! And Steve Cochran...wow! This was his show all the way...he was totally fantastic...probably one of his best roles. Although it would at first appear that Cal's descent into corruption was because of his desire to satisfy Lily's extravagant tastes, it quickly becomes evident that, down deep, he was a sleazy scoundrel---and Steve Cochran was completely stellar in roles like that!!

The chemistry between Cochran and Lupino was absolutely incredible...they sizzled and smoked the entire time. At one point, he nonchalantly---as though it was as natural as breathing---untied the strings of her halter dress to massage her shoulders, and another time, he massaged her feet. Even though both characters were fully clothed, there was incredible sensuality in those scenes!

The film's ending was quite unexpected and a little unsettling; still, though, I completely enjoyed this movie and easily count it among my favorite Ida Lupino films.

This film is not out on DVD; however, I believe it is available on VHS; additionally, it is available through Net Flix instant viewing. Definitely try to track this one down; if you are a fan of Ida Lupino, Steve Cochran, or film noir, I think you will thoroughly enjoy every minute of Private Hell 36.

Happy viewing!!

Happy Birthday, Ida Lupino

2012-02-04T00:00:00.001-05:00

Today is the 94th birthday of the wonderful Ida Lupino---one of my top 10 favorite actresses. (February 4, 1918-August 3, 1995)

The multi-talented Miss Lupino was not only a great actress, but she also enjoyed success on the other side of the camera as a director. In at least one film that I know of (The Bigamist), she took on both roles. Also, she was a screenwriter and a producer. Truly, when it came to films, Ida could do it all; through her talents---both acting and otherwise---she brought many wonderful movies to life.

Considering only films in which she acted, my favorite of Miss Lupino's films is On Dangerous Ground, an interesting, exciting film in which she portrays a blind woman whose brother is being sought in connection with a murder. Her co-star in On Dangerous Ground is my #1 guy, Robert Ryan. (Reviewed HERE)

Rounding out my five favorite Ida Lupino films are:

2. They Drive by Night (with George Raft, Ann Sheridan, and Humphrey Bogart)

3. The Bigamist (with Edmond O'Brien and Joan Fontaine---reviewed HERE)

4. Private Hell 36 (with Steve Cochran and Howard Duff---reviewed HERE)

5. Beware, My Lovely (with Robert Ryan---reviewed HERE)

It was nearly impossible to determine which five of Ida's movies I like the best. How can I leave High Sierra and Deep Valley off the list? (There, I just added them.) Every single one of those seven films is a 4-star film to me; quite honestly, I like them all about the same, with the exception of On Dangerous Ground, which simply draws me in because Robert Ryan is the co-star.

This wonderful actress has only fairly recently become one of my favorites. My first exposure to her was in They Drive by Night, and I thought she was sensational in her role; the more I have seen of her work, the more impressed I am. I definitely am looking forward to tracking down more of her films and getting to know her even better.

So, Miss Ida Lupino---actress, director, writer, producer---here's to you on your 94th birthday. Thanks for all the ways you brought such fabulous movies to life!

Homecoming (4 stars)

2012-02-02T15:00:00.215-05:00

Homecoming, from 1948, is a wartime romantic drama starring Clark Gable and Lana Turner in the third of their four pairings. Directed by Mervyn LeRoy, this touching film features Anne Baxter and John Hodiak in supporting roles. With yesterday being Clark Gable's birthday and next week being Lana's, I thought a rewatch of this movie was in order.

The story, which is mostly told in flashback, begins in 1945, as Clark Gable's character (Col. Ulysses "Lee" Johnson), an Army surgeon, is returning home after the war. Prompted by a reporter's question, Col. Johnson reflects on the man he was in 1941 and the man he is now.

Prior to U.S. involvement in the war, successful surgeon Lee Johnson and his wife, Penny (Anne Baxter), live a rather selfish, high-society life. Concerned with things like parties, golfing, and dancing, Lee doesn't have much time for his friend, Bob (John Hodiak), a doctor who works with the less fortunate in the poor section of town. Though Bob longs for Lee's financial and practical help, Lee simply isn't cut from the same cloth Bob is. He sees his patients as cases, not human beings, so to work with patients who cannot further his career or enlarge his bank account matters little to him. Lee's attitude angers Bob, causing the two men to argue bitterly.

After Pearl Harbor, Lee enlists in the Army and is sent to Europe, where he will serve as a field surgeon. While enroute to his assignment, he has an uncomfortable meeting with an Army nurse---one Lt. Jane "Snapshot" McCall (Lana Turner). Arrogant, and with a seeming disdain for women's opinions about political matters, Lee succeeds in irritating the widowed nurse. Snapshot can't stand, and has no use for, the pompous doctor, even nicknaming him "Useless." As it turns out, though, the two of them will have to stop butting heads, for Snapshot is assigned to be Lee's nurse.

The workload is intense, and they find themselves sometimes in the surgical unit for 16 hours straight. Eventually, Lee begins to change, even apologizing for things he has said and done. He begins to care about people...even comes to see the error of his ways with regard to the poor people back home. As Lee changes from a self-centered man into a caring one, he and Snapshot find themselves falling in love.

Since Lee is married, however, and there can be no future for them, they vow to fight their feelings. Penny, meanwhile, on the homefront, sees the change in Lee through his letters and fears she is losing him. How it all plays out is the balance of this very lovely film.

Of the four Gable/Turner pairings (Honky Tonk, Somewhere I'll Find You, and Betrayed are the others), Homecoming is definitely my favorite; not only is it my favorite of their pairings, but it's one of my five favorite Clark Gable films and one of my five favorite Lana Turner films. I think it's a beautiful movie---the transformation of Clark Gable's character from selfish to caring, from arrogant to humble, is a joy to watch. The chemistry between him and Lana is wonderful---they really were great together. While this film is not a sobber, it is most definitely a heart-tugger--one that gets me lightly misty-eyed several times and brings on quite a volume of tears a couple other times.

The film, which I think is a must-see, is out on DVD, so it ought to be fairly easy to track down. I do hope you get a chance to see it. Happy viewing!!

Happy Birthday, Clark Gable!!

2012-02-01T00:00:00.107-05:00

Today is the 111th birthday of one of my top 20-favorite actors and one of the most iconic actors ever...the legendary Clark Gable. (February 1, 1901-November 16, 1960)

This dashing Academy Award-winning actor could do it all and was as capable with drama as he was with comedy and adventure; his three decade career found him paired with a lovely assortment of leading ladies---Joan Crawford, Myrna Loy, Jean Harlow, and Lana Turner to name a few. He seemed to have great chemistry with all of them...at least from the films I've seen.

My all-time favorite Clark Gable film is the brilliant masterpiece, Gone with the Wind. One of the most fabulous films ever made, that epic is easily near the top on my all-time favorite movie list. Truly, I find GWTW to be an absolutely sensational film, and I positively adore Gable's Rhett Butler. While Butler is somewhat of a rogue, there is something completely charming about him as well. Actually, Rhett, in my mind, is exactly the same kind of man I imagine Gable himself to be...a bit of a scoundrel, but one whom you love and can't help rooting for. (Just have to say that it astounds me that Mr. Gable did not receive the Best Actor Award for his work in GWTW...he was beyond brilliant in his role.)

Rounding out my list of five favorite Clark Gable films are:

2. It Happened One Night (the film for which he won the Best Actor Academy Award, with Claudette Colbert)

3. Manhattan Melodrama (with William Powell and Myrna Loy---reviewed HERE)

4. Homecoming (with Lana Turner and Anne Baxter---reviewed HERE)

5. Never Let Me Go (with Gene Tierney)

For me, Clark Gable is a man on the move; the more of his works I've seen, the more I like him. Therefore, in recent weeks, he has been moving up on my favorite actor list. I would not be at all surprised if he makes it close to my top 10 at some point in the near future.

So, Mr. Clark Gable, here's to you on your 111th birthday. You were an amazing actor, and the way you portrayed Rhett Butler has made him an unforgettable character to me. I can never hear his name without your name and face coming to mind. Thanks for making not only Gone with the Wind but so many other wonderful movies!!

Cass Timberlane (3 stars)

2012-01-30T18:00:00.004-05:00

Cass Timberlane, from 1947, is a romantic drama starring Spencer Tracy, Lana Turner, and Zachary Scott. Based on the Sinclair Lewis novel of the same name, this is a film which had been on my radar for a few months. As I have grown in appreciation for Lana Turner, I have been on the lookout for some of her lesser-known films, and this one sounded interesting to me, so I kept hoping TCM would air it...which they did earlier this month.

Widowed Cass Timberlane (Spencer Tracy) serves as a judge in a small Minnesota town. While Judge Timberlane hobnobs with the high-society folks in his town, he is very much a down-to-earth guy and even has friends "on the other side of the tracks." One of those friends is Ginny (Lana Turner), a woman several years his junior, whose acquaintance he made when she appeared in his courtroom one day. The friendship between Ginny and Cass (who is nicknamed Tim by Ginny) soon blossoms into romance.

Despite her initial concerns about their societal differences, Ginny agrees to marry the judge. Of course, the majority of his high-society friends have a problem with Ginny's lack of breeding, but his friend Brad Criley(Zachary Scott) supports him 100%.

Though Tim lavishes all the love in the world on Ginny, she soon finds herself bored with their small-town life and yearning for excitement and action. Brad, too, desires that kind of life, and before long, he and Ginny find themselves developing feelings for one another. Will Ginny leave Tim and seek out a more glamourous life with Brad? For that matter, does Brad---a playboy---have more than a passing interest in Ginny? How it all plays out is the balance of the film.

While this is not a spectacular film, I enjoyed it very much. I found Spencer Tracy and Lana Turner to be a delightful couple. I thought they had great chemistry together; however, my daughter---who watched the film with me---did not. It's funny how two people can look at the exact same thing and come away with totally different perceptions. The film has great lessons about integrity, forgiveness, and the sacredness of marriage. It is very definitely a solid, 3-star movie, which I highly recommend.

The film is out on DVD, so I think it ought to be fairly easy to track down. Happy viewing!!

Criss Cross (3 stars)

2012-01-29T17:00:00.046-05:00

Criss Cross, from 1949, is an exciting film noir starring Burt Lancaster, Yvonne DeCarlo, and Dan Duryea. I recently enjoyed a rewatch of this film in honor of Mr. Duryea's January 23rd birthday.

After the breakup of his 7-month marriage to Anna (Yvonne DeCarlo), Steve Thompson (Burt Lancaster) leaves town for awhile. Needing to get Anna out of his system, he drifted for a time, and then eventually returned to Los Angeles and his former job at an armored truck company. Anna is never far from Steve's mind, though, and he begins haunting their old hangouts, hoping to run into her. One evening, he does, and although she had begun seeing gangster Slim Dundee (Dan Duryea) after their divorce, Anna is still very much interested in reconnecting with Steve. She convinces him that they need to try again to make a go of things, but shortly after saying that, she ends up marrying Slim.

Of course, Steve is destined to run into the now-married Anna, and after she informs him that Slim beats her and that he and his gang are killers, the two fall into an affair; however, with Slim watching Anna's every move, it's not long before he learns of it. Trying to protect Anna, Steve claims there is nothing going on between them, that they were only together because Steve wanted her to contact Slim about the two of them partnering together in an armored truck robbery. Now Steve, who is really a good guy at heart, finds himself the "inside man" on a major heist. Will he go through with it? And will Anna really leave Slim and run away with Steve after the job is done?

Criss Cross is an interesting, exciting film, with good performances by all. Dan Duryea oozes nastiness here---he's his usual wonderful, sleazy self. Burt Lancaster, whose characters I find almost always a bit rough around the edges, was super as the man who wants to be good, but who is drawn to a bad woman. And Yvonne DeCarlo...wow, she was a stunning beauty in 1949. The only thing I've ever seen her in is The Munsters, and I would never in a million years have believed she was a beautiful woman. But she was gorgeous here!! I was beyond in love with her hairstyle. Another thing---to my mind, the film offers a surprise ending---truly, I never saw that ending coming! I love surprise endings like that.

The film is out on DVD and should be quite easy to track down. If you are a Burt Lancaster, Dan Duryea, Yvonne DeCarlo, or film noir fan, I am sure you will enjoy this one. Hope you get a chance to see it.

Happy viewing!!

The Lion (2 stars)

2012-01-28T20:00:00.020-05:00

The Lion, from 1962, is an action/adventure film starring William Holden, Trevor Howard, and Capucine, with juvenile actress, Pamela Franklin, in a supporting role. As a die-hard William Holden fan, I am making it my goal to see as many of his movies as I can, so when I saw that The Lion was making its TCM premiere last night, I excitedly set my DVR. Alas, I was disappointed; however, I'm not sorry I watched it, and I don't consider it time wasted. Anytime I have an opportunity to see my beloved Bill Holden in a "new-to-me" film, I consider it time well spent.

Robert Hayward (Holden) and his ex-wife, Christine (Capucine), have been divorced for several years, with Chris having custody of their young daughter, Tina (Pamela Franklin). While Rob has been living stateside since the divorce, Chris and Tina have been living in Kenya, where Christine's new husband, John Bullit (Trevor Howard), manages a game preserve. Concerned because of Tina's isolation and her strong attachment to a full-grown lion, Chris requests that Rob make a trip to Africa to judge the situation for himself.

Though Rob at first thinks Tina is bright and well-adjusted, he comes to realize that Chris is right...Tina does, in fact, have an unhealthy attachment to the lion---and he does to her as well, even, in a dramatic moment, choosing Tina over a lioness. Additionally, Tina is strongly connected to the tribal customs of the local natives, something which greatly concerns her mother. Rob realizes that Tina needs to be removed from the game preserve and brought to the states to live with him; however, since his connection with his daughter had been severed when she was very young, and she now looks upon Bullit as her father, will Rob be able to convince her to leave Africa and live with him? Making matters even worse is the fact that Rob violated the natives' tribal laws by saving a man who had been left to die. And on top of it all is Rob and Chris's realization that they still love each other. How everything plays out is the balance of the film.

The Lion was filmed entirely on location in East Africa. William Holden, part-owner in a Kenyan game preserve, had long-wanted to be involved in a film such as this. Truly, it was his passion, and, in fact, according to Robert Osborne's informational snippets, he is the one who spearheaded the effort to have this film made. Despite his zeal for the project, though, the film didn't do it for me. I don't generally do well with animal films...for what are probably obvious reasons. In this movie, it appeared that Trevor Howard's character was taunting the animals with his vehicle. Perhaps it was meant to be just playfulness, but it was a turn-off for me. Also, I didn't feel there was much chemistry between any of the stars---funny because Holden and Capucine were involved with one another at this point in their lives (said Robert Osborne). I didn't see their off-screen love playing out in the film.

Just because I didn't enjoy this film, though, it doesn't mean others won't love it---especially those with an interest in Africa or safari animals. (The scenery is stunning, and the animals are completely awesome.) While I don't believe the movie is out on DVD, I am willing to part with my copy. Given that it was a William Holden film, I assumed I would love it, so I recorded it to disc as I watched it; however, it's not a movie I will ever watch again, so I am happy to send my recorded disc to anyone who wants it. Please don't hesitate to ask.

Happy viewing!!

Happy Birthday, Donna Reed!!!

2012-01-27T10:00:00.002-05:00

Today is the 91st birthday of my birthday mate---the lovely Donna Reed. (January 27, 1921-January 14, 1986). Yes, we share the same date of birth...albeit 40 years apart.

While this dear lady is not one of my favorite actresses, I do like her very much. My absolute favorite of her films is the beloved It's a Wonderful Life. I read that Jean Arthur and Ginger Rogers were offered her role first, but since they both turned it down (one due to another commitment, the other because of not finding it "meaty" enough), the part was given to Miss Reed. While I adore both Jean and Ginger, somehow I just can't imagine anyone but Donna in that role. She was perfect in it, and the chemistry between her and Jimmy was wonderful.

Another favorite Donna Reed film is From Here to Eternity, the 1953 film for which she won the Best Supporting Actress Academy Award. She portrayed Montgomery Clift's love interest, Alma/Lorene, and, again, she was perfect in the role and had great chemistry with her co-star. (Reviewed HERE)

So, Donna Reed, my birthday mate, I am thinking of you on your 91st birthday. While I'm not familiar with very many of your works, two of your films are quite beloved to me...very much 5-star films. Thanks for beautifying my life with those great movies!!

Love Letters (3 stars)

2012-01-26T14:00:00.006-05:00

Love Letters, from 1945, is a romantic drama with a bit of a mystery to it. The film, which stars Jennifer Jones and Joseph Cotten in the second of their four pairings, features Ann Richards, Cecil Kellaway, and Gladys Cooper in supporting roles.

While serving in Italy during the war, Allen Quinton (Joseph Cotten) finds himself a regular Cyrano de Bergerac as he writes letters for his buddy, Roger Moreland. Writing to Roger's girl, Victoria, Allen finds himself able to say things he has never been able to say before...not even to his fiance, Helen.

Allen doesn't quite understand it, because he finds himself caring about and falling in love with this woman he has never met; furthermore, each time Victoria writes in return, it is obvious that she is in love with the man in the letters...a man who really doesn't exist, because the "Roger" the letters are supposedly from is completely different from the Roger who is. Allen, fully aware that Victoria is in love with his words, feels badly about the deception and pledges to write not one letter more. Not long afterwards, Roger is transferred back to England, and he and Victoria are married.

Several months later, Allen is injured and sent back to England to recover. Obsessed with the woman he had written love letters to, Allen does some investigating and discovers that Roger had been murdered about a year prior and that his wife had been found guilty of the crime. Wanting to find out as much as he can about Victoria, Allen makes the acquaintance of Singleton (Jennifer Jones), a young woman with no memory of her past. It doesn't take long for Allen to learn that the lovely amnesiac and his beloved Victoria are the same person.

Will Victoria regain her memory? Will she discover that the writer of the letters was Allen? Will she realize that it was Allen---not Roger---with whom she fell in love? These are the questions that play out in the balance of this touching film.

Being totally honest, I have to say that this could have been a 4-star film. The story is interesting...and also very sweet and tender. Plus, I always enjoy Joseph Cotten. Jennifer Jones, however, is the problem for me. Plain and simple, I don't like her at all. I'm not sure exactly what it is, probably the whole David Selznick/Robert Walker thing, but I just can't stand her. For me, she ruins every movie I've ever seen her in (including Love Is a Many Splendored Thing, which stars my #1 man, William Holden). Because of Miss Jones, this film became a 2-star film; therefore, averaging 4 and 2 stars, I came up with 3. I kept thinking I wished Gene Tierney had been cast in the part (don't know if it was the right studio for that)...or Ginger Rogers, with whom Joseph Cotten had paired so beautifully the year before in I'll Be Seeing You. However, with David Selznick the producer of the film, that was simply not going to happen. If you are a Jennifer Jones fan, though, I think you will love this movie. It is a film for which she received a Best Actress Academy Award nomination.

This film may be difficult to track down, as I don't believe it's out on DVD, nor have I seen it on YouTube. I caught it on TCM recently, so perhaps they will air it again in the near future.

Happy viewing!!

The Reckless Moment (3 stars)

2012-01-25T14:00:00.028-05:00

The Reckless Moment, from 1949, is a crime drama/film noir starring James Mason and Joan Bennett, with Geraldine Brooks taking on a supporting role. Directed by Max Opuls, this film made its TCM premiere earlier this month, and given that I've recently fallen in love with the smooth-as-silk voice of Mr. Mason, I was excited to catch it.

Quite upset about the company her teenager daughter, Bea (Geraldine Brooks), is keeping, Lucia Harper (Joan Bennett) pays a visit to one Ted Darby. Telling him there is nothing she won't do to keep him from her daughter, Lucia offers the man money to stay out of Bea's life. After Darby expresses interest in such an offer, Lucia is triumphant, for if Bea knows her beau was willing to be bought off, surely she will realize he's a ne'er-do-well.

That evening, Bea sneaks out of the house to rendezvous with Ted, and after he admits that her mother told her the truth---that he would, in fact, take money from her---Bea, furious, strikes at him. Though Bea's blow doesn't kill Ted, he does end up dying, and both Bea and Lucia believe that Bea killed him. Terrified, Lucia takes it upon herself to dispose of the body in a nearby swamp.

Although Lucia is confident that she left no trail and that no one will connect her or Bea with Darby's death, she soon finds that she does, in fact, have reason to worry. Bea had written dozens of love letters to Ted, and the man had used the letters as collateral in an unscrupulous loan; the current holder of the letters---Martin Donnelly (James Mason)---knowing they are incriminating evidence against Bea, is demanding $5,000 from Lucia in order to keep the letters from the police. With her husband out of town, though, and unable to sign for a loan, Lucia is finding herself unable to meet Donnelly's demands.

Will Donnelly go to the police? Will Bea or Lucia be implicated in Darby's death? These are the questions that play out in the balance of this film. (This video clip is the first of six parts.)

While The Reckless Moment is not a spectacular film, I did find it interesting and enjoyable. The storyline was exciting and mildly suspenseful and even offered a surprise twist at the end. And, of course, there's the beautiful voice of James Mason. All those things work together to make this a very solid 3-star film.

To my knowledge, this film is not out on DVD, so it might be a bit difficult to track down. It is, however, available in its entirely on YouTube (in 6 parts).

Happy viewing!!

If a Man Answers (4 stars)

2012-01-24T14:00:00.028-05:00

If a Man Answers, from 1962, is a totally adorable romantic comedy starring real-life couple Sandra Dee and Bobby Darin. Taking on supporting roles in this sweet little film are John Lund, Micheline Presle, and Cesar Romero.

Socialite Chantal Stacy (Sandra Dee) is out to get a husband, and photographer Eugene Wright (Bobby Darin) is her target. Eugene, though, insists that he loves bachelorhood and that it is the ideal state for him. Not to be put off by Eugene's "I'll never settle down" attitude, Chantal gets to work on the man's heart, and before long, Mr. "Marriage Isn't For Me" is standing before the preacher, saying "I do."

Though she and Eugene are married, Chantal feels a bit ignored, so upon the advice of her French mother (Micheline Presle), she sets out to train Eugene to be exactly what she wants him to be. Using a dog-training manual, Chantal successfully turns her husband into an obedient, loving man. Of course, no husband wants to be treated like a dog is treated; therefore, when Eugene discovers Chantal's methods, he rebels. Determined to re-capture Eugene's attention, Chantal puts another of her mother's schemes into action, this time letting him think she is involved with another man. Eugene isn't a fool, though, and, scheming himself, he turns the tables on Chantal, which leads to some very comical moments. Who wins the game of one-upsmanship will play out in the remainder of the film.

This really is an adorable film, and the chemistry between Sandra Dee and Bobby Darin is fabulous. While my favorite of the Dee/Darin films is That Funny Feeling (reviewed HERE), If a Man Answers is definitely pure delight. It's funny and sweet, and the supporting cast is wonderful. John Lund portrays Chantal's dad, and the interaction between him and Micheline Presle (Chantal's mom) was fantastic. I loved them about as much as Dee and Darin. Cesar Romero is loads of fun in his role as well. And topping it all off are Sandra Dee's gorgeous dresses! Oh, I wish we gals still dressed like that on a daily basis!

This wonderful film is out on DVD, so it should be quite easy to track down. Definitely try to catch it if you can; I feel sure you will enjoy every delightful, romantic minute.

Happy viewing!!

Happy Birthday, Dan Duryea!!!

2012-01-23T00:00:00.078-05:00

Today is the 105th birthday of one of the best of the "bad guys"...Dan Duryea (January 23, 1907-June 7, 1968).

Dan Duryea, who totally excelled at playing the nasty, is my daughter's favorite of the "bad guy" actors. She once read somewhere that he was known as "the heel with appeal." I definitely agree with that statement, as even when he's playing the heavy, there is something quite appealing about him. From what I've read about him, he was a gentle, kind, likeable man---very definitely light years away from the kinds of men he portrayed on screen. Additionally, he is defined as a "model husband and father." His gravestone, which I discovered through the website Find a Grave, bears the inscription, "Our Pop, a man everybody loved."

Though Mr. Duryea was most often a supporting star in each of his films, he always gave a top-notch performance. My absolute favorite of his films is The Pride of the Yankees, the Gary Cooper flick about Lou Gehrig. In that film, though, Mr. Duryea was only an extremely minor player; therefore, I will list five other movies of his which I really like..and in which he has much more of a role than he did in that one.

1. Killer Bait (a film noir with Lizabeth Scott and Don DeFore---reviewed HERE)

2. Black Angel (with June Vincent)

3. The Woman in the Window (film noir with Joan Bennett and Edward G. Robinson)

4. Lady on a Train (with Deanna Durbin and Ralph Bellamy)

5. Scarlet Street (another film noir with Joan Bennett and Edward G. Robinson)

So, Mr. Dan Duryea, here's to you on your 105th birthday!! Most definitely, you were "the heel with appeal." Thanks for being so good at being so bad!

Tomorrow Is Another Day (4 stars)

2012-01-21T14:00:00.002-05:00

Tomorrow Is Another Day, from 1951, is a surprisingly entertaining crime drama/film noir starring Ruth Roman and Steve Cochran. I caught this on TCM recently, and I must admit, though it sounded interesting, I really wasn't expecting much. To be quite honest, since I've never heard the film mentioned, and since neither Ruth Roman or Steve Cochran are mega-stars, I figured it would be a typical "B" movie...mildly interesting, but nothing I would ever want to watch again. In fact, I was so sure it wouldn't be a "keeper" that I watched the film without recording it to disc. Wow! Was I in for a surprise! This is a VERY good movie, far above the average "B" film; in fact, I easily determined that it's one I want to own, so after watching one time, I went back and watched again, recording it to a disc as I did.

As the film begins, Bill Clark (Steve Cochran) is being released from prison after serving an 18-year sentence for murder. Incarcerated since the age of fifteen, Bill has spent his entire adult life behind bars; he is warned by the warden that things are not going to be easy on the outside, and within hours of his release, he is experiencing the truth of those words. Duped by a publicity-hungry reporter, Bill soon finds his picture and story plastered across the front page of the newspaper. Knowing that he must leave town in order to make a fresh start, Bill heads to New York.

Lonely and wanting to meet someone, Bill visits a dance hall, where, for a dime a dance, he makes the acquaintance of taxi dancer, Kathy Higgins (Ruth Roman). Despite her lack of interest in him, Bill is taken with Kathy and, wanting to spend more time with her, asks her to show him around New York. Walking her home one evening, Bill comes face to face with Kathy's ex-boyfriend, police officer George Conover. When Conover gets rough with Kathy, Bill springs to her defense and strikes at the man, he himself receiving a return punch which renders him unconscious for a time. As Bill lies on the floor motionless, Kathy picks up a gun and shoots Conover, who then, wounded, makes his way from the apartment.

Upon regaining consciousness, Bill is a bit foggy about the events which took place; therefore, when Kathy tells him he shot Conover, he has no reason to doubt her. It turns out, as Bill discovers in the next day's newspaper, Conover's wound was fatal; knowing his ex-con status will give him little credibility in a self-defense plea, Bill realizes his only chance is to run...and he does so, with Kathy by his side.

Can Bill escape his past? Can he escape being charged with a second murder? Does Kathy ever tell him she---not he---pulled the trigger on Conover? These are the questions that play out in this very interesting, entertaining film.

Tomorrow Is Another Day is a fabulous film noir. It also features a surprising amount of romance, which I found very touching. I really liked Steve Cochran's character. Unlike the sleazy guys he generally plays (Storm Warning, White Heat, The Best Years of Our Lives), Bill Clark was a likeable guy, one I really cared about and rooted for. I thought Cochran was quite good in the role. Ruth Roman spends the first 1/3 of the film as a platinum blonde...definitely a look I've never seen on her before. Her character is a bit rough around the edges, but she has a good heart, and you can't help rooting for her as well.

This film is out on DVD, so I hope you are able to track it down. It is definitely worth watching.

Happy viewing!!

Pressure Point (4 stars)

2012-01-19T10:00:00.013-05:00

Pressure Point, from 1962, is a hard-hitting racial/prison drama starring Sidney Poitier and Bobby Darin. As often seemed to be the case, Mr. Poitier finds himself taking on a role in which his skin color is an issue. Here in Pressure Point, he portrays a psychologist, and as the film begins, he reflects back to 1942, when he was practicing in a federal penetentiary.

A twenty-nine year old man (Bobby Darin), who has been sentenced to three years for sedition, is sent to the doctor because of erratic behavior and difficulty sleeping. At the initial meeting of the two, the patient's lack of respect for the black doctor is obvious; though the doctor is irritated by the condescending atittude shown him, he is, nonetheless, determined to help the young man.

Feeling there is some deep-rooted reason for the young man's aggression, the doctor questions him about his childhood, and a picture of an abusive father is brought forth. Growing to manhood, the patient embraces the teachings of the Nazi party, giving him a hatred for blacks and Jews...a feeling that has only strengthened over time. Believing that the purity of the white Christian stock is endangered by Negroes and Jews, he is an adamant believer in all things Nazi.

Will the doctor be able to help? Will the patient let go of his bigotry and hatred? These are the questions that play out in this hard-hitting drama.

Having only seen Bobby Darin in light romantic comedies, I was surprised to find how good he was in this kind of role. I thought he was quite exceptional...really, in my mind, this was more Darin's show than Poitier's. Yes, Mr. Poitier gave his usual wonderful performance, but I definitely feel Darin stole the show here. It occurred to me that every Poitier film I've seen has him in a role where his skin color marks him for hatred and/or mocking. I suppose that is to be expected given that he he made so many films in the late 50's and 60's; I wonder, though, if he ever grew weary of his characters always having to fight against the bigotry? I wonder if he would have enjoyed the chance to make a film where race wasn't an issue? I suppose he did make films that were less "deep," but I just haven't seen any of those ones.

Unlike many of the racial dramas of that era, the cringe-inducing "n" word wasn't used one time in this film; instead, they used Negro over and over again. Perhaps that word isn't used much nowadays, but I will certainly take it over the other "n" word. Still, though, the man's hatred toward blacks and Jews is quite painful to watch.

While I don't believe Pressure Point is out on DVD, it is available in its entirety on YouTube. HERE is the link if you'd like to watch this well-acted, hard-hitting film.

Happy viewing!!

Happy Birthday, Cary Grant!!!

2012-01-18T00:00:00.081-05:00

Today is the 108th birthday of one of the world's most beloved actors---the incredibly dashing and distinguished Cary Grant. (January 18, 1904-November 29, 1986)

Born in England with the name Archibald Leach, Cary Grant is one of the most iconic names there has ever been. Even those who do not profess to know much about classic films know who he is. This beloved actor is firmly entrenched at the #5 position on my all-time favorite actor list. I totally adore him.

My absolute favorite of Mr. Grant's films is Penny Serenade, the beautiful 1941 tearjerker for which he received an Academy Award nomination. In this lovely film, Cary teams up with Irene Dunne and plays paternal, a role at which I think he excelled. (Reviewed HERE)

Rounding out my five favorite Cary Grant films are:

2. An Affair to Remember (with Deborah Kerr---reviewed HERE)

3. Room for One More (with then-wife Betsy Drake---reviewed HERE)

4. In Name Only (with Carole Lombard---reviewed HERE)

5. Notorious (with Ingrid Bergman)

It was nearly impossible to stop with five films; truly, I could have listed another half dozen which I love, but I am forcing myself to list only five. (Two of those five films are in my top 20 favorite films of all-time!!) However, I realize these are all dramas and that Cary was quite the comedic actor as well. Since I far and away prefer drama to comedy, his dramatic films are, obviously, my favorites, but in the name of being fair, I will list a few of his comedies which I adore.

1. The Bachelor and the Bobby-Soxer (with Myrna Loy and Shirley Temple)

2. Mr. Blandings Builds His Dream House (with Myrna Loy)

3. Father Goose (with Leslie Caron)

So, Mr. Cary Grant, here's to you on your 108th birthday! You were a wonderful actor and a gallant gentleman, and you will always be one of my absolute favorites. Thanks for making so many beautiful movies!!

The Steel Trap (4 stars)

2012-01-17T14:00:00.044-05:00

The Steel Trap, from 1952, is a suspenseful drama starring Joseph Cotten and Teresa Wright. A film which reunited the Shadow of a Doubt stars, The Steel Trap made its TCM premiere last week. I had been awaiting the airing of this film for a couple years, so I was thrilled to finally have had the opportunity to catch it...and, I must say, I was not disappointed.

Jim Osborne (Joseph Cotten) has worked at his bank job for eleven years, starting as a teller and now finding himself in the position of assistant manager. Though not fancy, Jim's life is comfortable and happy---wife, daughter, modest home, stable job. Jim, however, wants more, and he begins to wonder about the possibility of stealing money from the bank's vault. The more he dwells on the idea, the more convinced he is that he could get away with it, and within a couple days, Jim puts his plan into action.

Having discovered that Brazil had revoked its extradition treaty, Jim knows that Brazil is the destination to which he will go. His plan is to abscond with $1 million at the close of business on Friday and then be safely in Brazil before the robbery is discovered when the bank opens on Monday.

Of course, Jim's wife, Laurie (Teresa Wright), and his daughter will have to go to Brazil with him, for his intent is to stay there forever.

As fate would have it, nothing goes as Jim plans---Laurie, who thinks they are simply taking a short trip, wants to leave their daughter home with her mother; the passport office is closed when they arrive; they need to take a later flight; and on and on. Whatever can go wrong, does go wrong, pushing Jim to the point of total franticness and triggering Laurie's awareness that there is something strange going on.

The Steel Trap was definitely an enjoyable viewing experience. The storyline itself was quite exciting, but adding to the overall suspense was the Dimitri Tiomkin score. Especially during the scene in the bank vault, the score was utterly perfect! Joseph Cotten was fantastic in his role. I could SO feel the anxiety and stress his character was struggling with. You may be surprised to find Teresa Wright as a blonde in this film. Having never seen her as anything but a brunette, I was not expecting those blonde tresses. She looked good, but I really prefer her dark.

To my knowledge, this film is not out on DVD, so it may be hard to catch. If you can track it down, though, be sure to do so. It is definitely an exciting, entertaining film.

Happy viewing!!

Lightning Strikes Twice (3 stars)

2012-01-15T14:00:00.154-05:00

Lightning Strikes Twice, from 1951, is a suspenseful romantic drama starring Ruth Roman and Richard Todd. Despite the fact that I am not overly familiar with either star, when I saw the film's description on the TCM schedule recently, I was intrigued and decided to set my DVR; I was not disappointed.

As the film begins, Richard Trevelyan, henceforth known as Trev (Richard Todd), is about to be executed for the murder of his wife; at the last minute, however, he is given a stay and a new trial. The re-trial results in a 6/6 indecision, so Trev is freed and, quite secretly, returns to his home, which is near the dude ranch Tumble Moon.

Stage actress Shelley Carnes (Ruth Roman), on the advice of her doctor, is taking a vacation out West and has reservations at the Tumble Moon. Not being from the area, the only thing she knows of Trevelyan---or the murder case---is what is printed in the local newspaper.

With the ranch being some miles from where the bus left her off, Shelley must drive the remaining distance, and while doing so---on a dark and rainy night---her car gets stuck in the mud of an unpaved road. Spying a house nearby, Shelley makes her way to the front door and is soon let in by a man---Richard Trevelyan---who is the only person in the house. After informing Shelley of his identity, Trev lets her know she is welcome to spend the night in the den, which she does. Though there is a lock on the door, Shelley doesn't use it, allowing Trev to enter the room in the middle of the night, so as to cover her with a blanket.

Though Trev is gone when Shelley wakens in the morning, she cannot help wondering about him. By the time their paths cross again, Shelley, convinced the man did not kill his wife, longs to help him prove his innocence; Trev, however, tells her to just let it be. Eventually, Trev and Shelley fall in love and decide to marry; however, on their wedding night, Shelley begins to believe that her husband did, in fact, kill his first wife...a thought that terrifies her and sends her running from him.

Did Trev really kill his wife? Was a guilty man mistakenly released from prison? Does he intend to harm his new wife? These are the questions that play out in this mildly suspenseful romantic drama.

Lightning Strikes Twice is definitely an interesting, exciting film. While it isn't a spectacular movie, nor are its stars among my favorites, I, nevertheless, found the film quite enjoyable. It's one of those films that really keeps you guessing...did he kill his wife? Is his new wife in danger? Right up until the very end, you just didn't know. I've probably only seen Richard Todd in one other film (The Hasty Heart), so I really don't know much about him, but I certainly like him here. I thought he was very good in his role...and I love his gentle Irish accent! I've seen Ruth Roman in only three or four films, so I'm not overly familiar with her either...but I enjoyed here here as well. I think she and Mr. Todd worked quite well together.

This is, without question, a very solid 3-star film, which I definitely recommend. Since it is out on DVD, I think it should be fairly easy to track down.

Happy viewing!!

Tomorrow---the World (4 stars)

2012-01-14T12:00:00.136-05:00

Tomorrow---the World, from 1944, is a wartime drama which explores the indoctrination of The Hitler Youth. Starring Fredric March and Betty Field, Tomorrow---the World was originally a Broadway play (in 1943), with Ralph Bellamy and Shirley Booth in the starring roles. Skippy Homeier, who had the part of the youth on Broadway, reprised his role in the film. Agnes Moorhead takes on a supporting role in the film.

As the film begins, widower Mike Frame (Fredric March) is preparing to welcome his young nephew, Emil (Skippy Homeier), into his home. Emil, a German boy nearly twelve years old, is the orphaned son of Mike's sister, Mary, and her husband, Karl Bruckner, a German resistance supporter, who died in a concentration camp.

Shortly after arriving at Mike's home, Emil changes his clothes...donning the uniform of The Hitler Youth. His hatred for all things non-German is soon obvious, as is his disdain for women and Jews. Shouting "Heil, Hitler," Emil informs Mike that he is willing to die for his fuhrer. He further informs Mike that his father, a traitor to The Third Reich, was a coward who committed suicide. Refusing to listen when Mike attempts to set the record straight, Emil destroys the picture of Bruckner which hangs on the wall in Mike's study.

While the family continually tries to love Emil and, thereby, remove the Nazi indoctrination from his mind and heart, they are continually thwarted. The Hitler Youth very successfully programmed the mind of the young boy, and undoing their work may prove to be impossible. Whether they are able to do so is the basis for the remainder of the film.

This film was powerful and, from what I have learned through a lengthy study of the rise of Nazi Germany, quite accurate in its portrayal of the young German boy. The Hitler Youth completely sought to control the minds of its young people, often turning them against their own parents. Although Fredric March gets top billing, the real star of this film is Skippy Homeier. He was totally fantastic in the role of Emil....down to the clicking of the boots! Quite honestly, his portrayal was so realistic, I found myself shivering a few times.

Being totally honest, however, I must admit that I have a couple concerns with the film, though they in no way influence me to rate it lower. First, I found it unrealistic that the Nazi government would have sent one of The Hitler Youth to live in America...even if he had been orphaned. Why would they have allowed their enemy to have one of their own? That just didn't ring true to me. Also, the ending was a bit too pat for me. I won't say more than that, as I don't want to give away how things turn out; suffice to say, that it seemed quite unrealistic. Those things aside, however, I still greatly enjoyed this film, which is out on DVD and should be quite easy to track down.

Happy viewing!!

Something of Value (4 stars)

2012-01-13T12:00:00.039-05:00

Something of Value, from 1957, is a hard-hitting political/racial unrest drama starring Rock Hudson and Sidney Poitier, with Dana Wynter and Wendy Hiller taking on supporting roles. It's a film that takes place in Kenya during the 1940's and early 1950's...a time when the East African country was under British rule.

Peter McKenzie (Rock Hudson), a white English colonist, and Kimani (Sidney Poitier), a black native Kenyan, have been raised as brothers. Since Peter's own mother had died when he was a baby, Kimani's mother, a servant for the McKenzie family, raised the white child. As a result, Peter and Kimani have played together and been as close as brothers all their lives; however, as the boys grow to adulthood, Peter is told that Kimani is supposed to be his servant, not his equal. In fact, Peter is told, "Blacks are blacks and not playmates." Those ideas do not sit well with Peter, and although Kimani tells him they are not friends anymore, but servant and master, Peter responds that he will always be his friend.

Wanting more out of life than to be "head man" to a white man, Kimani leaves his home to join up with a revolutionary group. Although Kimani would prefer non-violent methods of delivering the native people from the English, the group he has joined insists that independence will only be accomplished with guns and spilled blood. Eventually, Kimani drinks the vow, which consists of sheep's blood, millet, and earth. As he drinks, he promises "to steal guns, to never be a Christian, and to drive out all English or kill them."

Of course, Peter's and Kimani's paths are destined to cross again, and with both men having a bond of love for the other, can one of them possibly kill the other? Or can the war be won peaceably? These are the questions that play out in this hard-hitting, heartbreaking drama.

While I readily admit I know little about Kenyan history and, therefore, cannot say with certainty that this film is historically accurate, I did, nevertheless, find it to be completely riveting. Sidney Poitier, who I think is a simply amazing actor, was totally stellar in this role. He was completely believable, and my heart hurt for him over and over again. Rock Hudson, I thought, was very good in his role. Despite the fact that he was portraying an Englishman, yet had no English accent, he was completely believeable to me. I could simply "blow off" the fact that the accent wasn't right.

Although tame by today's standards, there were a couple of very violent scenes, which really brought tears to my eyes. The poignant ending, also, brought tears to my eyes. All in all, I think Something of Value is a wonderful movie, and I highly recommend it.

This film is out on DVD; plus, it is available in its entirely on YouTube (HERE). Happy viewing!!

Crisis (3 stars)

2012-01-12T14:00:00.095-05:00

Crisis, from 1950, is a political intrigue/medical drama starring Cary Grant and Jose Ferrer. This is a Cary Grant film I had never even heard of until I saw it on the TCM schedule last month. I missed it then, but they happened to air it again earlier this week, so I set the DVR.

While on vacation in an unnamed Latin American country, American surgeon Eugene Ferguson (Grant) and his wife find themselves caught up in the political unrest which has long been brewing. The country's tyrannical leader, President Farrago (Jose Ferrer), has many enemies...many who want to see him dead or removed from power...so when the man is discovered to have a brain tumor requiring immediate surgery, there is no local physician he trusts to attend to him. As a result, Farrago's soldiers kidnap Dr. Ferguson and his wife as they are getting ready to depart the country.

Though furious at being detained, Dr. Ferguson stands up to the soldiers and the president himself; he insists he wants the freedom to come and go...without spies...without any following...and while he is at one of the local bars, he makes the acquaintance of the revolutionary group's leader. After explaining how the country has endured years of hardship under Farrago's tyranny, he makes no secret of the fact that he wants Dr. Ferguson to botch the operation so that Farrago dies. But can Ferguson---who as a physician has pledged to save lives---even consider doing such a thing? And if Ferguson won't willingly do it, is there anything the revolutionaries can do to force his hand?

Since I missed Crisis when it was on TCM back in December, I was thrilled to see it on the schedule again this month. With high hopes, I settled in to watch it a couple nights ago, and much as it pains me to say it, I have to admit to being a bit disappointed. While I'm giving this film 3 stars, the first 70 minutes were, for me, difficult to get through. The plot was painfully slow-moving, and I nearly gave up several times; I hung in there, though, and was rewarded with an interesting and exciting final 20 minutes. So, the 3 stars are for those last minutes.

I enjoyed seeing Cary Grant in this kind of role, and I definitely believe all Grant fans will want to see this film. It is out on DVD, so it ought to be fairly easy to track down.

Happy viewing!!

No Name on the Bullet (3 stars)

2012-01-11T08:00:00.036-05:00

No Name on the Bullet, from 1959, is a western drama starring Audie Murphy, with Charles Drake and Joan Evans taking on supporting roles. Though classified as a Western, I actually see this a bit more as a psychological drama. Sure, there are horses, guns, and a Western town, but it doesn't have the long hours on the open range or the Indian wars which I so dislike in the typical Westerns.

John Gant (Audie Murphy) rides into the town of Lordsburg (though no state is mentioned, it's supposed to be somewhere in the Southwest) and checks himself in to the local hotel. At the very mention of his name, the hotel/barkeeper, along with all the men in the bar, grow quite unsettled, with the barkeeper even hightailing it over to the sheriff's office to announce the news of Gant's presence. Though Gant is not a wanted man, his reputation as a hired gun is known to all. Always, Gant will pick a fight with his target, inciting the man to draw on him, making his death shot considered self-defense, not murder.

All the folks of Lordsburg, fearful they are the intended target, are on edge and want Gant out of town; one lone man, however, the local doctor, Luke Canfield (Charles Drake), is willing to give him a chance at first. Surely, he believes, Gant isn't as bad as his reputation makes him out to be. His soon-to-be father-in-law, however, is one of the men who wonders if he is Gant's targeted victim. Also wondering the same thing are several other men, including Thad, the local banker, and Lou, a cowardly man, who had run off with another man's wife. As Gant calmly and quietly goes about his business, the anxious men grow more unsettled, until finally, a showdown is forced.

This movie was interesting and mildly suspenseful, in that you don't know who the target is. While it isn't a sensational film, I found it very solid and enjoyable. I happen to be one of the persons who really likes Audie Murphy...I think he was a very capable actor...and quite underrated. The more of his films I watch, the more I like him...he is definitely one of the rising stars on my favorite actor list. Who knows, perhaps one day, Audie will make my top 20 list. There's a gentleness to him in most of the movies I've seen; even when he's the heavy (as he is here), he is quiet and well-mannered.

The film is psychological in nature because the quiet deliberateness of the hired gun is all that is necessary to completely unnerve the townsfolk. His very presence incites the men's greatest fears and makes them wonder what past or present action has brought a death sentence to their door. Also, the film gives insight into the minds of men who think they are about to be killed. Does the thought of facing death bring out the best in them? Or the worst?

Available on DVD and through Net Flix instant viewing, No Name on the Bullet ought to be pretty easy to track down. Hope you get a chance to see it.

Happy viewing!!

Happy Birthday, Paul Henreid!!

2012-01-10T10:00:00.005-05:00

Today marks the 104th birthday of the suave, debonair, Austrian-born Paul Henreid (January 10, 1908-March 29, 1992)

While Paul Henreid is not one of my top 20 favorite actors, I definitely do like him. That European accent of his is totally delightful! What makes him stand out among all other actors (except for Claude Rains), is the fact that he stars in my two all-time favorite movies---Now, Voyager and Casablanca.

Now, Voyager (reviewed HERE), in which Henreid stars with Bette Davis, is my absolute favorite movie of all-time. I totally love that movie and try to watch it two or three times a year. In that film, he has this delightful habit of putting two cigarettes in his mouth, lighting them both, then handing one to Bette's character. While not a smoker, I find that action totally romantic. I learned that doing that was a longtime habit Mr. Henreid and his wife, Lisl, had, and although it wasn't part of the script, he just naturally did it. (Link to a YouTube video of a Now, Voyager scene where he does that...HERE)

Casablanca, in which Henreid is the supporting player to Humphrey Bogart and Ingrid Bergman, is my #2 movie of all-time. Interestingly, I saw that movie way back when I was about 19 years old...and I absolutely hated it. (Not sure how I saw it since my family didn't have cable or a VHS player back in 1980.) However, when I watched the film as a more mature adult, I totally fell in love with it.

So, on this his 104th birthday, here's to you, Paul Henreid! You are the common thread in my two most beloved movies! (Claude Rains is a common thread as well, but it's not his birthday.) Thanks for beautifying my life by being part of those two great films!!

The Eddy Duchin Story (4 stars)

2012-01-09T13:00:00.023-05:00

The Eddy Duchin Story, from 1956, is a touching drama based on the life of pianist/bandleader Eddy Duchin. This film, which stars Tyrone Power in the title role and features Kim Novak as a supporting player, opened my eyes to this amazing pianist, who was a standard name in the 30's and 40's. Sadly though, Eddy Duchin's fame fell by the wayside through the years; in fact, before my first viewing of this movie three years ago, I had never even heard of him. After viewing this film, I was inspired to track down some of his music and to learn a bit more about him.

The film begins in the 1920's, when Eddy Duchin arrives in New York in search of a piano gig. Though he is fresh out of pharmacy college, music is Eddy's passion, and, although initially discouraged by rejection, he does not give up. One day, he happens to be playing Chopin and socialite Marjorie Oehlrichs (Kim Novak) overhears him. Impressed, she uses her influence to get Eddy his first engagement, and eventually, Eddy becomes a part of the Reisman Orchestra.

Eddy's career begins to take off, as does his and Marjorie's relationship. They marry and are very much in love and quite happy. However, shortly after the birth of their son, Peter, Marjorie dies, leaving Eddy devastated and broken-hearted...and wanting nothing to do with their child. The remainder of the film chronicles Eddy's years of avoiding contact with his son, reconnecting with him, and, his own tragic, untimely death of leukemia at the age of 41.

This is a wonderful movie, and it showcases alot of beautiful music. Just so you know, Tyrone Power did not do his own piano playing...even though the camera did an incredible job making it seem as though he did. Pianist Carmen Cavallaro was the real musician bringing Eddy's Duchin's music to life. Tyrone Power, who firmly sits at about #10 on my favorite actor list, was great in this role. I thought he was fantastic in every scene, but the "Merry Christmas" scene is particularly outstanding.

At nearly 42, Power was beginning to very slightly show his age here, but he was still completely gorgeous...I especially loved him in the Naval dress blues!! Sadly, at the time of this film's release, he was only two years away from his own untimely death. Like Eddy Duchin, Power would be cut down in the prime of life, having a heart attack in November, 1958, during the filming of Solomon and Sheba.

Kim Novak was lovely in her role. Though I've since seen her in other films, at the time I watched The Eddy Duchin Story for the first time, it was my first exposure to her...and I very much liked her. Although this film is called a tear-jerker, and I am generally a HUGE sap and cry quite readily, the film only made me misty-eyed a few times. While there were tears, there were no sobs...I think that's because they always seemed to cut away from too much emotion.

Definitely see this film. It's a beautiful story, and the music is fabulous. You'll probably come away wanting to hear more of Duchin's music. The film is out on DVD and should be quite easy to track down.

Happy viewing!!!

Walk, Don't Run (3 stars)

2012-01-07T12:00:00.126-05:00

Walk, Don't Run, from 1966, is a fun little romantic comedy starring Cary Grant, Samantha Eggar, and Jim Hutton. This film, which marks Cary Grant's final film appearance, is a remake of 1943's The More the Merrier (reviewed HERE), with Cary taking on the Charles Coburn character (with a different name and in a different setting.)

Arriving in Tokyo two days earlier than expected, English businessman William Rutland (Cary Grant) is unable to find lodging. With the '64 Olympics scheduled for the Japanese capital, all hotels are booked, and try as he might, Rutland cannot find accommodations for himself. While at the British Embassy, he spies a "roommate wanted" sign on a bulletin board, and within minutes, he finds himself at the referenced address. The apartment belongs to one Christine Easton (Samantha Eggar), who very emphatically tells Mr. Rutland that she is not at all interested in sharing her apartment with a man; however, Rutland won't take "no" for an answer, and he ends up moving in.

The next day, Mr. Rutland makes the acquaintance of an American Olympic athlete, Steve Davis (Jim Hutton), who is also without lodging arrangements since he arrived earlier than expected. In due time, Rutland has sublet half of his half of the apartment to Davis, and he then takes it upon himself to play cupid for his two roommates...which will take a little doing since Christine is engaged to another.

This film is cute, but, for me, it can't hold a candle to the original. There were a couple scenes common to both films---such as Rutland getting locked out of the apartment when he went to get the milk and him losing his pants while making his bed. An interesting feature of the film is that Cary Grant's character whistles and hums some familiar tunes--namely, the themes from Charade and An Affair to Remember.

Cary Grant aged fabulously, and though he is in his early 60's here, he looks amazing. Plus, he is as funny as always. I didn't much care for the others, though. Samantha Eggar's counterpart was Jean Arthur, and Jim Hutton's was Joel McCrea, both of whom I like much better than this film's stars. Perhaps that was part of the reason I didn't like this film nearly as much as I like the original. There was fabulous chemistry in The More the Merrier...between all three stars, yes, but the chemistry between Coburn and McCrea was incredible. They played off one another like two little boys; sadly, I did not see that kind of chemistry between Grant and Hutton.

Without question, though, this is a film which no Cary Grant fan will want to miss; after all, it's his final movie appearance. After viewing this one, however, be sure to watch The More the Merrier so you can compare the two. The film is out on DVD and should be very easy to track down.

Happy viewing!!

Private Number (3 stars)

2012-01-06T14:00:00.173-05:00

Private Number, from 1936, is a romantic drama starring Robert Taylor and Loretta Young, with Basil Rathbone taking on a supporting role. Though this is not one of either stars' well-known films, since today is Loretta's birthday, I wanted to highlight one of her lesser-known works. Both Young and Taylor are extremely young here (she is 23/he is 25) and both are looking quite gorgeous.

Looking for a job, Ellen Neal (Loretta Young) shows up at Winfield Manor, where she had heard there was a housemaid position available. Although she has had no experience, the butler, Mr. Wroxton (Rathbone), decides to hire her on a one-month trial basis. An unkind man with ulterior motives and an attraction to Ellen, Wroxton tells her she will be responsible only to him and that one of her duties will be to look after his room. Luckily for Ellen, Mrs. Winfield takes a liking to her, so she is soon elevated to the position of personal ladies' maid.

One evening, the Winfields host a lavish party, and their college-age son, Richard/Dick (Robert Taylor), is in attendance. When he spots Ellen, all dressed up in her finery, he thinks she is one of the party guests and begins dancing with her. When she tries to tell him who she is, he says it doesn't matter. Before long, Dick and Ellen are in love with one another, though she maintains that no one can know about their relationship, because their different social standings make the relationship inappropriate. Dick doesn't see it that way, of course, and insists that he wants to marry her. However, with one more year of college to go, will he be able to do that? And what about Ellen? With Dick now back at school and Wroxton nursing a grudge against her, will she be able to remain at Winfield Manor?

While Private Number is not a sensational film, I, nevertheless, found it to be enjoyable and very solid. Taylor and Young had great chemistry together, and I loved seeing them both in these very young years. (I've actually seen Loretta even younger...in Platinum Blonde.) They were both totally beautiful here---as they would continue to be throughout their careers. Oh, and for those who are Basil Rathbone fans, he is in his mid 40's here...and quite handsome.

One thing I found quite comical and/or ironic was a line early in the film when Ellen is on a blind date. She's talking with her friend Gracie, and Gracie says, "...about as handsome as Gable, and Gable isn't bad." Loretta's response, "I'll say not." Given that the previous year had seen her involved with Clark Gable (and bearing his child), I wondered how hard it was to say those words.

Anyhow, Private Number is an enjoyable film, one which I feel sure Loretta Young and Robert Taylor fans will want to see. While it's not out on DVD, it is available on YouTube (in several parts).

Happy viewing!!

Happy Birthday, Loretta Young

2012-01-06T00:00:00.099-05:00

Today is the birthday of one of my top 15 favorite actresses---the lovely Loretta Young. (January 6, 1913-August 12, 2000).

This graceful, elegant, Academy Award-winning actress, whose career began as a child in the silent era, comes in between 11 and 14 on my all-time favorite actress list...putting her very solidly in my top 20.

While I enjoy 1947's The Farmer's Daughter, the film for which she won the Best Actress Award, my favorite of Loretta's films is the 1986 made-for-TV movie Christmas Eve (reviewed HERE). Besides the fact that Miss Young aged beautifully and gracefully and was as lovely at 73 as she was at 23, I just love the tenderness and sentimentality of that film. In addition to being my favorite Loretta Young movie, it is also one of my all-time favorite Christmas films.

Rounding out my list of 5 favorite Loretta Young films are:

2. Rachel and the Stranger (with William Holden and Robert Mitchum...reviewed HERE)

3. The Doctor Takes a Wife (with Ray Milland...reviewed HERE)

4. Cause for Alarm (with Barry Sullivan)

5. Paula (with Kent Smith)

My maternal grandmother (whose favorite actor was Ray Milland) totally loved Loretta Young. In fact, it was at her request that I watched Christmas Eve back in 1986. It was Loretta's first film appearance in a couple of decades, and my grandmother was most excited about that, so, although not a classic movie (or classic movie star) fan at the time, I agreed to watch the movie with her...and I totally loved it. Interestingly, January 6th is also my beloved grandmother's birthday (though she passed away back in 1996). I wonder if she had any idea that she shared her birthday with one of her favorite actresses.

So, Loretta Young, here's to you on your 99th birthday! You were always such a classy, beautiful lady! Thanks for making so many great movies!!

That Funny Feeling (5 stars)

2012-01-04T12:00:00.195-05:00

That Funny Feeling, from 1965, is a totally adorable romantic comedy starring Sandra Dee and Bobby Darin. The third film that the real-life couple made together, That Funny Feeling made its TCM debut earlier this week, and I was positively thrilled to catch it (my very first viewing of this movie and, thus, my first 5-star discovery of 2012). Easily, it ranks up there with Pillow Talk as a completely delightful romantic comedy and one of my absolute favorites. I loved every single minute of this film and found myself smiling and laughing the whole way through.

Living as frugally as possible while she tries to get into show business, Joan Howell (Dee) shares a tiny apartment with a friend, while working as a maid on the side. One of the apartments she cleans belongs to playboy Tom Milford (Darin), a man she has never seen before; shortly after the film begins, Joan is notifed that he is going to be out of town for ten days.

A bit later, a handsome businessman asks Joan for a date, and though the man asks Joan what she does for a living, she doesn't reveal to him that she is a maid, nor does she want him to know she lives in a tiny apartment; therefore, when he insists on seeing her home at the end of the evening, Joan comes up with the idea of calling Milford's apartment her own...after all, he's out of town, so what difference can it make?! What a surprise to the businessman when he walks Joan to the door of his very own apartment, for he is none other than Tom Milford, whose business trip was cancelled.

At first shocked, Tom isn't quite sure what to do, but since he's convinced Joan is not a thief, he allows the charade to keep on playing out. Joan settles in and makes the apartment more and more her own, while Tom tries to keep her from discovering that he is, in fact, Mr. Milford.

This film was an absolute delight! Yes, it's predictable, as most romantic comedies are, but getting there was loads of fun. Sandra Dee was a total joy to watch...so beautiful and sweet and innocent. I was in love with her wardrobe, especially the bright green dress.

Bobby Darin was handsome and funny. Together, I thought they were magical....great chemistry between them, which, of course, is to be expected since they were happily married at this point in their careers.

The supporting cast was alot of fun...especially Robert Strauss as a bartender. Some of his facial expressions were hilarious. Oh, and finally, Bobby Darin sings the theme song.

For me, That Funny Feeling is easily as wonderful a film as Pillow Talk, which is one of my favorite romantic comedies ever. I think it's a definite must-see gem of a film, and since it's out on DVD, it should be fairly easy to track down.

Happy viewing!!

The Lost Weekend (5 stars)

2012-01-03T14:00:00.001-05:00

The Lost Weekend, from 1945, is a powerful, hard-hitting drama starring Ray Milland, in an Academy Award-winning role. Directed by the amazing Billy Wilder, who also took home the Oscar for his work, this film boldly looks at the ugly world of alcoholism. Besides Milland's Best Actor win and Wilder's Best Director win, The Lost Weekend also took home the Best Picture award that year.

Would-be novelist, Don Birnam (Milland), has had a drinking problem for several years, and though he has just gone ten days without a drink, things are about to take a turn for the worse. His brother Wick and girlfriend Helen (Jane Wyman), both of whom feel like they must police Don's every action, are manipulated into leaving Don alone for a few hours. Since Wick had poured out the contents of the whiskey bottle and since Don has no money, Wick and Helen are sure Don will be fine for the couple hours he is alone.

Don's desperation for a drink, though, is stronger than anything else in his life, and upon discovering the $10 Wick had left for the cleaning woman, he heads out to satisfy his need. Hitting bars and liquor stores, Don downs one drink after another. Eventually, after he runs out of money, he resorts to begging, stealing a woman's purse, and hocking his typewriter in order to get the necessary cash for his next drink. By Don's own admission, he's not a drinker...he's a drunk---and as the truth of that statement plays out, Don may well find his life in jeopardy. (This clip is one of Don's particularly tormenting episodes.)

The Lost Weekend is definitely not a feel-good movie. On the contrary, it's ugly and painful...and extremely difficult to watch. However, since I am one who loves a powerful, hard-hitting story, I think this film is a total masterpiece. Everything about it is absolutely brilliant...Milland's acting, Wilder's direction, the cinematogrpahy, even the haunting, Oscar-nominated score. Combining all those things, and adding in the boldness of such a story in 1945, this film is easily a 5-star film for me. I cannot praise it highly enough. (Movie trailer below)

This film is out on DVD, so it should be quite easy to track down. Also, it is on the TCM schedule for March 30th, so you could catch it then.

Happy viewing!!

Happy Birthday, Ray Milland!!!

2012-01-03T02:00:00.001-05:00

Today is the birthday of one of my top 15 favorite actors---the wonderful Ray Milland. (January 3, 1907-March 10, 1986) NOTE: IMDB has his year of birth listed as 1905, but nearly everywhere else it is listed as 1907.

This Welsh-born actor, who was equally successful at both dramatic and comedic roles, hovers between 10 and 13 on my all-time favorite actor list, putting him very solidly on my top 20 list. My favorite Milland film is The Lost Weekend, the film for which he won the Best Actor Academy Award. His work in that movie was really spectacular and very deserving of the Oscar. (Reviewed HERE)

With considerable effort, I managed to round out my list of 5 favorite Ray Milland films. (There could easily be at least another five films on the list, but I'm forcing myself to stop at 5.)

2. Close to My Heart (with Gene Tierney...reviewed HERE)

3. The Major and the Minor (with Ginger Rogers...reviewed HERE)

4. The Doctor Takes a Wife (with Loretta Young...reviewed HERE)

5. Dial M for Murder (with Grace Kelly and Robert Cummings)

There is a Milland film I'm absolutely dying to see...Something to Live For, in which he stars with Joan Fontaine and Teresa Wright. This film has been on my want-to-see list for a couple years now, but since it's not out on DVD nor ever on the TCM schedule, I've not yet had a chance to catch it. Elisa over at Elisa's Classic Films has blogged about it twice recently, so she has my curiosity majorly going wild. Sure wish TCM would decide to air it.

Interestingly, I remember that Milland was my maternal grandmother's favorite actor. I lived with my grandparents for a few years before getting married, and although I wasn't into classic films at the time, I SO recall that my grandmother used to rave about him. I think it would thrill her to know that I, too, have come to love her beloved.

So, on this, his 105th birthday, here's to you, Ray Milland!! Thanks for making so many great movies!!

My Foolish Heart (4 stars)

2012-01-02T16:00:00.156-05:00

My Foolish Heart, from 1949, is a wartime romantic drama starring Dana Andrews and Susan Hayward. It is very much a tearjerker as well, so I always have the tissue box handy when I watch this one, which I did yesterday in honor of Dana Andrews' birthday. The film, which is told primarily in flashback, takes place just before and during the early months of World War II.

Eloise Wengler (Hayward), an unhappily married suburban housewife with a bit of a drinking problem, is on the brink of a divorce. As the film begins, Eloise's college friend, Mary Jane, whom she hasn't seen in years and from whom she parted company under difficult circumstances, pops by for a visit. After Mary Jane meets Eloise's young daughter, Ramona, the two women have an argument, wherein Eloise threatens to disclose some information to her husband, something Mary Jane begs her not to do. Prior to disclosing the information, however, Eloise begins a trip down memory lane and finds herself back in November 1941.

At a dance one evening, Eloise meets Walt Dreiser (Dana Andrews), and the two begin a whirlwind romance. Although Walt originally expects an easy pick-up and is sorely disappointed when Eloise fails to give herself to him, he, nevertheless, continues to see her. For her part, Eloise is in love with Walt and yearns for him to love her in return.

As war is declared and Walt is drafted into the Army, he and Eloise have to snatch moments together as they can get them. It is during one of Walt's brief leaves that their relationship becomes more than platonic...an action which will ultimately end in tragedy and change not only Eloise's life, but the life of her friend, Mary Jane, as well.

My Foolish Heart is based on a J.D. Salinger story, and from what I have discovered, Mr. Salinger was none too happy with the outcome. While I'm sorry that he wasn't satisfied with the screen version of his story, I have to say that, for me, this film totally works. Since I have never read the original story, it actually matters little to me if the film is faithful to it. Rather, I see Mr. Salinger's story being one thing and the film being another thing entirely.

Susan Hayward, who is my second favorite actress of all-time, gives her usual stellar performance. While she was 32 here and perhaps a bit too old to be playing the part of a young, innocent college girl, I think she did a great job. Even if a trifle too old, she was certainly believable. Dana Andrews, always a solid and above-average performer, is really great here. I think the two of them worked well together and had great chemistry. The story itself is touching and brings alot of tears (two things I like in a movie). Oh, and Robert Keith portrayed Eloise's father, and I thought he was great as well. Finally, the theme song (of the same name) is quite beautiful (video below). All in all, a wonderful, highly recommended 4-star movie.

While I don't believe this film is out on DVD, it is on VHS; plus, it is available on Net Flix instant viewing. Additionally, TCM airs it periodically. I hope you get a chance to see this one.

Happy viewing!!

Another Man's Poison (2 stars)

2012-01-01T18:00:00.005-05:00

Another Man's Poison, from 1952, is a mystery/drama starring my absolute #1 gal, Bette Davis, and her then-husband Gary Merrill. This film was made in England, with the Merrills making the trip there at the request of the movie's producer, Douglas Fairbanks, Jr. It's a film which had been on my must-watch list for the past three years, but since I haven't been able to locate it on DVD and since TCM never has it on their schedule, I haven't had the opportunity to catch it...until recently, when I discovered it on YouTube. Thrilled beyond belief to have finally tracked this movie down, I settled in to watch it with my daughter the other night; however, much as it pains me to say it, both daughter (who also loves the fabulous Bette) and I were extremely disappointed. (I believe this is the first Bette Davis film I have ever 2-starred.)

Mystery writer Janet Frobisher (Davis) receives an unexpected, unannounced late night visitor---one George Bates (Merrill), who is looking for Frobisher's estranged husband, George Preston. Bates and Preston had pulled off a robbery together, with Bates being fingered as the shooting suspect, and hoping to clear himself, he is in search of Preston. Only problem is, Janet killed her husband that very morning.

Convinced that the answer to his problems is to pose as Preston, Bates disposes of the body and then begins to masquerade as Janet's husband. The charade is very much against Janet's will, however, as she not only despises Bates, but is also involved with another man. She is determined to get Bates out of her life for good, and accomplishing that may just prove to be her undoing.

While Another Man's Poison sounds like an extremely interesting film, the plot is painfully slow-moving; also, much as I hate to say it, I found zero chemistry between Davis and Merrill. While they had sizzled together in All About Eve, that same fire just wasn't anywhere to be found in this film. Bette, as always, was in top form, but even a fabulous actress can't redeem a bad script or an agonizingly slow-moving plot. The final four or five minutes, when all the twists and turns play out, is the most interesting part of this film.

As a major-huge Bette Davis fan, I absolutely had to view this movie, and I figure all Davis fans probably feel similarly. So if you want to give this one a try, HERE is its YouTube link, where you will find the film in its entirety.

Happy viewing!!

Happy Birthday, Dana Andrews!!

2012-01-01T12:18:00.005-05:00

New Year's Day is the birthday of one of my top-10 favorite actors---the always-solid Dana Andrews. (January 1, 1909 - December 17, 1992)

Born Carver Dana Andrews, this fabulous-voiced actor, hovers between 7 and 9 on my all-time favorite actor list. While I enjoy many of Andrews' films, my absolute favorite is, without question, The Best Years of Our Lives, in which he portrayed airman Fred Derry. (Reviewed HERE)

Rounding out my five favorite Dana Andrews films are:

2. Laura (with Gene Tierney)

3. My Foolish Heart (with Susan Hayward...reviewed HERE)

4. Crash Dive (with Tyrone Power and Anne Baxter)

5. The Purple Heart (with Farley Granger and Richard Conte)

For me, Dana Andrews has one of the most fabulous voices I have ever heard. Add to that, he's ruggedly handsome, and he always gave a strong, solid performance---all of which combine to make him one of my favorite, must-watch actors. His is one of those names which almost always draws me in, for when I see his name as part of a cast, you can bet I'm going to give that film a try.

So, happy 103rd birthday, Dana Andrews! You were one of the best and will always be one of my top 10 favorite actors!!

My Cousin Rachel (3 stars)

2011-12-31T20:00:00.003-05:00

My Cousin Rachel, from 1952, is a suspenseful romantic drama starring Olivia deHavilland and Richard Burton. Based on the Daphne duMaurier novel of the same name, this story has elements in common with another of the author's works---Rebecca---namely, a large manor house, the English coast, and a mysterious death. This film, though, takes place during the early 1800's.

Phillip Ashley (Richard Burton), having lost his parents when he was but a few months old, has lived with his wealthy cousin/guardian, Ambrose, all his life. Though the two get along extremely well and are more like father and son than cousins, when Phillip reaches his twenties, Ambrose departs coastal England for the warmer temperatures of Italy. While there, he meets and marries his distant cousin Rachel (Olivia deHavilland), informing Phillip of the marriage through a letter.

Ambrose seems happy enough, but shortly after the first letter, another letter arrives, this one referring to Rachel as "his torment" and indicating that she is trying to kill him. Concerned, Phillip heads to Florence to see for himself what is going on. By the time he arrives, though, Ambrose has already died and been buried, and Rachel has left town. Although Phillip is informed that Ambrose had been suffering from a brain tumor which had resulted in delusional thoughts, he still believes Ambrose had, in fact, been in danger from his wife. After vowing to Ambrose's grave that he will repay his cousin Rachel, Phillip returns to England.

Not long afterwards, Rachel, who is younger and more beautiful than they expected her to be, makes a visit to the Ashley Estate. As Phillip and Rachel spend time together, Phillip comes to believe that there was absolutely no truth to Ambrose's letters...that they really were the result of a delusional mind...that Rachel had never done his cousin any harm. Completely in love with Rachel, Phillip refuses to believe stories which indicate she is not what she appears to be.

Since Ambrose's will made no allowance for a wife, but left everything to Phillip, could it be that Rachel is stringing him along? Perhaps she really did murder Ambrose and will, very soon, find a way to get her hands on the estate and murder Phillip as well. These are the questions that play out in this mildly suspenseful Gothic drama.

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My Cousin Rachel is interesting and entertaining, and while not of the same caliber as Rebecca, it is, nevertheless, a very solid 3-star film. Olivia deHavilland gave a superb performance. She really had a broad range of ability, and I have enjoyed discovering that she was far more than simply sugary-sweet Melanie Hamilton. Richard Burton's performance was "so-so" to me. I never---not even for a moment---felt that his love for Rachel was real. He just seemed lukewarm to me, his passion forced; however, despite Burton's less-than-believable performance, I was interested enough in the outcome to keep on watching.

To my knowledge, this film is not out on DVD, but it is available in its entirety on YouTube (above).

Happy viewing!!

New Year's Movie Meme

2011-12-30T22:00:00.002-05:00

Rachel over at The Girl with the White Parasol (HERE) is having a New Year's Movie Meme to celebrate reaching the 50 followers milestone. What a fun idea she has come up with---it's a great opportunity to share our answers to some very interesting questions.

1. What is your all-time favorite Grace Kelly costume?

I think Grace Kelly is about the most beautiful woman who has ever lived, so limiting myself to one costume is near impossible. With the exception of High Noon and early on in The Country Girl, I love everything she ever wore. But if I HAD to choose, I would say her navy blue dress in The Bridges at Toko-Ri. (Though maybe the gorgeous William Holden in his military blues adds to the beauty.)

2. What classic film would you nominate for a remake?

I'm not a fan of remakes, especially nowadays, so I don't want to see any classic film remade.

3. Name your favorite femme fatale.

Barbara Stanwyck in Double Indemnity.

4. Name the best movie with the word "heaven" in its title.

Heaven Knows, Mr. Allison

5. Describe the worst performance by a child actor that you’ve ever seen (since Laura gave me the idea).

I'm going to go with Roddy McDowell in How Green Was My Valley, but not because I thought his performance was bad. Rather, I really disliked this movie (can't believe it won a Best Picture Oscar), so that isn't one of his childhood roles that I enjoy.

6. Who gets your vote for most tragic movie monster?

I don't watch monster movies, so I don't have an answer for this.

7. What is the one Western that you would recommend to anybody?

3:10 to Yuma

8. Who is your ideal movie-viewing partner?

I actually prefer to watch alone...that way I can ooh and aah over my beloveds as often as I want, and I can watch favorite scenes over and over again.

9. Has a film ever made you want to change your life? If so, what was the film?

Blossoms in the Dust was one of many things that put adoption on my heart. Unfortunately, after a couple years of roadblocks and a failed adoption, we came to the realization that it wasn't meant to be for our family.

10. Think of one performer that you truly love. Now think of one scene/movie/performance of theirs that is too uncomfortable for you to watch.

Robert Ryan in God's Little Acre. I ADORE Ryan, but I had to turn that movie off after 20 minutes. He was such a weird hillbilly that it was embarrassing.

11. On the flip side, think of one really good scene/performance/movie from a performer that you truly loathe.

I am not a Laurence Olivier fan at all, but I think he was fabulous in Rebecca. Truly, I don't think anyone else could have portrayed Maxim de Winter as well as Olivier did.

12. And finally, since it will be New Year's soon, do you have any movie or blogging-related resolutions for 2012?

I started into November with the goal to do a daily blog post all through the winter. Although I missed perhaps three days during the holiday hustle, for the most part, I was successful with this. I enjoyed it very much and plan to continue doing a daily movie review all through 2012.

Happy viewing, my friends! And a Happy New Year to you as well!!

Human Desire (4 stars)

2011-12-30T14:00:00.197-05:00

Human Desire, from 1954, is a film noir directed by Fritz Lang, and starring Glenn Ford, Gloria Grahame, and Broderick Crawford. Complete with such noir staples as the femme fatale and the weak-willed, hormone-driven man who just can't stay away from her, Human Desire is one of the best noirs I've seen in awhile. I enjoyed every minute of this film.

When he is fired from his job at the local train yard, Carl Buckley (Broderick Crawford) convinces his wife, Vicki (Gloria Grahame), to use her connections with an influential businessman to help him get his job back. Vicki does, and Carl does; however, when Carl realizes that the man and his sexy, much-younger wife have been lovers, his jealousy cannot be contained. After forcing Vicki to write a note to the man, wherein she promises to visit his train compartment that evening, Carl stabs him to death in said compartment, while Vicki looks on. Getting back to their own compartment undetected will take some doing, so Vicki flirts a bit with Korean War Veteran, Jeff Warren (Glenn Ford), who has recently returned to town after a 3-year absence.

When the dead body is discovered and an investigation begun, for whatever reason, Jeff doesn't reveal to anyone that he ran into Vicki Buckley in the corridor outside the dead man's room. Of course, Vicki is grateful for Jeff's silence, and the two begin to get close to each other.

Eventually, Jeff and Vicki embark on a passionate affair, but with her husband hanging on to the note declaring her intention to make a visit to the dead man's compartment, Vicki knows she is trapped. Her only escape is her husband's death---and she will lie, scheme, and seduce to convince Jeff to bring that death to pass. Does Jeff kill Carl? Does Vicki get her letter back? These are the questions that play out in this exciting film.

For me, this was an incredibly-directed film---Fritz Lang was in top form here. Also, because I'm totally in love with passenger trains (it's a 40's thing!), I loved that the setting was primarily a train or train yard. The setting just added to my enjoyment. Acting wise, I think Broderick Crawford was very good in his role---he always excelled at portraying a boorish brute of a man. Glenn Ford was solid and gave a good, though not spectacular, performance. The real star of the film, though, was Gloria Grahame. She was totally terrific in this role; I have to admit, though, I'm not a huge fan of her. I'm not sure why her face always seems frozen and why she hardly opens her mouth when she speaks, but those things are always a bit of a distraction for me. Still, though, she played the sexy vamp perfectly. All those things combined to make for a very good film...one I greatly enjoyed and highly recommend.

The film is out on DVD and should be quite easy to track down. Additionally, it's on the TCM schedule for Saturday, March 31, 2012, so you could easily catch it then.

Happy viewing!!

That Wonderful Urge (3 stars)

2011-12-29T14:00:00.143-05:00

That Wonderful Urge, from 1948, is a fun little romantic comedy starring Tyrone Power and Gene Tierney. It is a remake of the 1937 film Love Is News, which also stars Power, along with Loretta Young. I haven't seen the original film, but I am definitely going to put it on my "must watch" list, just to see how much difference there is between the two films.

News reporter Thomas Jefferson Tyler (Power) has been having a field day writing scathing articles about grocery store heiress, Sara Farley (Tierney). With his stories being tabloid in nature, Tyler has succeeded in raising the ire of the heiress; therefore, when on vacation in Sun Valley, Sara meets a small-town newspaperman who wants to write an article about her in rebuttal to Tyler's stories, she is all too willing to open herself up to him. What Sara doesn't realize, though, is that the supposed "small-town newspaperman" is none other than Tom Tyler himself, and his real intent is not to refute the previous stories, but to gather more information to expound on them.

Things don't go quite as planned, however, because, after meeting Sara, Tom has second thoughts about putting a negative spin on her. Additionally, Sara discovers Tom's true identity, and, furious, she decides to get even with him by telling the press that she and Tyler were married while in Sun Valley. After the story of their "marriage" goes public, Tom finds himself in trouble with his employer and his girlfriend, and though he tries, he cannot get Sara to retract the story. Eventually, Tom determines that his best bet is to play along like he is her husband---her very hillbilly, goober-eating, embarrassing husband, who is insisting on his marital rights. Now will Sara back down and recant her story? Does she even want to? More importantly, does Tom want her to?

Yes, this film is totally predictable (as most romantic comedies are), but it's definitely cute and loads of fun. The acting is nothing spectacular, but Tyrone Power is incredibly handsome and Gene Tierney is utterly beautiful, so looking at them both is a delight in itself. Plus, they were great together, which really made for an enjoyable hour and a half.

The film is out on DVD (with the original 1937 version); plus, it is available in its entirety on YouTube (HERE). Happy viewing!!

The Towering Inferno (3 stars)

2011-12-28T19:00:00.017-05:00

The Towering Inferno, from 1974, is one of those disaster films which were all the rage in the 70's. Produced by Irwin Allen, who also created films like The Poseiden Adventure and When Time Ran Out, The Towering Inferno boasts a mega-star cast. Steve McQueen and Paul Newman get top billing, while William Holden and Faye Dunaway are the second tier of stars. Also featured in the film are Fred Astaire, Jennifer Jones, Robert Wagner, and Richard Chamberlain, to name just a few.

Paul Newman is the architect of a building owned by William Holden. Dubbed the "tallest buildling in the world," Holden's glass tower is 120 stories high, and he has planned a big gala to celebrate its completion. Early on, there is an explosion in one of the control rooms; however, since no fire is initially spotted, building personnel think the sensors are just malfunctioning, and the party, which is being held on the building's very top floor, goes on as planned.

Firefighter Steve McQueen and his crew arrive in response to the tripped sensors, and although Holden is urged to move the party to a lower floor, he, at first, refuses to do so. Believing that the building is completely safe and that any electrical malfunction is now under control, he ignores the fireman's order to evacuate. Not long afterwards, with the party in full swing, one explosion after another occurs, and it's not long before several floors of the building are engulfed in flames, leaving hundreds of people trying to make their way down to safety.

This is a very interesting, suspenseful film, especially given the fact that we recently observed the 10th anniversary of the 9-11 attacks. While those desperately trying to reach safety in the movie were fictional characters, we all know that not so long ago, there were very real people trapped on the upper floors of very real buildings which were ungulfed in flames. Remembering that made this movie even more realistic.

In addition to the fire/disaster storyline, there were several little subplots going on behind the scenes...namely, Robert Wagner having an affair with his secretary; Fred Astaire (who was 75 at the time) playing a con man, who is trying to romance Jennifer Jones; Richard Chamberlain as the cost-cutting son-in-law of William Holden; a deaf woman with two young children. In some ways, for me, there was a bit too much going on, and for that reason, I just never really connected with any of the characters.

The special effects in this film (fire, explosions, etc.) were really spectacular, so much so that I really wasn't aware of any good acting in the film. That's one of the reasons I prefer the films from the 30's through the 50's---because special effects were almost nil then, the actors and actresses really had to carry a film. Once special effects came on the scene, they took over, and acting could take a backseat, and since I prefer good acting to elaborate effects, I simply prefer older movies. The main reason I recorded this film, which I have seen a few times in my life, is because of William Holden. As a major-huge Holden fan, I want to see as many of his films as possible----even those films from later in his career.

I definitely think The Towering Inferno is an interesting, worthwhile film---a very solid 3 stars; in fact, it actually could have been a 4-star film, but, for me, it was about 45 minutes too long. With a running time of 164 minutes, the film seemed to drag on occasion---I was ready for it to be over at 2 hours or 2 hours/15 minutes max. Even so, I watched the whole thing...just was a bit antsy while doing so.

The film is out on DVD and should be fairly easy to track down. Happy viewing!!

Where the Sidewalk Ends (3 stars)

2011-12-27T14:00:00.007-05:00

Where the Sidewalk Ends, from 1950, is a film noir directed by Otto Preminger, with Dana Andrews and Gene Tierney taking on starring roles and Gary Merrill in a supporting role. It's not overly noir---more like a crime/drama---however, Net Flix classifies it as noir, so I'm calling it that too.

Mark Dixon (Andrews) is a police officer with an anger problem. After the department receives several complaints about his assault on criminals, the officer is warned that he needs to learn to control himself. One evening, though, while trying to get information from a suspect, Mark punches the man, and the blow ends up proving fatal. Desperate to cover his crime and pin it on a known crime boss (Gary Merrill), Officer Dixon sets an elaborate scheme into motion.

After first making sure it appears that the dead man has gone out of town, Mark then disposes of the body. As it turns out, though, taxi driver, Jiggs Taylor (Tom Tully)---not the intended mobster---becomes the prime suspect in the case. Since Jiggs is the father of Morgan Taylor (Gene Tierney), the woman with whom Mark has recently become involved, Officer Dixon is forced to decide if he is going to allow Jiggs to take the fall for a crime he himself committed.

This is an interesting, entertaining movie, with Dana Andrews giving his usual solid performance. Gene Tierney, quite honestly, didn't have much to do. She's her usual beautiful, charming self, but, really, this was Andrews' film, leaving Tierney as hardly more than eye candy. Still, though, her character is essential to the plot, and since she and Andrews worked well together, I think Gene fit the bill nicely. Gary Merrill took well to the slimey, crime boss role; I found him very believable.

The film is out on DVD, and it is available on Net Flix instant viewing. It's also available in its entirety on YouTube (HERE). Add to that, Fox Movie Channel has been airing it quite often these past few weeks. It should be very easy to track down.

Happy viewing!!

Film Finds of 2011

2011-12-26T12:00:00.096-05:00

As I look back over my log of films watched this year, many 5-star movies are on the list. However, most of those are favorite films that I just enjoy watching over and over again. There were, though, five new-to-me movies which I added to my 5-star list this year, and I consider them my Film Finds of 2011.

Middle of the Night---This is a touching romantic drama starring Fredric March and Kim Novak. It explores the romantic relationship of a middle-aged man and a much younger woman. The movie is extremely moving, and the acting of both leads is sensational. Actually, though it's not quite my favorite Fredric March film (The Best Years of Our Lives is), I do think Middle of the Night may be his best performance ever. (Reviewed HERE)

About Mrs. Leslie---A deeply moving film, this one stars Robert Ryan and Shirley Booth. It's the story of Vivian Keeler, who falls in love with the unhappily married George Leslie. This movie is a sobber for me, and as a mega-huge Robert Ryan fan, I love the opportunity to see him shine in a kindly, sympathetic role for a change (Reviewed HERE)

Ten North Frederick---Starring Gary Cooper and Suzy Parker, this is another moving, sob-inducing romantic drama. Like Middle of the Night, it explores the May-December romance theme. One viewing of this movie and Mr. Deeds Goes to Town was toppled from its status as my favorite Gary Cooper film. (reviewed HERE)

Inferno---A Robert Ryan film I've been yearning to see all year, Inferno finally made its way into my hands about two weeks ago. After a woman and her lover leave her injured husband (Ryan) to die in a remote desert area, the husband attempts to not only survive, but to make his way back to civilization. (Reviewed HERE)

The King's Speech---Yes, I do, on occasion, watch current movies. This Academy Award-winning film is totally spectacular. And Colin Firth, who took home the Best Actor Oscar for his performance, was nothing short of brilliant in his role.

Most of the movies I watch garner 3 or 4 stars---3-star films are those which I enjoyed and found interesting, though I don't necessarily have to watch them again. 4-star films are those which I really enjoyed and definitely want to see again. 5-star films are more difficult to come by (for me). What makes a film a 5-star film for me? It's a combination of three things...incredible acting, a deeply moving story which touches my heart and/or brings me to tears, and a powerful or bold dramatic story which I just can't get out of my mind. (For me, comedy, while entertaining, rarely touches my heart...that's why there are few comedies among my favorite movies.) Usually, all three of those things have to be working together for me to call a particular film a 5-star film.

Anyhow, while I always enjoy watching my tried-and-true favorite movies over and over again, I also love discovering new 5-star movies. With a few dozen classic films on my "hoping to track down" list, I am counting on a few of them being 5-star discoveries in the coming year. What about y'all? Did 2011 find you discovering any new "totally love it" 5-star films? I'd love to hear about them if you did.

Happy viewing!!

Wishing You All a Merry Christmas

2011-12-22T06:00:00.002-05:00

Wishing all of my dear blog friends your merriest Christmas ever. May it be a day filled to overflowing with love, laughter, and every good thing.

I won't be posting again until Monday. While I have done very well at keeping to my goal of doing a movie review every day all through the winter, with the hecticness of the next couple days, I know my computer life needs to take a backseat. So, although I may have a chance to watch a couple beloved classic films, I won't be writing about them for a few days.

A huge thank you to all of you who faithfully read what I write. I've loved the feedback and input y'all leave in your comments. Truly, you all are my friends, and I am thankful for each of you.

Merry Christmas!!!

Remember the Night (4 stars)

2011-12-21T06:00:00.086-05:00

Remember the Night, from 1940, is a little-known holiday film starring Barbara Stanwyck and Fred MacMurray. This delightful movie, which features Beulah Bondi and Sterling Holloway in supporting roles, is the first of four pairings between Stanwyck and MacMurray.

Lee Leander (Stanwyck), a compulsive shoplifter, has just been picked up for her third offense. While she has gotten off easy in the past, since her problem is a habitual one, her case, this time, is sent to trial, with John Sargent (MacMurray) set as the prosecutor. When Lee's trial is postponed until after the holidays, Sargent, who doesn't want her to have to be in jail at Christmas, bails her out; with nowhere to go, and thinking there were strings attached to the bail-out, Lee shows up at John's apartment just as he is getting ready to go home to Indiana for the holiday.

Upon discovering that Lee, too, is from Indiana, John offers to take her along with him, promising to drop her off on the way to his mom's house and to pick her up on his return. Lee's reunion with her mom doesn't go well, though, and John ends up inviting her to share Christmas with his family. As the two spend time together, they begin to fall in love---but with John's prosecution of Lee hanging over their heads, do they have any chance for happiness?

Remember the Night is a very sweet film. Yes, it's rather predictable, but it is lovely and sentimental and very much worth watching during the Christmas season. Barbara Stanwyck, who is easily one of my all-time favorite actresses, is really wonderful here. As usual, her character is a bit rough around the edges, but with a heart of gold. She and Fred MacMurray worked very well together here and had really great chemistry.

This film was released on DVD last year, so you should be able to track it down. It's also available in its entirety on YouTube (HERE). I definitely think it's a perfect addition to the holiday viewing schedule.

Happy viewing!!

Satan Never Sleeps (3 stars)

2011-12-20T06:00:00.023-05:00

Satan Never Sleeps, from 1962, is a Leo McCarey drama starring William Holden and Clifton Webb. Taking on supporting roles in this film, which is based on a Pearl S. Buck novel, are France Nuyen and Weaver Lee. The movie is set in Southwest China in November, 1949---before the Communists have taken over the country.

Mission priest, Father O'Banion (William Holden) is on his way to his new assignment at the Lang Fo Mission, where he will replace the retiring priest. Father O'Banion, who has been delayed for a variety of reasons, is traveling with a teenage girl, Siu Lan (France Nuyen), who claims she is in love with him. After explaining to Siu Lan that he is not in love with her, he leaves her at another nearby mission house and continues his journey to Lang Fo.

Father Bovard (Clifton Webb), the retiring priest, is irritated at O'Banion's days-late arrival, for he knows the Red Army is on the move, and he wants out before they get in. With barely any explanations to O'Banion, Bovard hightails it away, but he is unable to get very far before being stopped by the Communists and returned to the mission. As if not getting out wasn't bad enough, when Father Bovard discovers who the leader of the detaining regiment is, he is devastated and shocked, for it is Ho San (Weaver Lee), a man he believed had been converted to Christianity through the mission. At one point, Bovard felt Ho San would become a priest and take over the mission.

Meanwhile, following after the man she loves (Father O'Banion), Siu Lan arrives at Lang Fo, where she takes over as cook---the former cook having deserted the mission in order to become a "comrade." Telling O'Banion that she loves him and wants to marry him, Siu Lan pursues him relentlessly; the priest, though, determined to be faithful to his vows, does his best to keep her at a distance.

As the Communists takeover more and more of the mission, they put pressure on the aging Father Bovard to denounce his Christian faith, something he refuses to do no matter what the cost. The two priests must work together to keep their people safe, and how that is accomplished is the bulk of the movie.

Here is the link to the movie trailer on IMDB: (HERE)

Satan Never Sleeps is a troubling movie, but I think it deals honestly with the situation both missionaries and nationals faced when the Communist takeover of China occurred. It doesn't make for a feel-good movie, of course, but I do think it's very realistic. For my Catholic friends, I want to make clear that Father O'Banion is never inappropriate towards Siu Lan. While she threw herself at him, he was steadfast in his commitment, so don't be concerned that this film will portray the priest in a bad light. If anything, it portrays both priests as completely devoted servants of their faith.

While William Holden gets top billing here, the real star was Clifton Webb. He was his usual feisty, ill-natured self...you know, exactly what he does best. I loved him! This was his final film, and I think he went out in style, giving a very good performance. William Holden is good, and the chemistry between him and Webb was fantastic. It looks like they really enjoyed working together. Holden is 44 here, and although he is beginning to show his age, he is still incredibly handsome. He appeared to have fun with this role, often rolling his eyes heavenward or chuckling at the old priest's sarcasm. (Yes, while the movie is a hard-hitting drama, there are a few lighthearted, comical moments.) France Nuyen (the girl playing Siu Lan) is 23 here, but she looks considerably younger---like maybe 15. I'm not quite sure how old her character was supposed to be, but since she looked so young, her supposed romantic love for the 44 year old Holden seemed a bit unbelievable to me.

Anyhow, I enjoyed Satan Never Sleeps and found it to be a very solid 3-star film. Clifton Webb fans will enjoy seeing him shine in his final performance; and, of course, William Holden fans (like myself!) ought to like this as well.

Happy viewing!!

Good Sam (5 stars)

2011-12-18T14:02:00.006-05:00

Good Sam, from 1948, starring Gary Cooper and Ann Sheridan, is a touching Leo McCarey comedy very much in the same spirit as the beloved "It's a Wonderful Life." Since Gary Cooper is one of my great loves, I had been doing a search of his filmography a few years ago, and this lovely film was one that really jumped out at me as a must-see. So, through the fantastic inter-library loan program, I obtained a VHS copy (from a library in Missouri, as I recall), and I totally fell in love with this little-known gem. I watched it in the middle of the summer, and because there is a holiday theme to it, I kept hoping TCM would put it on their Christmas movie schedule, and after three years of waiting, they have finally done so---this coming Tuesday!! I couldn't be more thrilled!!

Much like It's a Wonderful Life, Good Sam is the story of a man who continually touches the lives of others...and ends up broke and in hot water as a result. Coop is Sam Clayton, a man who would---and usually does---give the shirt off his back to someone in need. Sam's wife, Lu (Ann Sheridan), is mildly frustrated by Sam's generosity, for it has kept them from having the money to purchase a home of their own. When they finally do have enough savings for a down payment, Sam loans some of it to a friend. With the remaining "house money," Sam buys turkeys for a charity giveaway, with the intent to reimburse himself from donations given. Only problem is, Sam gets robbed, so there is no money with which to pay himself back, which means he won't be able to close on the house...and with Lu already starting to move their things in, Sam is desperately in need of a little help himself.

This movie is totally delightful...I absolutely love it! It's a warm and fuzzy story, the kind that leaves you feeling good all over. Coop is his usual handsome, loveable self, and Ann Sheridan is totally fantastic. The two of them had amazing chemistry together and played fabulously off one another. There is one scene in which Ann gets into a major laughing fit...it's quite hysterical to see her going on that long.

I highly recommend adding this movie to your Christmas movie list. It is on the TCM evening schedule for Tuesday, December 20th. Check for the time in your area, then set your DVR. I think this is one you will want to record, as it's not out on DVD and is pretty difficult to track down. I know I will be recording it to a disc and adding it to my own classic movie library (and, thus, my annual Christmas viewing schedule).

Happy viewing!!

Black Widow (4 stars)

2011-12-18T06:00:00.026-05:00

Black Widow, from 1954, is a film noir/drama of the whodunit kind. Starring Ginger Rogers, Van Heflin, Gene Tierney, and George Raft, it is one of those films that keeps you guessing up until the very end. It's also one of those films that has enabled me to see Van Heflin in a new light, which is really saying something, since not all that long ago, I really didn't like him (thought him very milque-toasty). Since seeing this and a half dozen or so other films, though, I really see Mr. Heflin as a romantic leading man.

Van Heflin's role in Black Widow is as play producer Peter Denver. As the film begins, he is putting his wife, Iris (Gene Tierney), on a plane to visit her ailing mother. Before departing, Iris reminds Peter that he is expected at Lottie Marin's (Ginger Rogers) party that evening. Though he doesn't much care for Lottie and really would prefer not to attend the party, Peter knows it is essential that he put in an appearance. The lead actress in one of Peter's plays, Lottie is quite high maintenance, so Peter knows her ire would be raised if he didn't attend.

Mingling among the guests at Lottie's party, Peter strikes up a conversation with Nancy Ordway, a young aspiring writer. With completely pure motives and a desire only to be kind, Peter invites Nancy out to eat after the party is over. The two strike up a very innocent friendship, and very soon, Nancy has convinced Peter to allow her to use his fancy apartment while he is at work. Saying that her own apartment isn't cheerful for writing and promising to be out of the apartment before Iris returns to town, Nancy obtains Peter's permission to access his place during the day. Lottie and her husband, Brian, who live in the same apartment building as Peter and Iris, are very aware that Nancy is spending time at Peter's apartment. They see her coming and going all the time, and they wrongly conclude that she and Peter are involved.

Eventually, Nancy turns up dead in Peter's apartment, and as the case is looked into, it would appear that he was, in fact, very much involved with her...that it wasn't the strictly-friends relationship he maintained it was.
How everything plays out is the balance of this very interesting film.

As I said, Van Heflin was really great in this role. His acting was solid, and I very much saw him as a romantic leading man. Gene Tierney, beautiful as always, was definitely underused here. There wasn't a whole lot for her character to do. George Raft, who was beginning to show his age (but who still looked extremely good!), was underused as well. As the police officer investigating the death, he didn't have a whole lot to do either. Top-billed Ginger Rogers was terrific, as always, but her character was definitely unlikeable, and I didn't really like how she was made up...she seemed harsh to me, but maybe that was in fitting with her character, or maybe it was her age. (Though she was only in her early 40's here, she just wasn't the beautiful Ginger my husband knows and loves.)

Black Widow is definitely an entertaining viewing experience, especially when watching it for the first time when you don't know how everything is going to play out. The film is out on DVD and should be quite easy to track down.

Happy viewing!!