I Want to Live (5 stars)

It was March 9, 1953 that the brutal, cold-blooded killing of Mabel Monahan took place in Burbank, California.  A 64-year old widow, Mrs. Monahan was bludgeoned and strangled, then left in the hallway of her house, her body to be discovered by her gardener two days later.  The three people arrested and convicted of the murder were executed in California’s gas chamber a little more than two years later (June 3, 1955), and a story based on the life of the female member of that trio was brought to life not long afterwards (1958) in the film I Want to Live. (Of course, “Hollywood license” was taken, resulting in several situations being fictionalized and/or depicted in a way which was not how they actually happened.)

Directed by Robert Wise, and starring my #2 gal, Susan Hayward, in an Academy Award-winning performance, I Want to Live is a gritty, hard-hitting “discussion piece” kind of movie.  The film, which will more than likely leave you questioning Mrs. Graham’s guilt, was based on the newspaper articles of Pulitzer Prize-winning San Francisco Examiner reporter, Edward S. Montgomery, and the letters of Barbara Graham.

Good-time party girl, Barbara Ward (Susan Hayward), is living a fast and loose lifestyle when she is arrested on prostitution charges.  Now with a criminal record, Barbara gets in further trouble with the law when, despite knowing perjury is a felony, she agrees to provide a phony alibi for two men who want to beat a rap.  Convicted of perjury charges, Barbara serves a year’s time and is then put on probation for five years.  During her probation period, she marries a man named Henry Graham then gives birth to a little boy.  Henry Graham is a drug addict who cannot hold a job, which results in Barbara passing bad checks and, ultimately, breaking her parole.

Though married, Barbara keeps company with two men who are suspected of the recent murder of a Burbank widow; a sting operation is put into action, and the men and Barbara are arrested.  Completely hostile to authorities, Barbara refuses to confess or to cooperate with prosecutors, and when she is questioned by the press, her belligerent attitude begins the initial action of trying her in the court of public opinion.  With the headline “Bloody Babs, the Tiger Woman,” reporter Ed Montgomery writes that Barbara is “young, attractive, belligerent, immoral, and guilty as hell.” 

As the case goes to trial, Barbara is fingered by the others as the one who did the killing.  Though she claims she is innocent and that she wasn’t anywhere near Mabel Monahan’s home that evening, Barbara has no alibi, and in an effort to concoct one, she lies that she had been with a man at a hotel.  As it turns out, though, the man who offers to be her phony alibi is an undercover police officer intent on getting a confession from her.  When he threatens to walk out on her unless she admits to having been with the other men, she agrees that she was, and that confession is brought forward as evidence against her.  Even though Barbara claims that her “confession” was a lie due to fear of her alibi falling through, having done time for perjury in the past, she is, more than ever, thought to be a compulsive liar and, without question, guilty of the crime for which she is standing trial.

All three suspects are convicted and sentenced to death in the gas chamber at San Quentin.  Barbara moves to Death Row, and as the film plays out, Ed Montgomery begins to believe that she is innocent.  Feeling that the press created the climate which condemned her, he seeks to change the climate.  With hopes to have a lie detector test administered, a psychologist is called in, but it is all to no avail.  Barbara’s appeal is denied…execution is inevitable...the gas chamber is prepared.  In the end, the question remains…is Barbara Graham a murderer?  Yes, she is hard, belligerent, immoral, and unlikeable…but is she a murderer?  This film’s view is that she is not.

In all, I Want to Live received 6 Academy Award nominations, taking home the win in the Lead Actress category.  Without question, Miss Hayward deserved the Academy Award she won for her work in this film, for she played the hardened Mrs. Graham to absolute perfection.  Truly, there are not enough adjectives to describe the performance she gave . . . she was brilliant . . . awesome . . . sensational . . . terrific . . . completely stellar.  While I think Miss Hayward was an amazing actress who gave many superb performances, I believe I Want to Live is definitely her finest hour.  Adding to the fantastic acting in this film is the incredible score.  It is perfect and totally adds to the realism.  The death row and gas chamber scenes are powerful and haunting, especially as Barbara mentally prepares herself for the walk to her execution, only to receive a last-minute stay by the governor.  Those torturous moments are brought vividly to life by Miss Hayward.

For those who like meaty, hard-hitting, gritty dramas with completely magnificent acting, I Want to Live is an absolute must-see.  No matter whether you are a proponent of the death penalty or an opponent, or whether you believe Barbara Graham was, in fact, guilty, or whether you think she was wrongly convicted, you absolutely will not be disappointed with the caliber of this film.  It is truly outstanding!  I don't believe the film is out on DVD; however, it is available in its entirety on YouTube (in parts), so you could catch it there.

Happy viewing!!

Odds Against Tomorrow (4 stars)

Odds Against Tomorrow, from 1959, is a racially explosive crime drama directed by Robert Wise, and starring Robert Ryan and Harry Belafonte, with Shelley Winters and Ed Begley taking on supporting roles. 

Ryan, who excelled at playing cynical, angry, unlikeable men, is Earl Slater, a feisty, bigoted, unemployed ex-con.  As the film begins, Earl visits with Dave Burke (Ed Begley), a dirty cop who has done prison time.  Dave has a plan for some quick, easy cash---the robbery of a smalltown bank some 100 miles from New York---and he invites Earl to take part in the action.  After Earl realizes that the final third of their team will consist of a black man, he's not so sure he's willing to get involved; however, broke, and ashamed that he lives off the earnings of his wife (Shelley Winters), he reconsiders.

The other third of Dave's robbery team is Johnny Ingram (Harry Belafonte), a down-on-his-luck gambler, who is deeply in debt.  Johnny immediately tells Dave he doesn't want to get involved in something illegal, but when his ex-wife and little girl are threatened by the man to whom he owes money, he feels he has no other choice.

As Dave, Earl, and Johnny make their way to the little town, for what is supposed to be an easy hold-up, the tensions are high.  Earl doesn't like the idea of working with a black man, and in the end, he doesn't trust Johnny enough to give him the keys to the getaway car, an action that just may prove to have disastrous results.

Odds Against Tomorrow is an interesting, well-acted film, though I readily admit that the ending wasn't too original---it seemed to have been copied from White Heat.  Still, though, I really enjoyed the film.  Robert Ryan was great, as always.  I absolutely love him in roles like this.  Harry Belafonte, whom I have no exposure to at all, was good as well.  And there's even an opportunity to hear him sing.

The film is out on DVD, plus it's available on Net Flix instant viewing and in several parts on You Tube.  Hope you get a chance to see it.  Happy viewing!!

The Set-Up (4 stars)

I've shared before that I am a huge Robert Ryan fan.  Although he's typically a cynical, unlikeable, "bad boy" kind of character, I just really like him and think he was a tremendously underknown and underappreciated actor.  So, whenever I have the chance to catch one of his films, I do.  The Set-Up, from 1949, stars Ryan, along with Audrey Totter, under the direction of Robert Wise, in a gritty boxing drama.

Ryan plays Bill "Stoker" Thompson, an aging boxer who has been on a losing streak.  His wife, Julie (Audrey Totter), hates watching him get beat up and really wants him to quit the business.  However, Bill, sure he is just one punch away from the top spot, tells her that "when you're a fighter, you gotta fight."  So, certain he will be successful, he gets set for that night's fight, which will pit him---a 35 year-old---against an up-and-coming 23 year-old.

When Stoker hits the ring, he gives it everything he's got and puts up a fierce fight.  What he doesn't know, though, is that he is supposed to lose.  His manager already guaranteed Stoker's loss...only thing is, he failed to tell Stoker.  And when the powers-that-be are double-crossed, there's a price to pay.

According to Robert Osborne's introductory information, Robert Ryan considered Stoker Thompson to be his favorite role. I think he does a great job here, and it's easily one of my favorite Ryan roles as well. This film is out on DVD and should be quite easy to track down.

Happy viewing!!