Tuesday, June 05, 2012

Dangerous Crossing (4 stars)

My good friend, Monty, whose blog All Good Things is one of the most awesome places in blogland, is hosting a Cinematic World Tour this summer.  Since I am always up for a trip to any exotic location in this beautiful world, taking part in this event is definitely right up my alley, and since one of my dream trips is a Transatlantic, Caribbean or Yucatan cruise, I figured I would begin my world tour with that very thing...a cruise on a beautiful ocean liner...in the form of 1953's Dangerous Crossing.  This suspenseful mystery/film noir stars Jeanne Crain and Michael Rennie, with Carl Betz taking on a supporting role.




Newlyweds John and Ruth Bowman (Carl Betz/Jeanne Crain) have booked a cruise for their honeymoon; shortly after entering their cabin and depositing their luggage, John realizes he has some cash he wants to leave with the purser.  After instructing Ruth to meet him in the main deck bar in fifteen minutes, John heads to the purser's office, while Ruth goes topside to watch the ship disembark.

At the appointed time, however, John fails to arrive at the bar, and when Ruth makes a visit to the purser's office to see what is detaining him, she discovers that her husband was never there.  Thinking that there was a mix-up of some kind and that John has returned to their cabin, Ruth finds her way back to #B16, but to her utter shock, she is told that no one is occupying that room.  Upon Ruth's insistence, the steward unlocks the door to that cabin, and, sure enough, it is completely bare.  There is no sign of the Bowmans' luggage nor of the flowers which a maid had been arranging upon their entrance only a short time earlier.

A quick look at the passenger list reveals that the Bowmans' names aren't there; however, Ruth Stanton (which is Ruth's maiden name) is on the list, cabin #B18.  A check of that room reveals Ruth's luggage...but no sign of John's.  Of course, Ruth grows hysterical, especially when she realizes she doesn't have a passport, nor does she even know the name of the town in which she was married.

To placate Ruth, a search of the ship is made, but nothing is revealed, and when the stewardess Ruth claims she saw arranging flowers in #B16 denies having been in that cabin or seeing the Bowmans, it is assumed that Ruth's story is not true.   After the captain discovers that Ruth has previously had a mental breakdown, he assumes she is having another one and puts her into the care of the ship's doctor, Paul Manning (Michael Rennie).




Although the kindly doctor doesn't think Ruth is purposely lying, he does think she is hallucinating and/or imagining things, so he prescribes medication and suggests she go to bed.




Later that evening, Ruth receives a phone call from John, a call which indicates that he has gone into hiding because they are in danger.  After warning Ruth not to trust anyone, he hangs up.




When Ruth reports the phone call to Dr. Manning, he suggests that the call was nothing more than a dream.  Was the call a dream?  Was the whole marriage a figment of Ruth's overwrought imagination?  Is the beautiful, emotionally-frazzled woman having another breakdown?  Or does she really have a husband?  And if so, where is he?   And why is he hiding?  These are the questions which will play out in the balance of the film.



Suspenseful without being scary, Dangerous Crossing is an interesting, exciting film. No, there are no beautiful sun-drenched beach scenes on this cruise; in fact, many of the scenes take place on a chilly, mist-shrouded deck.  Even so, the film is loads of fun.  Jeanne Crain puts in a fine performance---she is quite credible as a hysterical, possibly-losing-her-mind woman.  Plus, she's incredibly lovely here...beautiful really.  I was completely in love with her hair in this film, and I love her gowns and her fur coat.




Michael Rennie, as always, is solid in his role, but the film is essentially Jeanne's.

While I want a slightly less suspenseful cruise for myself, I enjoyed every minute of this Dangerous Crossing.  If you are a Jeanne Crain fan, you ought to enjoy it as well.  The film is out on DVD and is available on YouTube, so it should be fairly easy to track down.

Happy viewing!!

Monday, June 04, 2012

Detective Story (5 stars)

Detective Story, from 1951, which I just caught for the first time as part of my Eleanor Parker birthday month celebration, is one of my 5-star film discoveries of the year.  (While I've watched and reviewed other 5-star films in recent weeks, they are all films I've seen before; Detective Story I only just now discovered, so it gets put into the "5-star film discovery" category.)  Produced and directed by William Wyler, the film, which is based on Sidney Kingsley's 1949 play of the same name, stars Kirk Douglas, Eleanor Parker (in an Oscar-nominated performance), and William Bendix.  It is a bold, gritty, mature-themed drama, with incredible acting and a rather surprise/shocking ending; all those things combine to make this a 5-star film for me.




The film takes place within a several hour period of one day at a New York City police precinct, mostly focusing on one particular detective---Sgt. Jim McLeod (Kirk Douglas), an angry, hard-nosed man who believes there are no gray areas, only black and white.  Completely intolerant of criminals, McLeod does not believe in softness or in turning the other cheek, and he often behaves violently toward law-breakers in order to force a confession from them.




On this particular day, Sgt. McLeod is obsessed with getting the goods on one Dr. Carl Schneider---no matter what it takes, Jim intends to see the doctor convicted and put into the electric chair.   Although he doesn't realize it, Jim's vendetta against the doctor will have a very real and personal effect on his relationship with his wife, Mary (Eleanor Parker).  (So as not to give any of the plot away, I won't say anything more about that particular storyline.)




In addition to Dr. Schneider, several other lawbreakers are brought into the precinct. There's a shoplifter (played by Lee Grant, in her Oscar-nominated film debut)



a pair of hoods charged with armed robbery,



and Arthur, a previously-trustworthy young man who has stolen from his employer.  Although the fatherly Sgt. Brody (William Bendix) believes Arthur is really a good boy and can be shown leniency, McLeod doesn't believe in leniency and intends to throw the book at him.  How all these stories play out is the balance of the film.  (The trailer gives a bit too much away, so if you don't want any spoilers, don't watch it.)





Everything about Detective Story merits 5 stars...the acting, the cinematography, the direction, the bold (for its time) subject matter.  While I would not call myself a Kirk Douglas fan (and am not all that familiar with his work), I have to say that he was completely and totally fantastic in this film.  Quite honestly, this was his show...and he carried it brilliantly.  I was shocked to discover that he didn't even garner an Academy Award nomination for his work here.  (However, I have long thought The Academy got the 1951 awards wrong and that Montgomery Clift ought to have won for his work in A Place in the Sun.  While I still think that, I do believe Kirk Douglas deserved a nomination and that he would have given Mr. Clift a run for his money.)  Mr. Douglas is totally sensational in this film.

Though Douglas didn't receive Academy Award recognition here, the film did receive four nominations---Best Director (Wyler), Best Supporting Actress (Lee Grant), Best Writing, and Best Actress (Eleanor Parker).  For the second year in a row, Miss Parker received a Best Actress nomination, and while she is quite good here, the reality is, as I have stated, this is first and foremost Kirk Douglas's vehicle.

Cathy O'Donnell, of Ben-Hur (Tirzah) and The Best Years of Our Lives (Wilma) fame, portrays Arthur's love interest.  She is her usual sweet, gentle self.



Just FYI, Miss O'Donnell was the sister-in-law of William Wyler.  For 22 long, happy years (until death claimed her), she was married to the director's older brother, Robert.

The ending of the film is rather shocking...I definitely didn't expect things to work out the way they did.  While I like predictable, sometimes the unexpected quite adds to a film's credibility, which it definitely did in Detective Story.

Finally, just have to say, this is one of those films which absolutely MUST be looked at through the lens of its time, otherwise it will seem laughable.  The situation over which Kirk Douglas's character agonizes is something that society doesn't care about anymore.  Most people will look at his character's response and think, "Who cares.  Why make a big deal out of that?"  So, definitely, put on your early 1950's mind when you watch this film.

To my knowledge, Detective Story is not out on DVD, nor is it often on the TCM schedule.  I have been looking for this film for a couple years, and I finally tracked it down on YouTube a few months ago (put off watching it until now).  It's in 11 parts, but it's there nonetheless. (The first part was a little difficult to find, so HERE is the link to it.)  I am definitely hoping TCM puts this amazing movie on the schedule soon, so I can record it and have it as part of my collection.  Kirk Douglas fans won't want to miss this film.

Happy viewing!!

Sunday, June 03, 2012

The Man with the Golden Arm (5 stars)

The Man with the Golden Arm, from 1955, is a bold and gritty drama which takes a hard look at the ugliness of heroin addiction.  Produced and directed by Otto Preminger and starring Frank Sinatra (in an Academy Award-nominated role), Eleanor Parker, and Kim Novak, this film was quite controversial in its day.  With the Hayes Production Code still in effect in 1955, and with the subject matter of drug addiction quite taboo, Mr. Preminger found himself moving forward on the film without receiving the Code office's seal of approval.  The result is an extremely realistic portrayal of the ugliness of drug use.



The film begins with Frankie Machine (Frank Sinatra) returning home after a six-month stint in a federal narcotics hospital.  Rehabilitated by his time "on the inside," Frankie, now clean and determined to stay that way, has learned to play the drums and is hopeful of obtaining a job with a local band; however, it soon becomes clear that his old supplier, Louie (Darren McGavin), and his unscrupulous former boss, Schwiefka (Robert Strauss), have no intention of making the straight road an easy one for Frankie.  Though Frankie swears he'll not deal cards for Schwiefka again, nor will he ever have another fix, his old pals are relentless in keeping their hold on him.




At home, Frankie's paralyzed wife, Zosh (Eleanor Parker), reminds him continually that it was his drunk driving that landed her in her wheelchair.  Controlling and clinging, and wanting Frankie to stay in the same bad-news surroundings which led to his drug addiction, Zosh discourages him about the potential band job.  Knowing that as long as she stays wheelchair-bound, Frankie's guilt will keep him with her, Zosh doesn't want any change in the status-quo.  If Frankie were to get a drumming gig---and be successful at it---he might make enough money for her to have treatment, and then he might leave her---so Zosh begs Frankie to keep working as Schwiefka's dealer.




With Zosh against him and Louie and Schwiefka bearing down on him, Frankie's resolve crumbles, and he heads to Louie's place for just "one fix."  But one fix leads to another, and once again Frankie is hooked, because, as Louie reminds him, "the monkey never dies...when you kick him off, he just hides in a corner waiting for his turn."

On the sidelines watching Frankie's downward spiral is Molly (Kim Novak), a former girlfriend.  With her love, support, and encouragement, Frankie may beat the monkey after all...or he'll die trying.  How it all plays out is the balance of the film.




While The Man with the Golden Arm is a stark, ugly, non-feel-good film, it is, nevertheless, an amazing, brilliantly-acted 5-star gem.  (Bold, mature-themed, well-acted adult dramas often merit 5 stars from me.  A film doesn't have to be warm and fuzzy for me to love it and rate it 5 stars.) The performance of Frank Sinatra is completely beyond spectacular.  I've often heard people say that they think Sinatra couldn't act, and I always beg to differ with that statement.  He was very good in nearly every dramatic role I've seen him in...but here, wow, he is nothing short of brilliant.  I truly believe this is, without question, the best performance of his career and that he ought to have won the Academy Award for his work here.  Although he was nominated, he lost out to Ernest Borgnine; while I've seen Marty and think Mr. Borgnine did a good job there, I definitely think the win that year belonged to Sinatra (even though the phenomenal James Cagney was also nominated for Love Me or Leave Me).  Here is a video clip of Frankie's withdrawal scene.



Eleanor Parker is just as stellar as Frank is...she is completely amazing as the clinging, wheelchair-bound wife.  Since she had already been nominated that year for her work in Interrupted Melody, she didn't even receive a nomination for Golden Arm.  Having seen both films, I think she was nominated for the wrong one.  Her performance here in Golden Arm is not only Oscar nomination-worthy, but also Oscar win-worthy.  (She's wonderful in Interrupted Melody too...I just think here performance here is even more exceptional.)

Robert Strauss and Darren McGavin are terrific in their roles as the low-lifes who just won't let Frankie go straight.  Otto Preminger's direction is fantastic, and the Academy Award-nominated Elmer Bernstein score is interesting and exciting...escalating to a fever pitch each time Frankie goes for a fix.  Truly, the score adds much to the film's intensity.  A bold movie for its time---and yet still relevant for the drug addictions many struggle with today---this is a definite must-see!

Out on DVD, The Man with the Golden Arm ought to be fairly easy to track down.  If you enjoy bold, realistic, mature-themed dramas, you are certain to love this film.  By the way, Golden Arm is my 20 year-old son's favorite old film, and Frank Sinatra is his favorite classic film actor.  (White Heat and James Cagney are a close second, but Golden Arm and Sinatra are top dog for him.)

Happy viewing!!

Saturday, June 02, 2012

Soldier of Fortune (3 stars)

Soldier of Fortune, from 1955, is an action/adventure romantic drama starring Clark Gable and Susan Hayward.  Directed by Edward Dmytryk, this film, which I recently caught for the first time, features Michael Rennie, Gene Barry, and Tom Tully in supporting roles.




With her photojournalist husband missing and presumed to be a prisoner of the Chinese, Jane Hoyt (Susan Hayward) has traveled to Hong Kong (under British rule at the time) to seek information as to his whereabouts.  Without a visa, Lewis Hoyt (Gene Barry), had entered China three months earlier in order to do a story; although his camera equipment was found on a junk, the local authorities have no leads as to the man himself, but they do believe he is being held against his will in the Communist nation.

With little hope that the British agents can help her, Jane contacts American expatriate, Hank Lee (Clark Gable)---a smuggler with connections.  Attracted to Jane, Hank expects certain "favors" in return for his assistance; however, Jane angrily refuses and attempts to track down information on her own.  She's unsuccessful, though, and even finds herself tricked by unscrupulous locals, so in the end she has no choice but to turn to Hank once more.  But will Hank---who wants the beautiful lady for himself and, therefore, has something to gain by her husband remaining in captivity---really put himself in danger to locate and free Lewis Hoyt?  How it all plays out is the balance of the film.





Soldier of Fortune is a very solid, interesting, exciting film.  While I totally love Gone with the Wind and adore Clark Gable in his Rhett Butler role, I also quite appreciate him in his older years.  I think he aged well, and I love the gorgeous maturity which marks him at this point in his career/life.  He plays his part here to perfection...he's cocky and masculine, yet altogether romantic as well.  Susan Hayward---my #2 gal---is wonderful in her role---she's strong and determined, but with an element of softness and vulnerability.  I thought the two of them were really terrific together.  The supporting cast is good also, especially Tom Tully, who is a bit out of character from what I'm normally used to.  The lovely Hong Kong backdrop quite added to the authenticity of the film.

This film is out on DVD, so it ought to be easy to track it down.  Gable and/or Hayward fans will probably thoroughly enjoy it.

Happy viewing!!

Friday, June 01, 2012

It's Gals This Month

While May was heavily devoted to the films of Tyrone Power and Gary Cooper, this month it's the girls' turn.  June is the birthday month of three of my top-10 favorite actresses...

Susan Hayward





Eleanor Parker




and Judy Holliday



Two of these lovely ladies are in my top 4...


Miss Hayward






and Miss Parker




One of those dear ladies is actually still alive and about to celebrate her 90th birthday!



I will be OD' ing on the films of these lovely ladies this month...plus enjoying the works of a few other faves...plus taking part in the "Cinematic World Tour" blogathon going on over at All Good Things.  I hope you'll join me...and perhaps discover a few "new to you" films which you simply must see.