All That Heaven Allows (4 stars)

With tomorrow being Rock Hudson's birthday, I thought a re-watch of one of my favorites of his films (and a re-working of one of my earliest posts) was in order.  All That Heaven Allows---a 1955 Douglas Sirk romantic drama pairing Rock with Jane Wyman---is a tender, touching film which explores the theme of romance between an older woman and a younger man. I am totally not a Jane Wyman fan and would have preferred someone else to have been in this role. (Susan Hayward comes to mind as one who I would have loved here, and given that she was only three years younger than Jane Wyman, her age would have worked in this role.) On the other hand, I think Rock Hudson is fabulous. He is beyond gorgeous at this point in his career, and he and the sweet storyline are the reasons I like this movie so much.

Jane Wyman plays Carrie Scott, a socially prominent, middle-aged widow, with college-age children. (You never really know how long she has been a widow, but you assume it's not been too long.) With her children off at college, Carrie is quite lonely, and even though her country club friends try to keep her active, there is still something missing in Carrie's life.

One day, while she is lunching alone on her terrace, Carrie makes the acquaintance of Ron Kirby, her new gardener, who tells her that his father has died and that he has taken over the business. Several years younger than Carrie, Ron is a simple, down-to-earth man totally at ease with himself and his position in society. He doesn't aspire to be socially prominent or to live the country club life; rather, he is content to live in the country and to try his hand at tree farming.

Carrie and Ron are drawn to each other and begin spending time together, despite the fact that the tongues of the snobby country club crowd are beginning to wag. When Ron takes her out to his tree farm, Carrie is fascinated by the old mill located on the property and tells him it would make a wonderful home for him and the wife he will one day have.

Several weeks later, Carrie is stunned to visit the mill and discover that Ron has begun renovating it and it is shaping up to be a beautiful home. He tells her he is doing it for her, for them...and he tells her he loves her and asks her to marry him. At first, Carrie turns him down, convinced that their different lifestyles and the age difference between them will prevent them from finding happiness. However, after Ron encourages her not to worry about what other people think and to take a chance on happiness, Carrie accepts his proposal and is blissfully happy.

When Carrie calls her college-age children home to share the news with them, she is unprepared for how violently they oppose such a union. Besides the fact that Ron is much younger than their mother, is the fact that socially he is not what she deserves. They are certain he could never fit in with the elite country club crowd Carrie has run in for years, and a cocktail party with said people proves they are right. The gossip mill is in full force when Carrie and Ron show up for a party, and ugly words about Carrie's fidelity to her deceased husband make their way to Carrie's daughter's ears. Both of Carrie's children tell her that such a marriage will shame them and totally ruin their lives.

Will Carrie reconsider?  Will she put aside other people's opinions and do what makes her happy?  These are the questions which play out in the balance of this sweet, tender film.



As noted, I don't care for Jane Wyman, but Rock more than makes up for that. I quite adore him---his gorgeous presence makes any movie enjoyable for me.  And this film is definitely sweet and lovely and even gets me mildly misty-eyed.  Out on DVD, it ought to be fairly easy to track down.  And, just FYI, Jane and Rock were paired together in another romantic tearjerker, Magnificent Obsession.  I highly recommend both that film and this one.

Happy viewing...and happy birthday, Rock Hudson (November 17, 1925 - October 2, 1985)!!

Happy Birthday, Robert Ryan!!!

Happy 103rd birthday to one of my most beloved actors...my #1 guy...the incredibly talented Robert Ryan.  (November 11, 1909 - July 11, 1973)

A tremendously under-rated Hollywood talent, Robert Ryan originally set out to be a journalist; however, with the Depression in full swing at the time of his graduation from Dartmouth College, there were no newspaper jobs available to him, so he took on a number of other jobs for several years.  Eventually, he got involved in the theatre and made his way to Hollywood, where he gave incredible performances in such films as Crossfire, Inferno, Odds Against Tomorrow, and Bad Day at Black Rock.

Although he never retired from films and was making his final movie, The Iceman Cometh (which incidentally was also Fredric March's final film), the year of his death, the stage often drew Ryan back.  Though he did other stage roles, having been a Shakespeare appreciator, he enjoyed taking part in Shakespearean plays; one of his roles was Marc Antony (opposite Katharine Hepburn's Cleopatra).  Helen Hayes said about that portrayal, "What a joy it is to see a real man playing Antony."

Besides entertaining audiences with his brilliant portrayal of cruel, angry, sadistic men, Mr. Ryan also served his country by way of the Marine Corp.  Based at Camp Pendleton, California, he spent two years as a drill sergeant.  Kind of fitting that his birthday is on Veteran's Day.

My absolute favorite of Mr. Ryan's films is About Mrs. Leslie (reviewed HERE).  This touching romantic drama, also starring Shirley Booth, is one of the few Ryan films which brings me to tears.  Though he excelled at playing the heavy, About Mrs. Leslie definitely shows the broad range of his talents.

Rounding out my list of 5 favorite Ryan films are:

2.  Inferno  (with Rhonda Fleming and William Lundigan---reviewed HERE)

3.  On Dangerous Ground  (with Ida Lupino---reviewed HERE)

4.  The Set-Up  (with Audrey Totter---reviewed HERE)

5.  Her Twelve Men  (with Greer Garson---reviewed HERE)

Interestingly, though it was Ryan's Oscar-nominated (supporting actor) performance as a cruel anti-Semitic soldier in Crossfire which first brought the brilliance of this man's acting to my attention, and though I love him in those "bad boy" roles, my five favorite films all show a bit of a softer and/or more likable side.

So, here's to you, Mr. Robert Ryan, on your 103rd birthday.  You were a completely sensational actor who always gave a terrific performance.  I completely adore you and will always consider you one of my #1 guys.  Thanks for bringing so much viewing pleasure to my life with all your wonderful films.

I Want to Live (5 stars)

It was March 9, 1953 that the brutal, cold-blooded killing of Mabel Monahan took place in Burbank, California.  A 64-year old widow, Mrs. Monahan was bludgeoned and strangled, then left in the hallway of her house, her body to be discovered by her gardener two days later.  The three people arrested and convicted of the murder were executed in California’s gas chamber a little more than two years later (June 3, 1955), and a story based on the life of the female member of that trio was brought to life not long afterwards (1958) in the film I Want to Live. (Of course, “Hollywood license” was taken, resulting in several situations being fictionalized and/or depicted in a way which was not how they actually happened.)

Directed by Robert Wise, and starring my #2 gal, Susan Hayward, in an Academy Award-winning performance, I Want to Live is a gritty, hard-hitting “discussion piece” kind of movie.  The film, which will more than likely leave you questioning Mrs. Graham’s guilt, was based on the newspaper articles of Pulitzer Prize-winning San Francisco Examiner reporter, Edward S. Montgomery, and the letters of Barbara Graham.

Good-time party girl, Barbara Ward (Susan Hayward), is living a fast and loose lifestyle when she is arrested on prostitution charges.  Now with a criminal record, Barbara gets in further trouble with the law when, despite knowing perjury is a felony, she agrees to provide a phony alibi for two men who want to beat a rap.  Convicted of perjury charges, Barbara serves a year’s time and is then put on probation for five years.  During her probation period, she marries a man named Henry Graham then gives birth to a little boy.  Henry Graham is a drug addict who cannot hold a job, which results in Barbara passing bad checks and, ultimately, breaking her parole.

Though married, Barbara keeps company with two men who are suspected of the recent murder of a Burbank widow; a sting operation is put into action, and the men and Barbara are arrested.  Completely hostile to authorities, Barbara refuses to confess or to cooperate with prosecutors, and when she is questioned by the press, her belligerent attitude begins the initial action of trying her in the court of public opinion.  With the headline “Bloody Babs, the Tiger Woman,” reporter Ed Montgomery writes that Barbara is “young, attractive, belligerent, immoral, and guilty as hell.” 

As the case goes to trial, Barbara is fingered by the others as the one who did the killing.  Though she claims she is innocent and that she wasn’t anywhere near Mabel Monahan’s home that evening, Barbara has no alibi, and in an effort to concoct one, she lies that she had been with a man at a hotel.  As it turns out, though, the man who offers to be her phony alibi is an undercover police officer intent on getting a confession from her.  When he threatens to walk out on her unless she admits to having been with the other men, she agrees that she was, and that confession is brought forward as evidence against her.  Even though Barbara claims that her “confession” was a lie due to fear of her alibi falling through, having done time for perjury in the past, she is, more than ever, thought to be a compulsive liar and, without question, guilty of the crime for which she is standing trial.

All three suspects are convicted and sentenced to death in the gas chamber at San Quentin.  Barbara moves to Death Row, and as the film plays out, Ed Montgomery begins to believe that she is innocent.  Feeling that the press created the climate which condemned her, he seeks to change the climate.  With hopes to have a lie detector test administered, a psychologist is called in, but it is all to no avail.  Barbara’s appeal is denied…execution is inevitable...the gas chamber is prepared.  In the end, the question remains…is Barbara Graham a murderer?  Yes, she is hard, belligerent, immoral, and unlikeable…but is she a murderer?  This film’s view is that she is not.

In all, I Want to Live received 6 Academy Award nominations, taking home the win in the Lead Actress category.  Without question, Miss Hayward deserved the Academy Award she won for her work in this film, for she played the hardened Mrs. Graham to absolute perfection.  Truly, there are not enough adjectives to describe the performance she gave . . . she was brilliant . . . awesome . . . sensational . . . terrific . . . completely stellar.  While I think Miss Hayward was an amazing actress who gave many superb performances, I believe I Want to Live is definitely her finest hour.  Adding to the fantastic acting in this film is the incredible score.  It is perfect and totally adds to the realism.  The death row and gas chamber scenes are powerful and haunting, especially as Barbara mentally prepares herself for the walk to her execution, only to receive a last-minute stay by the governor.  Those torturous moments are brought vividly to life by Miss Hayward.

For those who like meaty, hard-hitting, gritty dramas with completely magnificent acting, I Want to Live is an absolute must-see.  No matter whether you are a proponent of the death penalty or an opponent, or whether you believe Barbara Graham was, in fact, guilty, or whether you think she was wrongly convicted, you absolutely will not be disappointed with the caliber of this film.  It is truly outstanding!  I don't believe the film is out on DVD; however, it is available in its entirety on YouTube (in parts), so you could catch it there.

Happy viewing!!

Happy Birthday, Montgomery Clift!!

Happy 92nd birthday to one of my dearly loved all-time favorite actors...the incredibly talented, positively beautiful Montgomery Clift.  (October 17, 1920 - July 23, 1966)

Back in March, I took part in a blogging event which paid homage to stars who left us too soon (before the age of 50), and Mr. Clift was the star I chose to honor.  It is my most-read blog post and the one of which I am the most proud.  I feel that if Monty was able to read that post, he would feel honored and loved.  I am not going to restate here all that I wrote on that post, but I'd love to have you read my from-the-heart tribute.  (HERE)

Mr. Clift has the honor of having 2 of his films and one of his film characters on my #1 lists.  First, as recently disclosed, A Place in the Sun is my all-time favorite movie.  I truly believe that film to be Monty's finest hour...in a career which offered many finest hours.

Also, I Confess happens to be my all-time favorite Alfred Hitchcock film; plus, Clift's character in I Confess---Father Michael Logan---is right up there with Will Kane (High Noon) and Atticus Finch (To Kill a Mockingbird) as my favorite film character.

Sadly, Mr. Clift's tragic life ended much too soon, and his film career is only 17 films.  I have seen 14 of them, and while I definitely hope to catch the other 3, there is a bittersweetness to doing so.  Yes, I will have watched the entire filmography of this extremely talented and very beloved actor, but once I've seen those 3, I'm done.  There will never be another Monty Clift film to discover, and that is a very sad thought indeed.

So, here's to you, Mr. Montgomery Clift, on your 92nd birthday.  You were a completely fantastic actor who always gave a brilliant performance.  I completely adore you and will always count you among my beloveds and all-time favorite actors.

Another Great Upcoming Event

I just heard about another upcoming event that I wish I was able to attend.  As with the Broadway production of The Heiress, I don't live close to where this event is taking place, nor do I have the money to make a trip there.  If I did, I would definitely be attending this screening.

Sunday, October, 28th, at Los Angeles's Downtown Independent Theatre there will be a screening of classic and contemporary "Desert Noir 3-D" films...those films being Inferno 3-D (1953...my 2nd favorite Robert Ryan film) and Dark Country 3-D (2009).  The event is sponsored by the LA 3-D Club.  On hand to introduce the films will be the "Czar of Noir," Eddie Muller, founder of the Film Noir Foundation, and Thomas Jane, director and star of Dark Country 3-D.

For more information, visit the LA 3-D Club's website (HERE).

For my review of the film Inferno, go HERE.

I hope some of y'all get a chance to attend this event.  If you do, please be sure to tell me about it, especially how wonderful it was to see the fabulous Mr. Ryan "up close and personal."